Flying cars! Spinning buildings! Voice AND color! …or what Disney has to do with Eve.
Last year, we looked at the 2020 Project, which invited some of today’s sharpest thinkers to imagine tomorrow. But how will their visions look to future generations? To get a taste for it, we looked to the past: Here are 6 charming visions for the future, from the past — a delightful exercise in retrofuturism that embodies humanity’s chronic blend of boundless imagination, solipsistic foolishness and hopeless optimism.
THE FUTURE OF TRAVEL
In 1936, Japanese magazine Shonen Club published World Transportation Invention Competition — an illustrated series envisioning the future of transportation, based on concepts by inventors from around the world. From high-speed monorail to tank-like battle boats to a car with spherical wheels, the images embody a fascinating blend of technological urgency and artistic imagination.
Mountain monorail -- Kikuzo Ito, 1936
A powerful airplane propeller balances a precarious-looking two-wheel bodice, while a tail fin keeps the train upright and stable.
sphere-wheeled car -- Reiji Iizuka, 1936
Based on a concept by a German inventor, the vehicle's oversized rubbery tires promise a smoother ride than the conventional tires and act as a cushion in the event of an accident.
WALT DISNEY’S TOMORROWLAND
Last month, we featured Walt Disney’s Man In Space — an entire series of retrofuturist visions for space exploration, part of his Tomorrowland program. In the following mashup, digital artist David Phillips remixes footage from the program to capture Disney’s legendary optimism about the future.
CLOTHING OF THE FUTURE
In the 1930s, Pathetone Weekly asked leading fashion designers to imagine women’s clothing in the year 2000. From an electric belt that adapts the body to climatic changes to a wedding dress made of glass to an electric headlight “to help her find an honest man,” the Eve of tomorrow is as delightfully retrofuturistic as they come.
As for [the man], if he matters at all, there won’t be any shaving, colors, ties or pockets. He’ll be fitted with a telephone, a radio, and containers for coins, keys and candy for cuties.”
Just about describes your average Brooklyn hipster.
Vision as well as sound, oh my! When British telecommunication giant BT imagined the future of communication technology — from videoconferencing to high-definition document transmission — they made their most conceptually innovative proposition, the notion of telecommuting, with a kind of facetiousness most ironic in the context of today’s remote-everything workplace.
Given all these facilities, the businessman will scarcely need to go to his office at all. He can do all his work in the comfort of his own home.”
TELEFUTURE
In 1980, a TV segment entitled Telefuture envisions a world of television-based information services. While at its core lies a fascinating and, in retrospect, remarkably accurate exploration of the exponential progression of technology — including transmedia experiences that even modernity can’t get quite right, like Internet TV — the excitement and language used to describe technologies we now find primitive is a disarming source of amusement. We held it together quite admirably, until the vintage-voiced man described basic 8-bit diversions as “incredibly complex games” — at that point, through tears of laughter, we wonder how his vocabulary of superlatives would hold up against the latest Halo 3 or Guitar Hero.
But don’t think of it just as a receiver of programs from networks or local stations — it’s becoming a central display terminal, able to show pictures from a growing number of electronic sources, including traditional broadcast stations, 40 or more channels of cable television, video cassette recorders with timers to record programs to watch at your convenience, video disc machines that don’t record but play back records of films, specials and so on, and games people play, incredibly complex games now programmed into your sets by small cassettes or cards or memory discs.”
For some quality present-day retrofuturism, we highly recommend What’s Next: Dispatches on the Future of Science — a fantastic, and not necessarily fantastical, anthology of 18 essays by leading scientists across evolutionary biology, anthropology, neuroscience and psychology exploring the future of ethics and the human mind.
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Last year, author Marcus Chown took a fascinating look at what everyday objects tell us about the universe. Now, he’s back with Solar System — his first-ever iPad book, a visually stunning and remarkably knowledge-rich interactive exploration of our corner of the cosmos. Created by the team behind Theodore Grey’s acclaimed The Elements and with original music by Bjork, the $14 app is worth every cent as it puts a mesmerizing 3D model of the Solar System at your fingertips, literally.
Solar System is the sophisticated cousin to the American Museum of Natural History’s Cosmic Discoveries and is the kind of cultural artifact that gives us true pause about the technology-enabled frontiers of human knowledge and curiosity in our era.
