Brain Pickings

Posts Tagged ‘vintage’

31 MARCH, 2014

The Betrayed Confidence: Edward Gorey’s Weird and Whimsical Vintage Illustrated Postcards

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Neglected murderesses, imaginary elixirs, cryptic objects, and other darkly delightful treats from Gorey’s singular creative chest.

Edward Gorey is undoubtedly one of the most extraordinary — in every sense of the word — illustrators of the past century. From his quirky children’s books to his naughty treats for grown-ups to his covers for literary classics, he injected his singular blend of darkly delightful weirdness and whimsy into his various masterpieces, created under his many pseudonyms. But Gorey had an especially enchanting soft spot for the old-fashioned charisma of postcards, in addition to the magnificent illustrated envelopes he mailed to his editor. Now comes The Betrayed Confidence Revisited (public library) — an infinitely delightful collection of ten of Gorey’s postcard series, including three never previously published, ranging from the grimly humorous Neglected Murderesses to the cryptic Menaced Objects to the disarmingly adorable Dogear Wryde Interpretive Series to the purposely puzzling Q.R.V. Here’s but a small taste of the enormous delight.

From Dogear Wryde Interpretive Series (“Dogear Wryde” being, as you may have noticed, one of Gorey’s anagrammatic pseudonyms), originally created in 1980:

From Neglected Murderesses, also published in 1980:

From Menaced Objects, released in 1989:

From Q.R.V., Gorey’s final postcard series, created in 1996 and named after a mysterious imaginary elixir that Gorey first introduced in the 1989 miniature book The Universal Solvent:

From Alms for Oblivion, part of the Dogear Wryde series:

The Betrayed Confidence Revisited is an absolute treat in its entirety. Complement it with Gorey’s classic scandalous alphabet book, The Gashlycrumb Tinies, and his fantastic vintage illustrations for T.S. Eliot’s cat verses.

Illustrations © The Edward Gorey Charitable Trust courtesy of Pomegranate. All rights reserved.

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18 FEBRUARY, 2014

Gorgeous Vintage Posters from the Golden Age of Skiing

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A rare marriage of sports and fashion through mid-century graphic design.

As a devotee of winter sports, both as a lifelong practitioner and an Olympic spectator, and lover of vintage graphic design, especially mid-century travel posters, I was delighted to chance upon The Art of Skiing: Vintage Posters from the Golden Age of Winter Sport (public library) — a remarkable collection of 800 vintage posters and paintings from the first half of the twentieth century when skiing, a sport that immigrant Scandinavian gold miners had introduced to America during the Gold Rush a century earlier, first took the world by blizzard as a fashionable modern sport. Curated by vintage ephemera enthusiast Jenny de Gex, these gorgeous and graphically striking posters were obsessively and lovingly amassed over a lifetime by Mason Beekley, owner of the world’s largest private collection of ski art. They are currently housed at the Mammoth Ski Museum in — surprisingly — California.

For a wholly different application of a similar vintage aesthetic, pair The Art of Skiing with these lovely vintage posters for libraries and reading.

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13 FEBRUARY, 2014

William Blake’s Mesmerizing Illustrations for John Milton’s Paradise Lost

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Aesthetic rapture between heaven and hell.

There is a rare confluence of joys about celebrated artists’ illustrations for literary classics, from Picasso’s 1934 drawings for a naughty ancient Greek comedy to Matisse’s 1935 etchings for Ulysses to Salvador Dalí’s prolific illustrations for Don Quixote in 1946, the essays of Montaigne in 1947, Alice in Wonderland in 1969, and Romeo & Juliet in 1975. But among the most breathtakingly beautiful are William Blake‘s illustrations for John Milton’s Paradise Lost (public library). Blake created three different sets of artwork for the Milton classic — one in 1807, at the age of 50, under a commission by the Reverend Joseph Thomas; one in 1808, commissioned by Blake’s patron Thomas Butts; and one in 1822, commissioned by John Linnell, the same patron who facilitated Blake’s stunning illustrations for Dante’s Divine Comedy. The first two sets contained twelve paintings each; the Linnell set was incomplete, with only three finished works surviving to this day.

Even though Blake created all of the Paradise Lost paintings late in life, Milton was his greatest influence and the writer whose work he illustrated more than any other. In a letter to his friend John Flaxman from September of 1800, Blake wrote:

Milton lovd me in childhood & shewd me his face.

And how beautifully Blake reciprocated that love — however one may feel about religion, there is something undeniably and immeasurably powerful about Blake’s paintings, an ineffable magic that sparks its very own source of divinity:

'Satan Arousing the Rebel Angels' (Butts set)

'Satan, Sin, and Death: Satan Comes to the Gates of Hell' (Thomas set)

'The Expulsion of Adam and Eve from the Garden of Eden' (Butts set)

'The Rout of the Rebel Angels' (Thomas set)

'Satan Watching the Endearments of Adam and Eve' (Linnell set)

'Adam and Eve Asleep' (Butts set)

'Satan Spying on Adam and Eve's Descent into Paradise' (Thomas set)

'Raphael Warns Adam and Eve' (Thomas set)

'The Temptation and Fall of Eve' (Butts set)

In 1976, a gorgeous leather-bound limited edition of Paradise Lost was published, collecting Blake’s work from the various sets. Complement it with Blake’s art for Dante’s Divine Comedy, on which he worked until his dying day.

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