Brain Pickings

Posts Tagged ‘space’

06 JUNE, 2014

Amusingly Cryptic Warning Signs from NASA’s Jet Propulsion Laboratory, Autotuned

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A serendipitous adventure in science communication.

When artist, designer, and educator David Delgado first arrived at NASA’s Jet Propulsion Laboratory to work with the artist-in-residence there, he was immediately struck by the strange signs around the space, often cryptic and seemingly nonsensical. He found himself captivated by the disconnect between the dry, mundane language of these cautions and the immensely interesting processes, materials, and operations they were trying to describe. A solitary keyhole, almost alien in its arbitrary placement, bears the label “lazer bypass” — something partway between Alice in Wonderland and Alice in Quantumland, or the set of a science fiction movie.

When his friend Lee Overtree, Artistic Director of the wonderful arts education nonprofit Story Pirates, came to visit, he too took amused notice of the signs. Using Delgado’s photographs, he decided to compose a song using the app Songify to autotune his reading of the warning text from the various signs.

I recently bumped into Delgado at the World Science Festival, where he told me the story of their sign-turned-song, as an aside to an unrelated conversation about Ray Bradbury’s conversation with Carl Sagan and Arthur C. Clarke. I was instantly smitten with this geeky labor of love. So, with high permission all the way up from NASA’s Media Office, here is the end result for our shared delight:

More of Delgado’s original photographs of the signs below:

Complement with NASA’s formal Art Program, featuring Serious Art by such luminaries as Andy Warhol, Annie Leibovitz, and Norman Rockwell, then take a tour of JPL’s predecessors with these gorgeous vintage photos of NASA facilities.

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08 MAY, 2014

Visionary Vintage Children’s Book Celebrates Gender Equality, Ethnic Diversity, and Space Exploration

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“The blackness of space was dotted with stars.”

For all their immeasurable delight, children’s books also have a serious cultural responsibility — they capture young minds and plant in them the seeds that blossom into beliefs about what is socially acceptable, what is right and wrong, and what is possible. This weight of possibility is both a blessing and a burden, given the terrible track record children’s books have of celebrating diversity — both ethnically and in terms of gender norms. Only 31 percent of children’s books feature female heroines, and even those consistently purvey limiting gender expectations; of the 3,200 children’s books published in 2013, a mere 93 were about black people. The ones that fully embrace cultural diversity or empower girls are few and far between, to say nothing of those rare specimens that get girls excited about science.

One of the most heartening antidotes to this lamentable state of affairs comes from 1973. Four years after the historic moon landing, as the world was falling in love with space exploration, the education arm of the Xerox Corporation published Blast Off (public library) — an extraordinarily imaginative little book by two women writers, Linda C. Cain and Susan Rosenbaum, illustrated by the legendary duo Leo and Diane Dillon, best-known for illustrating the most popular edition of Madeleine L’Engle’s A Wrinkle in Time.

It is a story of space flight, whose protagonist is not only a girl but a black girl — and not a girl who is being mansplained about the way of the world, but a girl who does the explaining herself.

“For as long as she could remember, Regina Williams wanted to become an astronaut,” the story begins. One day, as Regina is drawing a diagram of a rocket on the sidewalk by her house, two of her friends come by and inquire about the “funny-shaped thing.”

She explains that it’s a spaceship and shares her dream of flying on a real one someday:

I’ll zoom through the sky into space. I’ll find new worlds and maybe meet new people, and I’ll come back and be famous!

Her friends just laugh at her and walk away, which leaves Regina all the more determined to pursue her dream. She sets out to build her very own spaceship out of junk — a few boxes and an old trash can become her space capsule — as she wonders whether her dream of becoming an astronaut will ever come true.

The story continues and, being a children’s tale, has a happy ending — but at its heart is a proposition both bittersweet and truly visionary: It would be exactly a decade until Sally Ride became the first American woman in space, and nearly twenty years until Mae Jemison launched into the cosmos as the first African American astronaut.

Though long out of print and somewhat dated in its details, Blast Off endures as a heartening antidote to a culture that all too frequently contains and confines children’s dreams by selling them lesser visions of the possible, failing to cultivate in them the essential capacity to imagine immensities.

What might a contemporary version of this spirit look like? Perhaps the most heartening example today remains Carla Torres’s Larry and Friends.

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18 MARCH, 2014

Astronaut Chris Hadfield Covers Bowie’s “Space Oddity” in Space

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“Now it’s time to leave the capsule if you dare…”

For no other reason than sheer soul-uplifting awesomeness, here’s astronaut Chris Hadfield — yes, him — covering David Bowie’s “Space Oddity” aboard the International Space Station, which Hadfield considers “the world’s first great outpost away from the world”:

Hadfield, whose 2013 book An Astronaut’s Guide to Life on Earth: What Going to Space Taught Me About Ingenuity, Determination, and Being Prepared for Anything is absolutely fantastic, also performed “Space Oddity” at TED 2014. Here’s a serendipitous shot that makes his guitar look like a tiny sun:

It may seem a small thing, silly even, but how little it takes to get Earth excited about space, and how very necessary that we do so. Perhaps we need more Chris Hadfields to rekindle public interest in space exploration.

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