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Posts Tagged ‘Taschen’

05 OCTOBER, 2011

Breakfast at Tiffany’s Turns 50: Celebrating Audrey Hepburn

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One of Old Hollywood’s most charismatic personalities, captured through the affection lens of a dear friend.

Fifty years ago today, Breakfast at Tiffany’s made its debut. The iconic film, based on the Truman Capote novella of the same name, went on to become one of the most beloved romantic comdies of all time, and the Holly Golightly character remained the most memorable role of Edda van Heemstra Hepburn-Ruston, better-known as Audrey Hepburn. Throughout her long career, no one has managed to capture Hepburn’s character, charisma, and enigma with more visual eloquence than iconic photographer Bob Willoughby, who met a young Hepburn shortly after she arrived in Hollywood in 1953 and, mesmerized by her extraordinary persona, continued to shoot her for over a decade. Over the years, Willoughby became a trusted friend who helped frame Hepburn’s life and image, both personally and professionally.

From the fine folks at Taschen () comes a formidable volume not for the faint of heart (or wallet) — Bob Willoughby: Audrey Hepburn: Photographs 1953-1966 is a lavish collector’s edition of 1,000 hand-numbered copies that comes at a hefty 14 pounds and even heftier $750 price tag. Though long sold out, you can scour Amazon and Craigslist for some used copies — but don’t expect a bargain. Still, Willoughby’s work is so poetic and enchanted it’s hard to put a price on.

I really didn’t know what to make of Audrey when I first saw her. She certainly was not the typical image of a young starlet, for that was what I had been sent to photograph. I watched her across the room as she was being photographed by Ben Fraker, and she did have something… but I couldn’t quite put my finger on it until I was finally introduced to her.

Then that radiant smile hit me right between the eyes, warming me inside like a shot of whisky. That amazing instant contact she made, a remarkable gift that everyone who met her felt. She exuded some magic warmth that was hers alone.”

For a more affordable homage, there’s also the excellent Breakfast at Tiffany’s: The Official 50th Anniversary Companion — a first-of-its-kind exploration of what makes the iconic movie so enduring and why it still has the same seductive magic today. The only official release published in association with Paramount Pictures and the Audrey Hepburn estate, the volume is full of rare images, candid behind-the-scenes photos, full-color reproductions of poster art, copies of the original shooting script, and other ephemera to make a movie buff’s heart bustle with joy. A foreword by the great French aristocrat and fashion designer Hubert de Givenchy, who designed much of Hepburn’s wardrobe and famously had her as his muse, adds another layer of affection to what’s already a touching tribute.

Images via Taschen

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28 SEPTEMBER, 2011

Gorgeous Grimm: 130 Years of Brothers Grimm Visual Legacy

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What evil stepmothers and conniving wolves have to do with understanding the future of reading.

The fairy tales of the Brothers Grimm, part of UNESCO’s Memory of the World Register for the preservation of cultural documents, have been delighting and terrifying children since 1812, transfixing generations of parents, psychologists, and academics. The Fairy Tales of the Brothers Grimm is an astounding new volume from Taschen editor Noel Daniel bringing together the best illustrations from 130 years of The Brothers Grimm with 27 of the most beloved Grimm stories, including Cinderella, Snow White, The Little Red Riding Hood, and Sleeping Beauty, amidst artwork by some of the most celebrated illustrators from Germany, Britain, Sweden, Austria, the Czech Republic, Switzerland, and the United States working between the 1820s and 1950s.

The new translation is based on the final 1857 edition of the tales, and stunning silhouettes from original publications from the 1870s and 1920s grace the tome’s pages, alongside brand new silhouettes created bespoke for this remarkable new volume.

An introduction by Daniel explores the Grimms’ enduring legacy, from the DNA of fairy-tale scholarship to the shadow play and shape-shifting at the heart of the stories, and a preface to each tale frames it in its historical and sociocultural context.

The Grimms’ were a vital engine for a whole new caliber of artistic activity [...] Suddenly, artists across the Western world could make a living illustrating books, and they found a solid foundation for new work in the heroes and princesses, talking animals, dwarfs, and witches of fairy tales. The tales were an important part of each technological advancement along the way, and the best of this visual iconography still influences artist, art directors, filmmakers, and animators today [...] Even as our modes of reading continue to change with new technologies, taking a measure of the interactivity of text and image in past treasures helps us understand the changing landscape of reading in the future.”

And in case you were wondering why Taschen, purveyors of high-end and often risque art and design books, are doing a children’s book, they’ve got a thoughtful answer:

Taschen recently celebrated its 30th anniversary. We have many readers who have come of age with us and are now have their own families. These readers are interested in beautifully produced children’s books that take seriously a child’s exposure to stories and images with depth and historical meaning. We wanted The Fairy Tales of the Brothers Grimm to embody our mission to create meaningful books that are timeless yet original, modern but classic.”

Rigorously researched and breathtakingly art-directed, The Fairy Tales of the Brothers Grimm is a whimsical wonderland in its own right, blending seminal cultural history with our private individual nostalgia in an utterly gorgeous volume to charm the design lover, the history buff, and the eternal kid all at once.

Images courtesy of Taschen

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17 AUGUST, 2011

Portraits of Cultural Icons by 80 of the World’s Top Illustrators

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What Stephen Hawking’s eyebrows have to do with Amy Winehouse and the artist as a storyteller.

Hardly does the responsibility of art get more intricate than in portraiture, with its expectation of capturing a person’s entire character and history with a few strokes of the proverbial brush. We’ve recently looked at Platon’s powerful portraits of political leaders and Noma Bar’s brilliant negative-space illustrated portraits of cultural icons. Today, we turn to Illustration Now! Portraits — a stunning new showcase of illustrated portraits by over 80 of the world’s most exciting artists, culled from Taschen‘s previously published Illustration Now! volumes, in addition to exclusive and unpublished work. The lavish 400-page tome spans a remarkable range of media, from ink and watercolor to collage to digital illustration, and covers a wide spectrum of styles, from the minimalist to the hyperrealistic to the grotesque and beyond.

What makes the project particularly interesting is that it’s essentially a visual meditation on the changing role of portraiture in an age where the barrier of entry for photography is at an all-time low and photographic portraits are technically accessible to just about anyone, making yesteryear’s gold standard of photographic accuracy no longer the merit metric for what makes a good portrait. Instead, a new creative meritocracy has emerged, pushing artists to differentiate themselves through unique styles, techniques and points of view in how they capture their subjects.

Miles Davis by Jorge Arevalo

Elijah Wood by Jorge Arevalo

Amy Winehouse by Jorje Arevalo

Rihanna by Pablo Lobato

Albert Einstein by Pablo Lobato

Stephen Hawking by Havoch Piven

Keith Richards by Havoch Piven

Borat by Havoch Piven

Precious by Tavis Coburn

Avatar by Tavis Coburn

Frida Kahlo by Montse Bernal

The anthology is also a study in the evolution of our culture’s narrative on faces and ideals. As editor Julius Wiedemann points out,

Editors and advertisers once demanded that illustrators idealize the face and figure, thus codifying an aesthetic of universal beauty. In Western society, that meant white, ethnically cleansed portraits of pretty or handsome models. Today portraits come in the proverbial all shapes and sizes, styles and mannerisms, colors and hues. They seem to be more honest and arguably today’s illustration is more in our face.”

Visually stunning and creatively stimulating, Illustration Now! Portraits is a coffeetable museum of our era’s expectations regarding faces, both of the artist’s role as a storyteller and of our collective response to the icons and personalities portrayed.

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