Green Porno: Isabella Rossellini Celebrates Animal Biology

How dolphins do it, or what the first rule of advertising has to do with expanding the market for biology.

This Saturday, the great Isabella Rossellini — actor, filmmaker, author, philanthropist and one of the very few people in the world I’d qualify as a “role model” — is turning 59. I’ve been a longtime fan of her Green Porno series for Sundance Channel and her birthday is lovely invitation to revisit Green Porno: A Book and Short Films by Isabella Rossellini — a fascinating, humorous, kooky and illuminating book-and-DVD based on the project, in which Rossellini, clad in various bodysuits, offers a wildly entertaining and scientifically accurate reenactment the sex lives of animals as biologically far from us as possible — bugs, slugs, marine life and other peculiar creatures.

Each film is about two minutes long and an absolute gem of edutainment. From anchovy orgies to the squid’s ten-arm embrace to the makeup-sex routine of whales, the endearingly odd short films and accompanying visuals reveal a lively and wonderful world in the depths of the ocean.

I always wanted to make films about animals – there’s not an enormous audience. But there’s an enormous audience for sex.” ~ Isabella Rossellini

Revisiting Green Porno is particularly timely after last week’s World Oceans Day and the release of the 2011 State of the Oceans report, which revealed the devastating impact of human activity — an impact in large part due to mankind’s inability to see marine life as anything more than a source of food and commerce. Rossellini’s films

What’s perhaps most fantastic about the series is the deep thought with which Rossellini approaches it, looking beyond the immediate message of science literacy to think about the broader issues of where culture and human communication are going, and how the web lends itself to new models of storytelling.

The Internet is the future. And it was fun to make these videos. Just as my father, who remembered the times of silent cinema, I feel like I am assisting to a revolution” ~ Isabella Rossellini

Charming, funny and surprisingly articluate, Green Porno is the kind of cross-pollinator between pop culture and serious science that opens new doors for the understanding of our world and, in the process, fosters a deep appreciation for the precious and intricate ecosystems we’ve done such a disgraceful job of protecting and preserving. Because underpinning Rossellini’s goofiness is nothing less than an impassioned invitation to treat our fellow creatures with a little bit more understanding, empathy and respect.

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La Figa: Visions of Food and Form

Humanity’s greatest appetites together at last, or what the farmer’s market has to do with the boudoir.

Food is fundamental. It’s sustenance, it’s comunity, it’s a global economy. But for Italian artist Tiberio Simone it’s all that and much more: It’s a medium of creative expression, a sensory portal to truth, beauty and sensuality. His La Figa: Visions of Food and Form is nothing short of a feast for the senses, celebrating two of the most primal human hungers and pleasures while elevating both through the artistic lens of a true creative visionary using the human body as his canvas and food as his paintbrush. Simone’s edible masterpieces, which remained ephemeral until he collaborated with photographer Matt Freedman, spring to life from the page, extending an alluring come-hither invitation to reconnect with our own understanding of food, sexuality, and how the two feed one another.

Alongside the luscious and playful images are imaginative essays and delicious, uncommon recipes that amplify the experiential delight of Simone’s work.

‘Only those who will risk going too far can possibly know how far one can go,’ wrote T. S. Eliot. In La Figa, Tiberio and Matt transport us with their provocative and mesmerizing photographs to a place where a simple fruit, combined with the basic human form, explodes our senses – from a pomegranate bikini to rolling hills of ingredientcovered hips. I, for one, will never think of seaweed or avocado in the same way. La Figa invites us to pierce through mundane living and savor the basic ingredients of life.” ~ Nassim Nassefi, M.D.

Filmmaker Dan McComb has created a handful of wonderful, artful, poetic segments on Simone and the La Figa project that bespeak the incredible passion with which Simone approaches his work.

But what makes Simone all the more interesting as a creator and someone filled with such exuberant positivity is the grim story that led him there. After a childhood of abuse and grueling work on his father’s farm, he became a prostitute, until he finally found solace in the kitchen and eventually discovered food art as his true calling and his salvation. Watch him tell his remarkable story in this excellent talk from TEDxRainier:

With over 160 lavish full-color images, 20 mouth-watering recipes and 40 essays on food, love and life, La Figa is a genuine treat for the senses and an invitation to approach something that’s been overly functionalized and commodified with a little bit more playfulness, poignancy and poetry.

Thanks, Nassim

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Make Love, Not Porn: Technology’s Hardcore Impact on How We Act

Last month, TED made a bold first move into publishing with the launch of TEDBooks — a revolutionary model for adapting the most compelling TED talks into low-priced ebooks under Amazon’s new Kindle Singles imprint for short nonfiction. Today, we’re thrilled for the release of Make Love Not Porn: Technology’s hardcore impact on human behavior — the excellent new TEDBook by our friend Cindy Gallop, whose project of the same name tackles one of the most underaddressed yet important facets of contemporary culture.

Sample the book with Cindy’s fantastic 2009 TED talk:

Coupling TED’s unshakable curatorial vetting with the radically low price point, we hope Make Love Not Porn will serve as a potent conversation starter for wrapping our collective mind around an issue we have failed to address intelligently, even though it permeates nearly every aspect of our lives, from our media habits to our private selves to our public personas.

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