06 APRIL, 2012
By: Maria Popova
From walls to paper, or what the eye of the octopus has to do with swans and women’s role in the arts.
I’ve been a longtime fan of independent Indian publisher Tara Books, who for the past 16 years has been giving voice to marginalized art and literature through a commune of artists, writers, and designers collaborating on remarkable handmade books, including I Like Cats, Do!, and Tara’s crown jewel, The Night Life of Trees. But now comes what’s positively the most exquisite book I’ve ever held in my hands: Waterlife by artist Rambharos Jha, who explores the marine wonderland through vibrant Mithila art, a form of folk painting from Bihar in eastern India.
'The Lobster's Secret'
I was born in the culture-rich district of Darbanga, in the Mithila region. But my father moved along with all of us to Madhubani, where he started work in a government-supported art and cultural project. This project sought to breathe new life into local art traditions and also to help artists earn a living. Since women had traditionally decorated walls and courtyards, they participated in this project in large numbers…
Living as we did in Madhubani, I had a chance to look at what they were painting. I would spend hours watching them work. I had not known of this art earlier and wondered why I was drawn to it, and what purpose there could be in my being attracted to these lines and shapes? Mixing colours and ideas, the women drew pictures that took hold of my mind.
Jha eventually learned to draw himself, initially drawing on stories from Hindu mythology and eventually moving on to more secular subjects, pursuing his own creative impulse but remaining deeply inspired by tradition.
Mithila art was originally painted on the walls of houses during festival season, but in the late 1970s, it migrated from walls to paper.
The book comes in a limited edition of 3,000 hand-numbered copies and, like all handmade Tara gems, is screen-printed by local artisans in Chennai using traditional Indian dyes, whose earthy scent you can smell as you leaf through the thick, textured pages.
Waterlife was among 10 books I curated for the TED 2012 Bookstore and is, without a shadow of exaggeration, the most beautiful book I’ve ever laid eyes on. The screen does it no justice whatsoever.