See Something Cite Something: A Fair Use Flowchart

The social web era has introduced new challenges to attribution and citation. In an information system where content discovery is the currency of cool, not crediting your sources is a new form of piracy, plagiarism perpetrated against fellow publishers, driven perhaps by the misguided notion that there somehow isn’t “enough” — enough audience, enough interest, enough status — for everyone. The lack of attribution and source citation across the social web is not only one of our biggest pet peeves, but also one of the most serious issues that journalism has to sort out as it grapples with new publishing platforms. (In fact, we’re working on a forthcoming project in that very vein — stay tuned.)

So we were particularly thrilled to stumble upon this excellent See Something Cite Something flowchart guide to crediting your sources when you “see something cool on the Internet.”

Published just in time for yesterday’s World’s Fair Use Day, the flowchart is a tongue-in-cheek reminder to do the decent thing in what’s actually a very serious issue in publishing and content curation. Massive hat tip to co-creators Rosscott and H. Caldwell Tanner for doing what should’ve been done a long time ago.

via Coudal

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Clay Shirky on Social Media, News and the Democratic Process

The news on news, or what Twitter has to do with democracy.

Today’s continuation of video week is a particularly timely piece of sociocultural commentary — Clay Shirky’s TED@State talk about how cell phones, Twitter and Facebook are changing the world. Timely not only because those of us in the modern democratic world are completely immersed in these technologies, but mostly because we’re beginning to see them as tools of citizen activism and freedom of speech in areas where the democratic process falls short — most recently, the case of the social-media-powered Iranian national strike.

Media, the media landscape that we knew, as familiar as it was, as easy conceptually as it was to deal with the idea that professionals broadcast messages to amateurs, is increasingly slipping away. In a world where media is global, social, ubiquitous and cheap, in a world of media where the former audience are now increasingly full participants, in that world, media is less and less often about crafting a single message to be consumed by individuals. It is more and more often a way of creating an environment for convening and supporting groups.” ~ Clay Shirky

Although the idea isn’t new to those of us who have been paying attention in the past couple of years, Shirky contextualizes it in a way that points to the ever more rapidly impeding end of top-down news, which is in turn effecting the next big leap in the evolution of politics.

Watch, appreciate the era we live in, and go tweet about it.

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Curating Twitter: Three Hand-Picked Must-Follows

Because #followfriday is insufficient, props are to be given, and we like Big Words.

Twitter is quickly evolving into a superb way to discover fascinating content you normally wouldn’t have, by following interesting people who tweet with great editorial curation. The key, of course, is exercising your own curatory judgment in identifying said interesting people. And since we’ve been in the business of sparing you unnecessary curatory work since 2006, here’s some help — 3 incredible Twitter personas on whom we have a massive, butterflies-in-the-brain culture-crush.

NICK BILTON

Nick Bilton may work at a pillar of traditional media — The New York Times, to be exact — but his interests are closer to what we like to call enlightened futurism: Cultural and technological innovation of the most compelling kind. You can count on him for a steady stream of fascination across technology, new-age publishing, media, data visualization and miscellaneous finds of cultural relevance.

Nick may tweet infrequently, but when he does, it’s quality stuff.

Stats:

• Followers: 3,072
• Following: 342
• Tweets/day: 0.8

BBH LABS

Underwritten by Mel Exon and Ben Malbon, @BBHLabs is the Twitter outpost of — you guessed it — NY-and-London-based neo-agency BBH Labs.

These guys just “get it” — “it” being all the diverse incarnations of the business of ideas, from design to advertising to social media to interactive wizardry. Mostly, they seem to share our belief that the future of the marketing and advertising industry is not in the pushing of product but in the pulling of ideas — from innovators, from artists, from various cultural agents who pursue their own passions that may just so happen to make for great marketing.

You can count on @BBHLabs for a variety of creative explorations, but especially for bleeding-edge developments across data visualization and crowdsourcing.

Stats:

• Followers: 2,888
• Following: 802
• Tweets/day: 3.6

CHRIS ANDERSON

If you’ve been reading Brain Pickings, you’re well familiar with TED and thus with Chris Anderson — TED’s brilliant curator but oh-so-much-more.

Unlike most people who tweet as the “public face” of a big organization or institution (sorry, @SamsungMobileUS), Chris goes well beyond simply promoting TED’s (already fascinating) content and actually walks the walk of what TED stands for — ideas worth spreading — sharing brilliant ones across all facets of culture: Design, art, sustainability, technology, social media, philanthropy and miscellaneous curiosity about the world.

Chris also writes The Untweetable — a roomier outpost for insight that can’t be contained in 140 characters. There, you’ll find anything from the continuation of compelling, heated Twitter discussions to bonus content beyond Twitter to original social media experiments.

He comes with our highest stamp of approval — a rare combination of superb editorial judgment, compelling cultural curiosity and, to use a TEDism, incredible moral imagination.

Stats:

• Followers: 100,422
• Following: 269
• Tweets/day: 5.6