A portrait of happiness in the last Himalayan kingdom.
Since 1972, Bhutan has been attracting international attention as the only country in the world that quantifies its nation’s well-being not by Gross National Product, the narrow and soulless measure of our economic monoculture, but by Gross National Happiness. In 2007, artist Jonathan Harris (♥♥♥♥♥) traveled to Bhutan to explore the Gross National Happiness paradigm. Balloons for Bhutan documents his effort to capture “a portrait of happiness in the last Himalayan kingdom” in his signature style of multimedia storytelling.
Harris asked 117 people of various ages, occupations, education levels, and social status five questions related to happiness: What makes them happy; what is their happiest memory; what is their favorite joke; what is their happiness level on a scale of 1 to 10; if they could make one wish, what would that be. He then gave each person the number of balloons corresponding to their stated happiness, and wrote each person’s wish on the balloon of their favorite color. On the final night of his journey, he strung up the inflated balloons at Duchala, a sacred mountain pass at 10,000 feet, bobbing amidst Buddhist prayer flags.
Here’s an excerpt from Harris’s 2007 EG / TED talk, where he talks about the project:
What Lucille Ball has to do with the dot-com bubble, or why 2001 was the beginning of the end for TV comedy.
I may have given away my TV set in 2004 and fully endorse Clay Shirky’s theory of cognitive surplus but, as a devoted Marshall McLuhan groupie, I’d be the last to renounce the medium as culturally inconsequential. Television, for all its ills and follies, still commands a remarkable portion of our collective conscience — and, it turns out, it has an implicit conscience of its own, as TV executive Lauren Zalaznick demonstrates in this eye-opening, stride-stopping TED talk, using GapMinder, the statistical visualization software made famous by TED rockstar Hans Rosling.
From the intricate balance of moral ambiguity and inspiration, humor and judgement, to the normative shifts scripted television can ignite, to the evolving ideals of motherhood, Zalaznick illustrates not only how history has shaped the medium, but also how the medium itself is shaping cultural history.
Moral ambiguity becomes the dominant meme in television from 1990 for the next twenty years.”
Brain Pickings has a free weekly interestingness digest. It comes out on Sundays and offers the week's best articles. Here's an example. Like? Sign up.
donating = loving
Brain Pickings remains ad-free and takes hundreds of hours a month to research and write, and thousands of dollars to sustain. If you find any joy and value in it, please consider becoming a Member and supporting with a recurring monthly donation of your choosing, between a cup of tea and a good dinner:
You can also become a one-time patron with a single donation in any amount:
Brain Pickings participates in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn commissions by linking to Amazon. In more human terms, this means that whenever you buy a book on Amazon from a link on here, I get a small percentage of its price. That helps supportBrain Pickings by offsetting a fraction of what it takes to maintain the site, and is very much appreciated.