Brain Pickings

Posts Tagged ‘remix’

15 MARCH, 2013

Sorted Books Revisited: Artist Nina Katchadourian’s Playfully Arranged Book Spine Sentences

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“Friendship: The silent places where speech ends.”

As a longtime fan of artist Nina Katchadourian’s long-running Sorted Books project, which even inspired some playful book spine poetry experiments of my own, I’m thrilled for the release of Sorted Books (public library) — a collection spanning nearly two decades of her witty and wise minimalist mediations on life by way of ingeniously arranged book spines, including some pieces never seen online.

A heart-warming bonus: Most of the books Katchadourian uses are library copies, presenting a subtle conceptual addition to other love letters to libraries.

Brian Dillon writes in the introduction:

‘Sorted Books’ is many things at the same time: a series of sculptures or photographs, or site-specific installations; a collection of short stories, or poems, or jokes; a work in which the ‘found object’ is subject alike to chance and the most painstaking choices; a delicate conceptual game with the horizontal and the vertical. But it is first of all an act of reading. We have to picture the artist at large between the bookshelves, scanning the spines for likely, or unlikely, meetings among their titles.

Katchadourian’s project began in 1993, somewhat serendipitously — as most great side-projects-turned-lifelong-passions tend to — while she was pursuing an MFA at University of California, San Diego. She recounts the origin story:

We studied — and were trying to put into practice — an engagement with the everyday, a stance toward art that located it in unlikely places, and ways of working collaboratively. In that spirit, an art major undergraduate, who was friendly with some of the graduate students, invited a group of us to move into her parents’ house for a week and make art with what we found. Her parents — who were not art collectors but simply welcoming and curious people — generously agreed to be invaded by the six of us.

The house where we stayed was in a small town called Half Moon Bay, about an hour south of San Francisco on the foggy California coast, so we decided to call the project ‘The Half Moon Bay Experiment.’ We spent about a week there, poking around and thinking about what to make. Eventually each of us found different zones in the house that interested us, and in the end we had a small show, which essentially meant running an announcement in the local paper, opening the font door for the afternoon, and having some friends, family, and locals come by.

Quite early in the week, I latched onto the library. Our hosts had married late in life — a second marriage for both — and they had merged their separate book collections when they moved in together. It seemed like they had decided to keep everything, and so they had a lot of books, organized in casually thematic manner on wooden shelves. I spent a long time looking at the books and getting acquainted with the wide variety of subjects in the library: Shakespeare, self-help, gambling, addiction, health care, history, and investment strategy guides. I suddenly recalled a moment in the university library when, looking for a book, I had turned my head sideways as I walked down the stacks and thought how spectacular it would be if all the titles formed an accidental sentence when read one after the other in a long chain. Standing amidst the bookshelves in Half Moon Bay, my next move was simply to make this imaginary accident real. I spent days shifting and arranging books, composing them so that their titles formed short sentences. The exercise was intimate, like a form of portraiture, and it felt important that the books I selected should function as a cross section of the larger collection.

The rest, as they say, is history — but Katchadourian remained true to the same methodology and ethos of curiosity over the years. In an era drowned in periodic death tolls for the future of the physical book, her project stands as a celebration of the spirit embedded in the magnificent materiality of the printed page. Katchadourian writes:

I am always paying attention to the physical qualities of the books, and I try to work with their particular attributes as much as possible. The size of a book carries temperament and tonality, as does the way the text sits on the spine. A heavy volume with large text on the spine, for example, might be exuberant, urgent, pushy; a small typeface might communicate a voice that’s exacting, shy, insecure, or furtive.

My favorite arrangement is this laconic addition to history’s finest definitions of art:

Above all, however, Sorted Books is a visceral reminder of that powerful interplay between context and subtext, which embodies — and emboldens — the wellspring of meaning.

Images courtesy Nina Katchadourian

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23 OCTOBER, 2012

Rework: Beck and Others Remix the Music of Philip Glass for the Iconic Composer’s 75th Birthday

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Half a century of music innovation, reimagined.

As he approached his 75th birthday, beloved avant-garde composer Philip Glass, a champion of transformation as creative authorship, reached out to Beck and asked him to enlist some of his favorite contemporary musicians in remixing Glass’s most iconic pieces. The result, out today, is Rework: Philip Glass Remixed — a spellbinding two-disc collection curated by Beck and featuring remixes by a dozen celebrated artists, including Amon Tobin (“Warda’s Whorehouse Inside Out Version”), Tyondai Braxton (“Rubric”), Memory Tapes (“Floe ’87”), and Beck himself (“NYC: 73-78″).

