Brain Pickings

Posts Tagged ‘video’

12 FEBRUARY, 2014

Maira Kalman on Curiosity, Courage, Happiness, and the Two Keys to a Full Life

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“What protects you in this world from sadness and from the loss of an ability to do something? … Work and love.”

Maira Kalman is one of the most beloved illustrators working today and one of my greatest heroes, a singular spirit living at the intersection of art and philosophy. In this fantastic talk from India’s INK Conference, Kalman takes us on a journey into her wonderfully idiosyncratic mind and expansive soul, revealing along the way the poetic and profound universalities of our human triumphs and tribulations. Highlights below — please enjoy:

On the outlook her mother bequeathed her, a beautiful affirmation of why the capacity to wonder drives culture:

You don’t really have to have knowledge — what you have to have is curiosity.

On the psychoemotional cycles of life, something Kalman explores with magnificent dimension in The Principles of Uncertainty:

You’re constantly battling with the idea of loss and grief in this lifetime, and then continuing with optimism and courage to continue your work.

Kalman adds to modern history’s notable meditations on the meaning of existence — including ones by Carl Sagan, David Foster Wallace, Anaïs Nin, Henry Miller, Richard Feynman, Charles Bukowski, Arthur C. Clarke, Annie Dillard, John Cage, and others — by considering the fundamental necessities for a full life, which she explores further in And the Pursuit of Happiness:

The question that we ask ourselves is, what protects you? What protects you in this world from sadness and from the loss of an ability to do something? For me, what protects me … is work and love. And I think that those two things cover pretty much every single thing. Because what you do, who you love, what you love, and what you do with your time is really the only question that you have to answer.

For more of Kalman’s wisdom and creative brilliance, treat yourself to some of her magnificent books, including her illustrated editions of classics like Strunk and White’s The Elements of Style and Michael Pollan’s Food Rules, then see her reflections on happiness and existence and art and the power of not thinking.

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29 JANUARY, 2014

The Taste Gap: Ira Glass on the Secret of Creative Success, Animated in Living Typography

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“The most important possible thing you can do is do a lot of work.”

The question of what makes someone successful has occupied some of history’s greatest minds. For Alexander Graham Bell, success was bound to befall the person “who carefully advances step by step, with his mind becoming wider and wider.” For Henry David Thoreau, success was a matter of living with presence. According to scientists, it belongs to those who are already winners as success breeds success, and psychologists attribute it to grit. But some of the greatest wisdom on the subject comes from none other than the public face of public radio.

Many moons ago, I featured a short and lovely kinetic typography animation of Ira Glass on the secret of success in creative work, in which he offers indispensable advice that puts in more poetic terms what psychologists call the “growth mindset” essential for success. Now, photographer and visual storyteller Daniel Sax has adapted Glass’s timeless wisdom in this beautiful short film a year in the making, using living typography to illustrate Glass’s words. The result is doubly fantastic.

Nobody tells people who are beginners — and I really wish somebody had told this to me — is that all of us who do creative work … we get into it because we have good taste. But it’s like there’s a gap, that for the first couple years that you’re making stuff, what you’re making isn’t so good, OK? It’s not that great. It’s really not that great. It’s trying to be good, it has ambition to be good, but it’s not quite that good. But your taste — the thing that got you into the game — your taste is still killer, and your taste is good enough that you can tell that what you’re making is kind of a disappointment to you, you know what I mean?

A lot of people never get past that phase. A lot of people at that point, they quit. And the thing I would just like say to you with all my heart is that most everybody I know who does interesting creative work, they went through a phase of years where they had really good taste and they could tell what they were making wasn’t as good as they wanted it to be — they knew it fell short, it didn’t have the special thing that we wanted it to have.

And the thing I would say to you is everybody goes through that. And for you to go through it, if you’re going through it right now, if you’re just getting out of that phase — you gotta know it’s totally normal.

And the most important possible thing you can do is do a lot of work — do a huge volume of work. Put yourself on a deadline so that every week, or every month, you know you’re going to finish one story. Because it’s only by actually going through a volume of work that you are actually going to catch up and close that gap. And the work you’re making will be as good as your ambitions. It takes a while, it’s gonna take you a while — it’s normal to take a while. And you just have to fight your way through that, okay?

Complement with some equally fantastic advice on courage and the creative life.

Quipsologies; portrait of Ira Glass by Stuart Mullenberg

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24 JANUARY, 2014

John Updike on Making Money, How to Have a Productive Daily Routine, and the Most Important Things for Aspiring Writers to Know

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“In a country this large and a language even larger … there ought to be a living for somebody who cares and wants to entertain and instruct a reader.”

In 2004, shortly after winning the PEN/Faulkner Award for Fiction, John Updike — who had also won two Pulitzer Prizes, two National Book Awards, the National Medal of Arts and the National Humanities Medal, among countless other accolades — gave an interview for the Academy of Achievement to discuss his views on writing, many of which he explored at greater depth in his superb 1996 memoir Self-Consciousness (public library), which gave us his timeless reflection on writing and death. Here are the highlights of the interview.

On his daily rhythm, adding to the stringent routines and offbeat rituals of famous writers:

Since I’ve gone through some trouble not to teach and not to have any employment, I have no reason not to go to my desk after breakfast and work there until lunch, so I work three or four hours in the morning. And it’s not all covering blank paper with beautiful phrases… I begin by answering a letter or two — there’s a lot of junk in your life as a writer, most people have junk in their lives — but I try to give about three hours to the project at hand and to move it along. There’s a danger if you don’t move it steadily that you kind of forget what it’s about, so you must keep in touch with it. . . . I’ve been maintaining this schedule since … 1957.

On doggedness:

It’s good to have a certain doggedness to your technique.

His advice to aspiring writers, including a sentiment about money that Michael Lewis would come to echo and which Muppeteer Jim Henson embodied:

Try to develop actual work habits and, even though you have a busy life, try to reserve an hour, say, or more a day to write. Very good things have been written on an hour a day. . . . So take it seriously, set a quota, try to think of communicating with some ideal reader somewhere. . . .

Don’t be contentious to call yourself a writer and then bitch about the crass publishing world that won’t run your stuff. We’re still a capitalist country and writing, as some would agree, is a capitalist enterprise… It’s not a total sin to try to make a living and court an audience.

Read what excites you… and even if you don’t imitate it, you will learn from it. . . .

Don’t try to get rich. . . . If you want to get rich, you should go into investment banking or be a certain kind of lawyer. On the other hand, I like to think that in a country this large and a language even larger, that there ought to be a living for somebody who cares and wants to entertain and instruct a reader.

Complement with more invaluable advice to aspiring writers from Ernest Hemingway, H.P. Lovecraft, Neil Gaiman, and Josh Green, then bookmark and revisit this continually updated archive of famous writers’ wisdom on the craft.

For more of Updike’s wisdom, see his meditation on why the world exists and his little-known, lovely children’s book.

Donating = Loving

Bringing you (ad-free) Brain Pickings takes hundreds of hours each month. If you find any joy and stimulation here, please consider becoming a Supporting Member with a recurring monthly donation of your choosing, between a cup of tea and a good dinner.





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Brain Pickings has a free weekly newsletter. It comes out on Sundays and offers the week’s best articles. Here’s what to expect. Like? Sign up.