Brain Pickings

Posts Tagged ‘video’

13 SEPTEMBER, 2011

Wonderstruck: Remarkable New Work from Brian Selznick

By:

What a 50-year fold in the spacetime continuum of New York has to do with three pounds of love and Scorsese.

You might recall author and illustrator extraordinaire Brian Selznick from his magnificent The Adventures of Hugo Cabret, a masterpiece of a children’s book inspired by Georges Méliès, the first “cinemagician,” and currently being made into a film by Martin Scorsese.

Today, Selznick is back with his much-anticipated Wonderstruck, which tells the parallel stories of Ben and Rose, two children trying to find their place of belonging in the world. One story takes place is 1977 and is told in text, the other in 1927 and is told in pictures. The two narratives weave back and forth, in Selznick’s signature style of intricate and ephemeral pencil sketches, to converge into a single story in the end.

But this is no ordinary 12-page children’s book — like Selznick’s previous tome, the mesmerizing 600-page volume weighs in at nearly three pounds and features hundreds of his original illustrations, whose intricate details exude incredible thoughtfulness and truthfulness to the era, bound to leave any adult, indeed, wonderstruck.

I really love working with a great amount of detail, I love doing research, I love making sure that every inch of the drawing has a reason to exist. It’s a very immersive experience to be inside the time period, having done all this research.” ~ Brian Selznick

And as book trailer fetishists, we have to give props to publisher Scholastic for the true feat of 2D/3D animation and analog/digital storytelling in the book’s beautiful trailer:

Selznick seems to share the Brain Pickings ethos of endless curiosity, discovery and learning through the research and creative process:

I write about things I love. In Wonderstruck, I write about museums, and I write about deaf culture, and I write about New York in 1927 and 1977. I did as much research as I possibly could on all of those things, and I learned so much, and I loved so much of what it was I discovered, and so what I hope for the reader is when they read this book, when they open this book up and see the pictures and read the stories and watch how they come together, that the love that I felt for all of these different elements and these different characters comes through for them.” ~ Brian Selznick

Absolutely beautiful and full of fascinating detail, Wonderstruck is a living testament to all that makes books — and their creators — so very special, and a true artifact of human creativity and curiosity.

Brain Pickings has a free weekly newsletter and people say it’s cool. It comes out on Sundays and offers the week’s best articles. Here’s an example. Like? Sign up.

13 SEPTEMBER, 2011

How the Aurora Borealis Works

By:

Demystifying the cosmic origins of one of Earth’s greatest wonders, or what solar storms have to do with snow.

If you’ve ever wondered how the magic of the aurora borealis works, today is your lucky day. This short video by Norwegian animator and sound artist Per Byhring illuminates the cosmic secret of the Northern lights, one of our planet’s most magnificent wonders.

For the real thing, don’t forget you can watch the aurora borealis live from the comfort of your nomad screen.

Brain Pickings has a free weekly newsletter and people say it’s cool. It comes out on Sundays and offers the week’s best articles. Here’s an example. Like? Sign up.

12 SEPTEMBER, 2011

Democracy & Despotism: 1940s Encyclopedia Britannica Films

By:

Vintage lessons in civic harmony, or how small-scale common courtesy paves the way for large-scale peace.

In 1945 and 1946, immediately following the end of World War II, Encyclopedia Britannica’s films division produced two educational short films, one on democracy and one on despotism, exploring how societies and nations rank on the spectrum from democracy to despotism by measuring the degree to which power is concentrated and respect for individuals restricted. More than half a century later, these analyses remain a compelling metric of social harmony and discord, in an era when we’re still struggling to understand the psychology of riots in a global political climate where the tension between despotism and democracy is in sharper focus than ever.

A community is low on a respect scale if common courtesy is withheld from large groups of people on account of their political attitudes, if people are rude to others because they think their wealth and position gives them that right, or because they don’t like a man’s race or his religion. Equal opportunity for all citizens to develop equal skills is one basis for rating a community on a respect scale.”

Sharing respect means that each shares the respect of all, not because of his wealth or his religion or his color, but because each is a human being and makes his own contribution to the community — from healing its sick to collecting its garbage, from managing its railroads to running its trains.”

You might recognize footage from the films, which are both in the public domain, from Temujin Doran’s provocative observations on the distortions of democracy in Market Maketh Man, highly recommended if you haven’t already seen it.

Brain Pickings has a free weekly newsletter and people say it’s cool. It comes out on Sundays and offers the week’s best articles. Here’s an example. Like? Sign up.

09 SEPTEMBER, 2011

Redirect: A New Way to Think About Psychological Change

By:

How Aristotle went about cultivating virtue, or what Susan Sontag can teach us about self-improvement.

