Missing Sarajevo: A Political U2 Rockumentary

What beauty pageants have to do with war tragedy and the power of rock.

Between 1992 and 1996, The Siege of Sarajevo claimed tens of thousands of lives and its place in textbooks as the longest siege of a world capital in the history of modern warfare, as the rest of the world stood idly by. In the summer of 1993, American aid worker Bill Carter smuggled himself out of Sarajevo and into U2′s backstage in Verona, telling the band about the situation there. Bono immediately sprang to action, wanting to play a concert in Sarajevo, but was told not to go because the situation had gotten too dangerous. So, instead, he decided to do something that had never been done before — send a satellite dish instead and play a satellite show, long before the age of telecommuting and digi-presence.

But the satellite show wasn’t enough for Bono and he resolved to eventually play a real concert. In 1997, he kept his promise, making U2 the first major artist to play a concert in post-war Bosnia and Herzegovina — an extraordinary event that brought together people of different ethnicities who had fiercely clashed during the war. Missing Sarajevo is the story of this epic concert’s making, a fascinating microdocumentary about the political power of rock.

From the formidable setlist, including the song “Miss Sarajevo,” which Bono and Brian Eno wrote about a beauty pageant held at the peak of the war, to this profound human moment on stage, the concert was a poetic exercise in human connectedness in the midst of social and political turmoil. The documentary is available on YouTube in two parts, gathered below for your edutainment:

In many ways, that U2 concert played the same role Twitter did in this month’s Egyptian revolution — giving a voice to the repressed and oppressed to break the silence of the world. And regardless of which way the debates on whether or not that constitutes “real” activism, one thing is clear: Voice is always better than voicelessness.

via MetaFilter

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Uncovered Gem: Leo Tolstoy’s Grandson Meets the Dalai Lama

What tea has to do with critical moments in political history and iconic Russian literature.

In 1942, at the peak of WWII, Japan threw the Allies a formidable curveball — it blocked off the Burma Road, the essential artery supplying China with munitions from India to fight the occupying Japanese forces. Desperate for an alternative, the Allies diverted planes to the Himalayas, but the dangerous terrain and inclement weather caused too many pilots to crash into the mountains. A new land route between China and India had to be found, and two OSS men took it upon themselves to find it: Captain Brooke Dolan, an American explorer, and Major Ilia Tolstoy, Leo Tolstoy’s grandson. To do so, they’d have to cross Tibet and seek the permission of a 7-year-old boy: The Dalai Lama.

Undeterred, the pair proceeded with their mission and came carrying a letter from President Roosevelt. At 9:20 in the morning of December 20, 1942, they were granted audience with His Holiness, establishing for the first time in history direct contact between a U.S. Presidnet and the Dalai Lama and thus bridging two cultures that had never met. Five months later, the two crossed the Tibetan platau and arrived in Northern China, completing the journey of over a thousand miles.

Dolan filmed the entire expedition and rare reels are now held in the motion picture library of The National Archive, who have kindly digitized and uploaded the footage for the world to see — just one instance of the importance of the digital humanities and the open web.

Tibetans are inherently sociable and on the slightest provocation pause their labors to visit over a cup of tea. Native drivers congregate at the ferry crossing. Tea is the chief drink of the country, made of barley, salt and butter. It gives them resistance to hunger and cold. They drink anywhere from 30 to 50 cups a day.”

The film offers a glimpse of a fascinating culture whose unique geopolitical position remains, as it was in 1942, a point of much political tension that has festered into grave human rights violations over the past half-century. For a well-rounded approach to one of modern history’s most critical justice issues, we highly recommend this pairing: The ambitious and scholarly Freeing Tibet: 50 Years of Struggle, Resilience, and Hope by former Reagan strategist Roberts and political journalist Elizabeth Roberts, and the tenderly meditative The Story of Tibet: Conversations with the Dalai Lama.

via The National Archives via MetaFilter

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Animated Soviet Propaganda

What warthogs and vultures have to do with the most critical polarization in world politics.

There hardly is a time in world history more politically polarized than the 20th century, which divided the globe in two camps — capitalism and communism — divided at the height of the divergence by the infamous Iron Curtain. The Cold War was very much a war of ideologies and each side relied heavily on the ideological unity of its people, often employing the power of the visual arts — graphic design, animation, illustration — to drive its message home. While the U.S. was producing seminal design work under various WPA programs, the U.S.S.R. was busy churning out its own brand of political propaganda art.

Animated Soviet Propaganda: From the October Revolution to Perestroika chronicles the visual legacy of 60 years of Soviet political history between 1924 and 1984. Forty-one beautifully animated black-and-white and color short films, never before available in the U.S., depict — and exploit — national stereotypes with remarkable visual eloquence that bespeaks the complicated non-relationship between the East and the West during that critical time in political history.

Ideological messaging aside, the films feature some astounding animation techniques that grace today’s trendiest cinematic vocabulary, from stop-motion to paper cutout animation to impressively intricate puppetry

The ambitious collection is divided into four parts, curated not simply by chronology but by recurring themes. American Imperialists features 7 films from the Cold War era, depicting Westerners as money-hungry industrialists who inevitably collapse under the weight of their own greed. Though mocked and derided, it’s interesting to note that Americans nonetheless remain human — which is not the case with other antagonists in Soviet propaganda, as we’ll see in just a second.

Fascist Barbarians is a 17-film reaction to the Nazi invasion in the beginning of WWII. Here, the Nazis are dehumanized and frequently portrayed as undesirable animals — pigs, vultures, warthogs.

Capitalist Sharks is a 6-film assault on the bourgeoisie, weaving sci-fi narratives to envision dystopian scenarios for capitalists’ world domination.

Onward to the Shining Future: Communism features 11 films that romanticize the state and promise a utopian future of universal well-being.

Harvested from Moscow’s iconic Soyuzmultfilm Studios, Animated Soviet Propaganda is an absolute gem of historical insight and a living hallmark of the swaying power of visual communication. With more than 6 hours of rare footage, the collection is not only a priceless political trophy but a prized possession for any design and film history nerd.

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