Brain Pickings

Posts Tagged ‘typography’

10 JANUARY, 2014

Edith Windsor on Love and the Truth about Equality, Illustrated

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“If you really care about the quality of somebody’s life as much as you care about the quality of your own…”

The question of what love is endures as one of our deepest inquiries, as individuals and as a culture. Among the greatest love stories in modern history — in individual human terms, but perhaps most importantly in political terms — is that of Edith Windsor and Thea Spier.

After TIME magazine nominated Edith Windsor for Person of the Year 2013, they produced an impossibly moving short documentary (below) about Edie and Thea and what their story reveals about the meaning of love and marriage. Edie’s powerful words at the end of the film inspired the latest installment in the Brain Pickings Artist Series — another collaboration with Debbie Millman, who previously brought her signature hand-lettering to Edie’s historic phone call with President Obama.

Painstakingly made by hand with gold leaf and felt letters on hand-quilted felt, the artwork is available on Society6 as a print, tote, stretched canvas, and (yes, really) pillow, with 100% of the proceeds benefiting SAGE, a nonprofit providing support and care for LGBTQ senior citizens.

Watch the documentary below, and try not to sob:

See more of the Brain Pickings Artist Series here, and don’t miss Debbie Millman’s Self-Portrait as Your Traitor, one of the best art and design books of 2013.

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15 NOVEMBER, 2013

The Geography of Great Literature, in Hand-Lettered Typography

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Twain, Didion, Thoreau, White, McCarthy, Eugenides.

HAPPY UPDATE: All the artwork is now available as gorgeous prints on Society6, with 100% of the proceeds benefiting A Room of Her Own, a foundation supporting women writers and artists.

In a recent collaboration with Debbie Millman for Print magazine’s Regional Design Annual, I selected a beloved literary quotation representing each of the six regions represented and Debbie illustrated the passages in the signature style of her magnificent visual essays and poems. These typographic gems — a sort of modern-day booklovers’ map of literary geography — are presented here for the first time digitally, and include a Brain Pickings exclusive: A special quotation for New York from one of my 10 all-time favorite books on NYC.

For the East, Henry David Thoreausage of true success and children’s book hero — in Walden:

For the Far West, Joan Didion in Slouching Towards Bethlehem (which also gave us her timeless wisdom on self-respect and keeping a notebook):

For the Midwest, Jeffrey Eugenides in Middlesex:

For the Southwest, Cormac McCarthy in Blood Meridian:

For the South, Mark Twainadviser of little girls, “the Lincoln of literature,” feisty critic of the press — in Life on the Mississippi:

For New York, the one and only E. B. White — extraordinary essayist, heartfelt dog-lover, celebrator of New York, tireless champion of integrity, upholder of linguistic style — in the indispensable Here Is New York:

For more enchantment by this Millmanian magic, devour Self-Portrait as Your Traitor: Visual Essays by Debbie Millman, then grab prints of this artwork on Society6.

Donating = Loving

Bringing you (ad-free) Brain Pickings takes hundreds of hours each month. If you find any joy and stimulation here, please consider becoming a Supporting Member with a recurring monthly donation of your choosing, between a cup of tea and a good dinner:





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08 NOVEMBER, 2013

Self-Portrait as Your Traitor: A 21st-Century Illuminated Manuscript

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“One must have a reason for reflection — an eye to admire variations.”

“Still this childish fascination with my handwriting,” young Susan Sontag wrote in her diary in 1949. “To think that I always have this sensuous potentiality glowing within my fingers.” This is the sort of sensuous potentiality that comes aglow in Self-Portrait as Your Traitor (public library) — the magnificent new collection of hand-lettered poems and illustrated essays by friend-of-Brain-Pickings and frequent contributor Debbie Millman, who recently offered an exclusive glimpse of her creative process in making this extraordinary “21st-century illuminated manuscript,” as Paula Scher so aptly describes this singular visual form in the introduction.

Personal bias aside, these moving, lovingly crafted poems and essays — some handwritten, some drawn with colored pencils, some typeset in felt on felt — vibrate at that fertile intersection of the deeply personal and the universally profound.

In “Fail Safe,” her widely read essay-turned-commencement-address on creative courage and embracing the unknown from the 2009 anthology Look Both Ways, Millman wrote:

John Maeda once explained, “The computer will do anything within its abilities, but it will do nothing unless commanded to do so.” I think people are the same — we like to operate within our abilities. But whereas the computer has a fixed code, our abilities are limited only by our perceptions. Two decades since determining my code, and after 15 years of working in the world of branding, I am now in the process of rewriting the possibilities of what comes next. I don’t know exactly what I will become; it is not something I can describe scientifically or artistically. Perhaps it is a “code in progress.”

Self-Portrait as Your Traitor, a glorious large-format tome full of textured colors to which the screen does absolutely no justice, is the result of this progress — a brave and heartening embodiment of what it truly means, as Rilke put it, to live the questions; the stunning record of one woman’s personal and artistic code-rewriting, brimming with wisdom on life and art for all.

With the artist’s permission, here is one of the pieces from the book — a poem titled “Reflections on a Puddle,” a choice particularly fitting as Debbie originally wrote it in college, when she was certain she was going to be a poet; though life’s defaults took her elsewhere, the poem stayed with her and she revisited and illustrated it more than two decades later, after having courageously rewritten her own code of possibility and arrived at this artistic reawakening.

Self-Portrait as Your Traitor is exquisite in its entirety, featuring ten other pieces that dance vibrantly across the spectrum of the granular and the universal, the personal and the philosophical, the vulnerable and the bold.

Photographs by Thomas Brent Taylor

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Brain Pickings has a free weekly newsletter. It comes out on Sundays and offers the week’s best articles. Here’s what to expect. Like? Sign up.