In our ceaseless quest for self-improvement and our relentless pursuit of happiness, most of us have had some brush with the world that lives on the spectrum between self-help books and legitimate clinical psychotherapy. But a compelling new (non-self-help) book suggests many of these methods might be derailing rather than propelling our progress. In Redirect: The Surprising New Science of Psychological Change, social psychologist Timothy Wilson reveals insights from three decades of empirical evidence indicating that what is true of culture is also true of individuals: Our experience of the world is shaped by our interpretations of it, the stories we tell ourselves, and these stories can often become so distorted and destructive that they completely hinder our ability to live balanced, purposeful, happy lives, so the key to personal transformation is story transformation.

Let’s pause here and observe that this seems pretty commonsensical. What’s more, most of us believe that our character and circumstances are so unique that the universal human psychological flaws, biases, and shortcoming we are keenly aware of simply don’t befall us personally. Yet, in one domain of life or another, we find ourselves stuck in thought patterns and behavioral cycles we lack the tools to escape. This, Wilson demonstrates, is a pathological storytelling problem based on the stories we’ve led ourselves to believe and the behaviors that stem from them.

We could solve a lot of problems if we could get people to redirect their interpretations in healthier directions.”

Of course, this isn’t news to anyone who has ever dabbled in cognitive-behavioral therapy — an entire branch of psychotherapy designed to address precisely that. But Wilson argues that there’s a new way to redirect people’s personal interpretations, one that doesn’t require one-on-one sessions and can address a wide array of personal and social problems, from severe trauma to everyday distress.

This new approach is based on the work of Kurt Lewin, who helped found the field of social psychology in the 1930s and 40s, and is rooted in three specific psychological interventions: story-editing — a set of techniques designed to reshape people’s narratives about themselves and the world in a way that results in lasting behavioral change (cue in the famous words of Susan Sontag, one of my big heroes: “I write to define myself — an act of self-creation — part of my process of becoming.”); story-prompting — redirecting people down a particular narrative path with subtle prompts; and do good, be good — an approach that dates back to Aristotle, premised on changing people’s behavior first, which in turn changes their self-perception of the kind of person they are based on the kinds of things they do. Wilson shows how these story-editing techniques have been used to make people happier, improve parenting, solve adolescent behavioral problems, and even reduce the racial achievement gap in schools.

Sample Wilson’s findings in his recent RSA talk. (And rest assured he is much more eloquent and captivating a writer than he is a speaker, bless his heart, as some of the most acclaimed academics tend to be.)

Images via Flickr Commons

Donating = Loving

Bringing you (ad-free) Brain Pickings takes hundreds of hours each month. If you find any joy and stimulation here, please consider becoming a Supporting Member with a recurring monthly donation of your choosing, between a cup of tea and a good dinner:





You can also become a one-time patron with a single donation in any amount:





Brain Pickings has a free weekly newsletter. It comes out on Sundays and offers the week’s best articles. Here’s what to expect. Like? Sign up.

08 SEPTEMBER, 2011

This Must Be The Place: Poetic Short Films Explore ‘Home’

By:

What 19th-century farming has to do with solar panels and the creative losses of digital photography.

From filmmakers Ben Wu and David Usui of Lost & Found Films comes This Must Be The Place — an inspired ongoing series of short films exploring the idea of home and what our private sanctuaries mean to us. The latest film in the series, Coffer, takes us to the small kingdom of an upstate New York farmer named John Coffer. Tucked between his quiet rural routines is a profound creative and philosophical lens on contemporary culture, articulated with remarkable humility and authenticity.

I got a bug to do wet plate photography in ’76. In this day and age of digital, it’s so easy to just shoot thousands of pictures a day. Each individual picture becomes rather insignificant. Whereas, with the tintype, it’s very intentional and you’re not gonna make very many in a day. They become valued objects, not just an image. Each image is absolutely unique, like a painting.”

I have created a hybrid situation where there are certain things I continue to do in the old, 19th-century way — somethings may be the way it was done before Christ, as far as I know — but then there are cutting-edge, high-tech things that I have here and do. I have a wind generator, solar panels, a laptop computer. You can blend these old, timeless things with the latest technology to do the things that need to be done in life. I think there’s going to be more people looking back for models from the past, and use it to blend in with new ideas and technology today.”

(This sentiment is reminiscent of Molly Landreth’s tender vintage portraits.)

Coffer follows last year’s excellent Byun — the story of an eccentric Korean artist and collector-of-everything living in Brooklyn, who takes a hands-on approach to the concept of combinatorial creativity:

You can create a lot of stories by putting all these objects together.”

Brain Pickings has a free weekly newsletter and people say it’s cool. It comes out on Sundays and offers the week’s best articles. Here’s an example. Like? Sign up.