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A year’s worth of ideas, inspiration and innovation from culture’s collective brain.
It’s that time again, that very special day on which we turn back on the year whose end we celebrate tonight and take a look at the tastiest tidbits of interestingness that made our radar during the 4,500+ hours we poured into Brain Pickings in 2010. (And if you found any of them marginally interesting, stimulating or smile-inducing, please consider supporting us with a marginal donation — it’s what keeps the cogs a-turnin’ here.)
This hyperkinetic gumbo in space, known as the Antenna Galaxies, may resemble the fate of the Milky Way and the Andromeda Galaxy when they collide in about 2.5 billion years.
In February, BBC’s The Century of the Self took us deep into the roots of consumerism and democracy. 88 Constellations delivered the biography of the Austrian-British philosopher Ludwig Wittgenstein in spellbinding interactive storytelling. Matthew Albanese’s miniature condiment landscapes blew us a way.
Tornado made of steel wool, cotton, ground parsley and moss
In may, we celebrated our 500th anniversary with original artwork by the talented Len Kendall. Leonard Bernstein dissected the anatomy of music. The world’s leading data visualization masters pooled together in a stunning new anthology. Nina Katchadourian made wry comedy out of stacked books. In another uncovered gem from 1959, Ayn Rand gave Mike Wallace a piece of her mind on love and business.
An animated adaptation of Mark Twain’s The War Prayer gave us pause about the state of the world today, more than a century after Twain’s poignant reflection on war and morality. These 7 must-read books by TED speakers became one of our most read articles all year and MoMA’s Paola Antonelli echoed our own philosophy on design and innovation in her metaphor of the “curious octopus.”
A poetic short film about art of being alone became our second most-shared article this year. We were excited for an upcoming documentary about happiness and rallied behind a delightful language conservation effort to save the world’s words. We curated 7 must-see episode of the iconic vintage gameshow What’s My Line, featuring luminaries like Salvador Dali, Walt Disney and Eleanor Roosevelt.
Divergent thinking isn’t the same thing as creativity. I define creativity as the process of having original ideas that have value. Divergent thinking isn’t a synonym but is an essential capacity for creativity. It’s the ability to see lots of possible answers to a question, lots of possible ways to interpret a question, to think laterally, to think not just in linear or convergent ways, to see multiple answers, not one.” ~ Sir Ken Robinson
Silk floss tree (Ceiba speciosa), a flowering deciduous tree native to South America's tropical forests
Image by Cedric Pollet
We explored the psychology of choice from five perspectives and rushed to grab Bill Moggridge’s ambitious new book on media innovation, featuring interviews with some some of today’s most celebrated media thought leaders.
The roster of ingredients includes dried lotus leaves for snails, noodles for the wood floor, physalis lanterns, and the obscure wild green yamakurage for the rope.
We looked at some incredible edible landscapes and marveled at Jonathan Safran Foer’s Tree of Codes, positively the year’s most ambitioius publishing project. Roger Sterling’s fictional Mad Men memoir was, in our book, the year’s most ingenious example of transmedia storytelling. Arts & Letters Daily founder Denis Dutton offered a provocative Darwinian theory of beauty mere months before he passed away.
We launched a shoppe full of curated design goodies, quirky gifts and favorite books and applauded a new platform allowing causes and nonprofits to crowdfund media space via microdonations from supporters. We immediately loved All Facts Considered from NPR’s charmingly librarianly librarian and bowed before this Englishman who posted himself.
We were thrilled that James Burke’s iconic Connections series, a BBC history of innovation, was released online for free. We celebrated Christmas with a fascinating documentary about the history of the holiday and a heart-warming story of humanity amidst war from 1914. We commemorated the 6th anniversary of our favorite author’s death with a trifecta remembrance and took a delightfully dark, beautifully illustrated look at Armageddon.
We had a fantastic year thanks to your readership and support — a big THANK YOU for that and here’s to an even more inspired, stimulating, curiosity-filled 2011.
In 2010, we spent more than 4,500 hours bringing you Brain Pickings. If you found any joy and inspiration here this year, please consider supporting us with a modest donation — it lets us know we’re doing something right and helps pay the bills.
Brain Pickings has a free weekly newsletter and people say it’s cool. It comes out on Sundays and offers the week’s best articles. Here’s an example. Like? Sign up.
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