Retro revival is everywhere. We see it today’s web design trends, we see it in Fashion Week’s latest output, and we see it in retro-inspired artists taking SXSW by storm. But the only way to do the trend right is to be inspired by all the right things, the deepest and most authentic roots of what we now call “retro.”

That’s where Sir Shambling’s Deep Soul Heaven steps in — an immense archive of rare and unreleased “deep soul” (a unique musical genre that explores deep human emotion and existential philosophy in the unlikely realm of “popular music) from the Golden Age of soul between 1960 and 1980.

The project comes from an eccentric elderly Englishman who goes by “Sir Shambling” and whose obsession with black music began about 35 years ago and resulted in a personal collection of over 25,000 records. Most of them are B-sides and rarities from music history’s most indulgently obscure heroes. And many of them are available as free mp3′s, digitized from the original 45′s for your culturally enriching pleasure.

As you can guess, this goes against the legal grain of copyright law and P2P filesharing — but Sir Shambling shares a certain conviction with us:

The widest possible exposure to music is the best way to keep it alive, to promote interest in the artists themselves and to generate activity in the legitimate reissue business.

Well said, Sir.

The collection spans an enormous spectrum of music — from such impossibly obscure records as the 1969 “Blind Am I” from Chicago-based group Uptight Sound Creation‘s first and only record, to Tommy Soul‘s unexpected cover of classic soul ballad “I Need Someone (To Love Me)” from the mid-60′s. Then there’s the astounding vault of articles that an leave any music geek paralyzed with exuberance.

So go ahead, dive into the heart of soul — you’ll be mesmerized and bewitched and inspired in ways you didn’t know existed.

via Very Short List

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MOORE VS. BUSH, ROUND 2

We’re doing something a little different today — because today is the day filmmaker-slash-activist Michael Moore’s latest movie, Slacker Uprising, comes out. (Plus, it’s a nice transition from last week’s themes of P2P revolutions and the current White House being easily mistaken for a potato.)

And just like us today, Moore is doing something different with this himself: He’s giving the movie away as a free download, making it the first major feature-length film to debut legally as a free internet download. In his typical convention-defying, sticking-it-to-the-man style, he’s offering not one but five ways to snag it — from iTunes and Amazon Digital downloads to a number of live streaming options.

He’s doing it for two reasons: To get the word out and thus further the film’s ultimate goal of getting more young voters out on November 4, and to thank all his supporters over the years with a free gift on the 20th anniversary of his first film, Roger & Me.

The film was shot over 42 days leading up to the 2004 election, when Moore toured 62 cities across America with the same mission: Turning out a record number of young voters, which he considers a success given young adults voted in greater numbers than they ever had historically, and the youth segment was the only demographic group Kerry won.

(We, on the other hand, are less generous with the acclaim for a year in which American Idol still received more votes than the presidential election — quite the eye-opener when the American public finds a marginally talented popster to be a better idol than the nation’s leader.)

So go download the movie or find a screening near you so you can rub elbows with like-minded potato-haters. (Heck, host one, even.)

And, um, go vote on November 4, mmmkay?

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LEGAL AND WILLING

Speaking of things shaking the music industry, we couldn’t gloss over the huge and highly polarized issue of piracy. Worst part: it’s a vicious cycle. In a nutshell: a handful of big music retailers (a.k.a. “The Man”) dominate 90% of music sales; they exert pricing pressure on everyone else, asking consumers to shell out too much for music, most of which doesn’t even go to the artist due to brutal licensing deals; in turn, many music fans flip the bird and just download music illegally through P2P file-sharing.

But there’s actually a way to get free music through “file-sharing” that doesn’t make you an outlaw.

You may recall from pickings of yore services like Paperback Swap and SwapaCD — networks of everyday people who exchange books and CD’s they own via the mail. Now there’s a better execution to the same idea: swaptree, officially launched last July, is a similar concept, but has a broader media catalog — books, CD’s, DVD’s, even video games — and a massive member base of hundreds of thousands of users, with an astounding 30% monthly growth rate.

Seems like the newest media-shaker comes from the oldest medium of all: snail-mail, regarded today as barely a step up from pigeon post.

swaptree is free, simple, and here’s how it works: first say what you’ve got (build a “have” list of all the read books and old CD’s you’re willing to bid adieu), then say what you want (build a “want” list of stuff you’ve always been dying to read/hear/play). Then just sit back as the swaptree algorithms find you a trade and get the ball rolling. (We’re currently awaiting The Omnivore’s Dilemma, the brilliant book by one of our heroes, Michael Pollan.)

So how could all this be legal? Flashbacks of copyright class remind us about something known as the “first book doctrine,” a loophole in copyright law that allows you to transfer (for payment or not) a lawful copy of copyrighted work (like a book or CD) once you’ve obtained it. Everyday translation: whenever you buy, find, receive as a gift or get your hands on a book in other ways, it’s yours to do whatever you like with. Including swapping. And now it’s being applied to other media.

Sure, the big media dictators may not be happy. But in this power- to-the-people age, getting the latest from Postal Service through the postal service is an in-your-face constitutional right “the people” are learning to exercise…and lovin’ it.

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