Brain Pickings

Posts Tagged ‘TV’

23 AUGUST, 2010

7 Must-See What’s My Line Episodes

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TED, Marilyn Monroe, and what girdles have to do with civic activism.

In the 1950′s, the popular TV gameshow What’s My Line? cemented America’s relationship with television as an entertainment medium and a voyeuristic window into celebrity culture. The premise of the show was simple: In each episode, a contestant would appear in front of a panel of blindfolded culture pundits — with few exceptions, a regular lineup of columnist Dorothy Kilgallen, actress Arlene Francis, Random House founder Bennett Cerf, and a fourth guest panelist — who would try to guess his or her “line” of work or, in the case of famous “mystery guests,” the person’s identity, by asking exactly 10 yes-or-no questions. A contestant won if he or she presented the panel with 10 “no” answers.

Over the 17-year run of the show, nearly every iconic cultural luminary of the era, from presidents to pop stars, appeared as a mystery guest. Today, we’ve curated 7 must-see What’s My Line? appearances by some of history’s sharpest minds and most compelling creators.

SALVADOR DALI

In a WML episode that aired on January 20, 1952, Salvador Dalí is assigned the line “artist” and identified as “self-employed.” But the real comedic genius of the footage is that the great creative cross-pollinator answers nearly all questions in the affirmative, to the audience’s exponential amusement, not with the intention of misleading the panelists but merely as a reflection of his vast intellectual curiosity and creative output — our kind of character.

There’s nothing this man doesn’t do! What we have to guess is an all-around man.”

WALT DISNEY

On November 11, 1956 — just a few months after the grand opening of Disneyland — Walt Disney appeared as the mystery guest on WML. One particularly interesting piece of the conversation unfolds when Daly asks Disney’s opinion of television, which he had just recently begun dabbling in.

Well, it’s wonderful. You get to reach people in a sort of an immediate way. With pictures, you work for years and then it’s quite a while before you know how what you’re working on is going to come out, how it’s going to be received, but with television you know, well, in a very short time.”

We’re left wondering what Disney would make of the Internet, with its even more instant gratification yet ever-harder to decipher impact.

ALFRED HITCHCOCK

From the impressive pretend-accents and speech impediments to the priceless facial expressions to the facetious disregard for the show’s rules by dodging yes/no questions with lengthy, Yoda-esque answers, Hitchcock’s performance on WML is just that — a performance, and an outstanding one at that.

I was hoping to see Marilyn Monroe here tonight, but I didn’t hear any ooh’s and ahh’s, so I take it you are not Marilyn Monroe. Is this correct?” Hitchcock: “It is impossible.”

Hitchcock’s humor is unparalleled and particularly fascinating in contrast with the dark, often grim undertones of his films.

Daly: “Did you ever make a picture in which you haven’t appeared, in one time or another?” Hitchcock: “The indignity of being a ham is thrust upon me.”

ELEANOR ROOSEVELT

In 1954, an elderly yet razor-sharp Eleanor Roosevelt took her seat at WML for a near-silent performance.

Are you now or have you ever been associated with politics?” “The answer to that would have to be a ‘yes’ … but that is also to advise you that, in one way or another, almost every good citizen in this country is associated with politics.”

Well said, Mr. Daly, well said. A powerful statement on civic engagement, delivered with a wink, is just the kind of commentary that made WML as much an entertainment brand as it was a pipeline for the social, political and cultural ideas that moved the era forward.

JEAN DESMOND, GIRDLE TESTER

To step away from the celebrity focus of WML for a moment, let’s return to the show’s original roots — having panelists guess an ordinary person’s occupation, or “line.” To keep things interesting, WML would invite contestants with unusual, bizarre and downright wildcard occupations, from Marilyn Monroe’s calendar salesman to this professional girdle-tester, who actually wins the game by getting all 10 “no” answers.

Judging by that answer, may I assume that this product is not edible?” Desmond: “You’re right, not edible.”

Oh, dear sir, if only you had lived to see the advances in… materials innovation.

LUCILLE BALL

Lucille Ball, the woman who arguably single-handedly catapulted the sitcom genre into its pop culture pedestal, is both witty and charming in her

Perhaps the most priceless moment of this clip, however, is a subtle one that becomes a living hallmark of the medium’s technological deficiency: The telling question, which exposes Ball’s identity, asked on black-and-white national television:

Are you a dazzling redhead?”

JOHN DALY

The final episode of WML aired on September 3, 1967. Besides its grand-finale status, what makes is particularly notable is that on it, host John Daly himself is the mystery guest, an exercise in meta-comedy long before meta was the hottest hipster humor.

The heritage of WML poses one interesting question: In its heyday, the show was essentially the only media property that could “have” any celebrity or cultural figure. The one entity no one said “no” to. And much of this was due to the involvement of Random House founder Bennett Cerf who, through his deep connections in the journalism and media world, was within a few degrees of separation from just about any public figure.

