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Posts Tagged ‘Maurice Sendak’

05 FEBRUARY, 2013

My Brother’s Book: Maurice Sendak’s Posthumous Love Letter to the World

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“Because love is so enormous, the only thing you can think of doing is swallowing the person that you love entirely.”

For those of us who loved legendary children’s book author Maurice Sendak — famed creator of wild things, little-known illustrator of velveteen rabbits, infinitely warm heart, infinitely witty mind — his death in 2012 was one of the year’s greatest heartaches. Now, half a century after his iconic Where The Wild Things Are comes My Brother’s Book (public library; UK) — a bittersweet posthumous farewell to the world, illustrated in vibrant, dreamsome watercolors and written in verse inspired by some of Sendak’s lifelong influences: Shakespeare, Blake, Keats, and the music of Mozart. In fact, a foreword by Shakespeare scholar Stephen Greenblatt reveals the book is based on the Bard’s “A Winter’s Tale.”

It tells the story of two brothers, Jack and Guy, torn asunder when a falling star crashes onto Earth. Though on the surface about the beloved author’s own brother Jack, who died 18 years ago, the story is also about the love of Sendak’s life and his partner of fifty years, psychoanalyst Eugene Glynn, whose prolonged illness and eventual loss in 2007 devastated Sendak — the character of Guy reads like a poetic fusion of Sendak and Glynn. And while the story might be a universal “love letter to those who have gone before,” as NPR’s Renee Montagne suggests in Morning Edition, it is in equal measure a private love letter to Glynn. (Sendak passed away the day before President Obama announced his support for same-sex marriage, but Sendak fans were quick to honor both historic moments with a bittersweet homage.)

Indeed, the theme of all-consuming love manifests viscerally in Sendak’s books. Playwright Tony Kushner, a longtime close friend of Sendak’s and one of his most heartfelt mourners, tells NPR:

There’s a lot of consuming and devouring and eating in Maurice’s books. And I think that when people play with kids, there’s a lot of fake ferocity and threats of, you know, devouring — because love is so enormous, the only thing you can think of doing is swallowing the person that you love entirely.

My Brother’s Book ends on a soul-stirring note, tender and poignant in its posthumous light:

And Jack slept safe
Enfolded in his brother’s arms
And Guy whispered ‘Good night
And you will dream of me.’

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03 JANUARY, 2013

Terry Gross’s Moving Maurice Sendak Interview, Illustrated by Christoph Niemann

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“Live your life, live your life, live your life.”

Beloved children’s book illustrator Maurice Sendak — though he insisted he didn’t draw specifically for children — was among the most heartbreaking losses of 2012. His September 2011 NPR Fresh Air interview with Terry Gross is one of the most soul-stirring conversations you’ll ever hear on the airwaves. Indeed, after the inimitable Christoph Niemann first tuned in, he was so moved he decided to illustrate the last five minutes of the interview. The result will stop your breath:

It is a blessing to get old. It is a blessing to find the time to do the things, to read the books, to listen to the music. You know, I don’t think I’m rationalizing anything. I really don’t. This is all inevitable and I have no control over it.

[…]

I wish you all good things. Live your life, live your life, live your life.

Sendak’s final book, Bumble-Ardy (public library), was published the week of Terry Gross’s interview.

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09 MAY, 2012

Maurice Sendak’s Unreleased Drawings and Intaglio Prints

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What an American printmaker has to do with Mozart.

After this morning’s bittersweetly funny Sendak remembrance, a trip to his more serious and obscure past: In 2003, Sendak collaborated with Pulitzer Prize-winning playwright Tony Kushner on Brundibar — a WWII children’s opera, originally written by Czech composer Hans Krása, which the duo adapted into a book illustrated by Sendak and an opera for which Sendak designed the sets and costumes. But Sendak’s fascination with the opera dated back some three decades, to the 1970s, when he began collaborating with printmaker Kenneth Tyler while working on sets and costumes for Mozart’s The Magic Flute and Tchaikovsky’s The Nutcracker.

As Marabeth Cohen-Tyler notes, these operas inspired him to create a wealth of sketches, drawings, and watercolors. Some of them appeared in his beloved book Nutcracker and others were printed at Tyler Graphics between 1977 and 1984, and again in 2002, employing lithography and intaglio processes. But circumstances prevented any of these editions from being published. The inventory of rare proofs, collected here as the project’s intaglio ghosts, was signed in 2002, and the prints divided three-ways between Sendak, to the National Gallery of Australia’s Kenneth Tyler Print Collection, and to Tyler’s own personal collection. Sendak went on to hand-watercolor some of the black-and-white intaglios, including Wild Thing and Ida.

Wild thing, state

© Maurice Sendak

Wild thing, state II

© Maurice Sendak

Queen of the night

© Maurice Sendak

Study for the magic flute

© Maurice Sendak

Ida, state

© Maurice Sendak

Ida, state VI

© Maurice Sendak

Nutcracker 1984

© Maurice Sendak

Jen Bekman Printeresting

Images courtesy of the National Gallery of Australia’s Kenneth Tyler Print Collection

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