My indisputable favorites: Johann Johannsson’s remix of “Protest” and Peter Broderick’s “Island”.

Beck has kindly offered up his contribution to the album, a 20-minute masterwork woven of snippets from more than 20 Glass tracks, on SoundCloud:

Rework comes out on vinyl next month. You can hear the entire album on NPR’s First Listen.

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19 OCTOBER, 2012

Sailing to Byzantium: 13 Songs Based on the Poetry of W. B. Yeats

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“A pity beyond all telling / Is hid in the heart of love”

The intersection of music and literature is an enchanting place — from Tin Hat’s 17 songs based on the poetry of e. e. cummings to Emily Dickinson’s poetry set to song by Israeli singer-songwriter Efrat Ben Zur to Natalie Merchant’s soulful musical adaptations of Victorian children’s poetry, and even my ongoing Literary Jukebox side project. Now comes Sailing to Byzantium (iTunes) by jazz vocalist and composer Christine Tobin, a collection of thirteen songs — some soothing, some disquieting, some cinematic, all spellbindingly soulful — based on the poetry of W. B. Yeats.

Thanks, @Aleatorus

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11 OCTOBER, 2012

A Message to Humanity: Charlie Chaplin’s Iconic Speech, Remixed

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“We want to live by each other’s happiness, not by each other’s misery.”

From the same remix artist who brought us yesterday’s Alan Watts meditation on the meaningful life comes “A Message for all of Humanity” — a stirring mashup of Charlie Chaplin’s famous speech from The Great Dictator and scenes of humanity’s most tragic and most hopeful moments in recent history, spanning everything from space exploration to the Occupy protests, with an appropriately epic score by Hans Zimmer.

I’m sorry but I don’t want to be an emperor. That’s not my business. I don’t want to rule or conquer anyone. I should like to help everyone if possible; Jew, Gentile, black men, white. We all want to help one another. Human beings are like that. We want to live by each other’s happiness, not by each other’s misery. We don’t want to hate and despise one another. In this world there is room for everyone. And the good earth is rich and can provide for everyone. The way of life can be free and beautiful, but we have lost the way.

Greed has poisoned men’s souls; has barricaded the world with hate; has goose-stepped us into misery and bloodshed. We have developed speed, but we have shut ourselves in. Machinery that gives abundance has left us in want. Our knowledge as made us cynical; our cleverness, hard and unkind. We think too much and feel too little. More than machinery we need humanity. More than cleverness, we need kindness and gentleness. Without these qualities, life will be violent and all will be lost. The aeroplane and the radio have brought us closer together. The very nature of these inventions cries out for the goodness in man; cries out for universal brotherhood; for the unity of us all.

Even now my voice is reaching millions throughout the world, millions of despairing men, women, and little children, victims of a system that makes men torture and imprison innocent people. To those who can hear me, I say “Do not despair.” The misery that is now upon us is but the passing of greed, the bitterness of men who fear the way of human progress. The hate of men will pass, and dictators die, and the power they took from the people will return to the people. And so long as men die, liberty will never perish.

Soldiers! Don’t give yourselves to brutes, men who despise you and enslave you; who regiment your lives, tell you what to do, what to think and what to feel! Who drill you, diet you, treat you like cattle, use you as cannon fodder! Don’t give yourselves to these unnatural men—machine men with machine minds and machine hearts! You are not machines! You are not cattle! You are men! You have a love of humanity in your hearts! You don’t hate! Only the unloved hate; the unloved and the unnatural.

Soldiers! Don’t fight for slavery! Fight for liberty! In the seventeenth chapter of St. Luke, it’s written “the kingdom of God is within man”, not one man nor a group of men, but in all men! In you! You, the people, have the power, the power to create machines, the power to create happiness! You, the people, have the power to make this life free and beautiful, to make this life a wonderful adventure. Then in the name of democracy, let us use that power.

Let us all unite. Let us fight for a new world, a decent world that will give men a chance to work, that will give youth a future and old age a security. By the promise of these things, brutes have risen to power. But they lie! They do not fulfill their promise. They never will! Dictators free themselves but they enslave the people! Now let us fight to fulfill that promise! Let us fight to free the world! To do away with national barriers! To do away with greed, with hate and intolerance! Let us fight for a world of reason, a world where science and progress will lead to all men’s happiness.

Soldiers, in the name of democracy, let us all unite!

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