Nearly half a century later, after an epidemic of media fragmentation and audience erosion, we’re left wondering what contemporary culture’s version of WML is, this can’t-say-no-to platform for ideas. The closest thing that comes to mind is TED, spearheaded by Chris Anderson who also rose to status as a publishing entrepreneur. So is TED this generation’s WML, the potent mix of cultural commentary and smart entertainment that frames for its audience the people and ideas that matter in the world? If not, who is? Or are those shoes even fillable in today’s fragmented media landscape? We’d love your thoughts.

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02 AUGUST, 2010

These Are Their Stories: Art Based on Law & Order

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What mustaches have to do with dead bullies and subway-riding bears.

Earlier this year, the world bid one of television’s longest-running and most revered series adieu — after 20 seasons, Law & Order came to a grand finale. From its iconic characters to the unmistakable dun-dun sound, the show has inspired a cultish following and a number of tributes that transcend the TV airwaves and cross into a variety of media.

These Are Their Stories is a series of artist interpretations of the one-line episode summaries found in the show’s DirectTV program guide. From oil on canvas to comic panels to dioramas, from the literal to the abstract to the downright bizarre, the artwork spans the entire spectrum of artistic style, genre and creative conception by a wide range of artists. (Including Brain Pickings favorite Jason Polan.)

A Band of Teens Attacks a Piano Student by Scott C.

Victim Falls Off a Subway Platform by Lisa Hanawalt.

Detective Benson's Brother by Love Ablan

The brainchild of California artist Brandon Bird, the project has been going strong since 2002, even snagging a Webby award along the way.

Goren Takes on a Chess Master by Carly Monardo

Death of a Bully by Box Brown

Boy Scavenges for Food in the Garbage by Lacy McCune

The project reminds us of Postcards to Alphaville and while Law & Order: Artistic Intent may not be coming to a channel near you anytime soon, the concept offers a lovely example of the cross-pollination of the arts.

via @kirstinbutler

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15 SEPTEMBER, 2008

Hidden Music Top 3

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Dr. House gets down, web design goes hip hop, and your salad performs at Carnegie Hall.

IT’S NOT LUPUS, BUT IT’S GOOD

For the most part, we have nothing but contempt for today’s tabloid-driven, paparazzi-infested, mind-blowingly superficial celebrity culture. So when we stumble across celebrities who surprise us with true talent and unexpected substance, we can’t help digging.

Plus, we love House.

We’re talking, of course, about The Band from TV — a multi-talented lineup of Hollywood A-listers (and, okay, some reality show B-listers) including drummer Greg Grunberg (of Heroes, Alias and Felicity fame), guitarist James Denton (Desperate Housewives), vocalists Teri Hatcher (Desperate Housewives), Bonnie Somerville (Cashmere Mafia), and Bob Guiney (The Bachelor), violinist Jesse Spencer (House), plus a few more musically talented actors, and our favorite: Dr. House himself, the ever-talented, agelessly hot Hugh Laurie on the keyboards.

These guys rock it out on stage like you wouldn’t believe it. And although they don’t have any full-length studio albums yet, you can catch them on the House soundtrack — for the ultimate Laurie in all his glorie, you know.

Any profit they make goes to a number of charities that hit close to home for some of the band members and their families. (Greg Grunberg’s son has epilepsy and Teri Hatcher is living with lifelong childhood trauma.)

We recently heard BFTV’s mean cover of the The Rolling Stones’ “You Can’t Always Get What You Want” — and we’re believers.

DROP IT LIKE IT’S CODE

Musical talent hides where you least expect it. Just ask Mo Serious, the Poetic Prophet a.k.a. SEO Rapper — he’s not your average code-wrangling designer.

He’ll teach you all about CSS, web standards and proper design practice with lovably cheesy hip-hop beats and rhymes delivered straight from the trenches of your typical cubicle farm.

Because, you know, ain’t no street cred in rapping about the ghetto if you don’t live there, yo.

Gotta give it to the man for original lyrics like “Everyone will wanna follow you like Twitter” and “client satisfied like they eating on a Snicker.”

Also great: the two seemingly unfazed cubicle ladies going about their cubicle day in the background.

THE OTHER CARROT TOP

Ok, so we’ve learned music can be in your TV and in your CSS. One more place it can be: your kitchen. Enter the Vienna Vegetable Orchestra, a symphony performing solely on vegetables.

Vegetable Orchestra: RemixedCarrot flutes, pumpkin basses, leek violins, leek-zucchini-vibrators, cucumberophones, celery bongos, you name it (and eat it), they play it. The orchestra, founded 10 years ago in — you guessed it — Vienna plays across a number of genres: contemporary music, beat-oriented house tracks, experimental electronic, freestyle jazz, noise (we can see that one), dub, and more.

We must say their music is rather… interesting. (Just a heads-up: our 8th grade English teacher used to say that “interesting is what you call an ugly baby” — we concur on this one.)

And while we encourage you to look for yourself, we’ll take our asparagus grilled for now.