Brain Pickings

Posts Tagged ‘vintage’

19 MAY, 2011

Vintage Ballet: Rare Photos of Dancers from the 1930s-1950s

By:

Drama, glamor and elegance converge in amazing archival images of ballet dancers from the early 20th century.

Since its origins in the Italian Renaissance courts of the 15th century, ballet has been considered one of humanity’s most graceful and beautiful forms of creative expression. These fantastic archival images from the State Library of New South Wales collection capture the elegance of ballet alongside the classic, dramatic glamor of vintage photography from the early 20th century.

Valentina Blinova in L'Oiseau de feu (The Firebird), Ballets Russes, Sydney, 1936-1937 / photographed by Max Dupain

Paul Petrov in L'Oiseau de feu (The Firebird), Ballets Russes, Sydney, 1936-1937 / photographed by Max Dupain

Tamara Toumanova & Serge Lifar, Swan Lake, Sydney, 1939-1940 / photographed by Max Dupain

Emmy Towsey (Taussig) and Evelyn Ippen, Bodenwieser Ballet in Centennial Park, Sydney, ca. 1939 / photographed by Max Dupain

Tatiana Riabouchinska and Roman Jasinsky in Les Dieux mendiants (The Gods go a-begging), between Nov 1938-Aug 1940 / photographed by Max Dupain

Tatiana Riabouchinska, ballerina, ca. 1938 / photographed by Maurice Seymour

Margaret Barr's 'Strange Children' (ballet), 1955 / photographer unknown

Valentina Blinova in L'Oiseau de feu (The Firebird), Ballets Russes, Sydney, 1936-1937 / photographed by Max Dupain

Unidentified dancer (Yura Lazovsky?) as Petrouchka, Sydney, March 1940 / photographed by Sam Hood

For more on this fascinating and endlessly inspiring piece of cultural history, I highly recommend Apollo’s Angels: A History of Ballet by New Republic dance critic Jennifer Homans, which offers not only breathtaking eye candy but also traces many of today’s cultural values back to ballet’s legacy of discipline and virtuosity.

Brain Pickings has a free weekly newsletter and people say it’s cool. It comes out on Sundays and offers the week’s best articles. Here’s an example. Like? Sign up.

18 MAY, 2011

Happy Birthday, Frank Capra: 5 Essential Films

By:

What war propaganda has to do with vintage Hollywood romance and the American political process.

114 years ago today, Frank Capra was born in Sicily, but soon enough immigrated to the United States — to Los Angeles, to be precise — where he grew up, studied chemical engineering, and became a nationalized US citizen in 1920. Throughout the next decade, Capra threw himself into writing and directing silent films, then switched to making “talkies.” By 1934, he was reeling off a string of classics — films that exuded an unbounded optimism that’s quintessentially American: It Happened One Night (1934), Mr. Deeds Goes to Town (1936), You Can’t Take It with You (1938), Mr. Smith Goes to Washington (1939), It’s a Wonderful Life (1946) — they’re all part of the great Capra filmography. And, of course, you can’t overlook a string of propaganda documentaries that Capra directed (along with John Huston and John Ford) to galvanize support for World War II.

Thanks to Google Video and the Internet Archive, you can now revisit five Capra films online, plus many other great films from the same era. Let’s give you a quick tour:

IT HAPPENED ONE NIGHT

This romantic comedy, starring Clark Gable and Claudette Colbert, won every major Academy Award in 1934. Best Picture, Best Director, Best Actor, Best Actress, and Best Screenplay. It was a first, and the feat has only been repeated twice since.

MR SMITH GOES TO WASHINGTON

This epic drama features Jimmy Stewart in one of his finest performances. Today, the film inspires the fanciful belief that one individual can effect change in Washington. But, when it was first released, American politicians and journalists attacked the film for merely suggesting that corruption might influence the American political process.

MEET JOHN DOE

Although less well known than other Capra classics, the American Film Institute ranks Meet John Doe 49th on its list called 1100 Years… 100 Cheers: America’s Most Inspiring Movies. Needless to say, It’s a Wonderful Life, the all-time Capra gem, sits at the very top of that list.

WHY WE FIGHT: PRELUDE TO WAR

Once World War II broke out, Capra was commissioned by the US government to direct a seven episode propaganda series called “Why We Fight.” Prelude to War appears above. Other titles in the sequence include The Nazi Strike, The War Comes to America and beyond.

TUNISIAN VICTORY

Finally, later in the war, Capra was called upon again by his government. The mission this time was to explain what was happening on the war front in North Africa. And that he did. Tunisian Victory hit theaters in 1944.

Dan Colman edits Open Culture, which brings you the best free educational media available on the web — free online courses, audio books, movies and more. By day, he directs the Continuing Studies Program at Stanford University, and you can also find him on Twitter.

Brain Pickings has a free weekly newsletter and people say it’s cool. It comes out on Sundays and offers the week’s best articles. Here’s an example. Like? Sign up.

17 MAY, 2011

A Rare Look at Japan: Hand-Colored Images from the 1920s

By:

What Geisha parlors have to do with arranged marriages, Buddhist priests and earthquake recovery.

It’s been an incredibly trying year for Japan. Tragedy has brought a proud nation to its knees, making it difficult — yet all the more essential — to remember this ancient culture’s history of beauty and dignity. These remarkable hand-colored images from the early 20th century, unearthed from Oregon State University’s public domain archive, offer a rare look at Japan’s rich cultural legacy. From Tokyo city life to countryside landscapes to worship to play, the images — with descriptions from the verbosely titled 1923 educational book Japan at First Hand, Her Islands, Their People, the Picturesque, the Real, with Latest Facts and Figures on their War-Time Trade Expansion and Commercial Outreach, in which they originally appeared — emante Japan’s timeless pride and breathtaking beauty sleeping beneath the rubble of the recent devastation, awaiting awakening.

Learning To Write

'No such national furore for education has ever been seen elsewhere as that which has gripped the mind of Japan. Japan proper had a population of 59,138,900 as reported October 1, 1924. At the same time her school enrollment from kindergarten through the university was given as 8,221,615. Over a million and a quarter complete the elementary school work each year. There are sixteen colleges and universities, five being imperial universities. The largest of these -- Tokyo Imperial University-- had a student body of 5,283 and 414 faculty members in the autumn of 1924.'

The Barrel Maker

'This is one of the important trades of Japan. The average wage of coopers is only about fifty cents a day.'

Fujiyama from Omiya Village

Geisha Giving Entertainment

'The geisha houses, rather humble, certainly unpretentious abodes, group themselves in certain quarters, and the hiring of the girls is done methodically through a central office. The hiring should be accomplished by the restaurant keeper or by the housewife as early in the afternoon as possible, but not after six in the evening, unless absolutely unavoidable. For the preparation of the Geisha is an elaborate affair from the wonderful coiling and adorning of her hair to the fit of her white, heelless shoes. They are taken in rickishas (sic) to the house of entertainment and carried home in the same way when all is over.'

Danjuro

'Danjuro the greatest actor, the Irving of Japan, in his famous role of Kangoneho.'

Geisha Girl Playing the Samisen

'The geisha or singing girl to the Western mind fills out the romantic ideal of modern Japan. To the native she is simply a sublimated waitress with dancing and singing trimmings, but she is also a chosen vehicle of Japanese romance. Visions of her dressed in showy silken robes waving a large fan, her black hair marvelously coifed, a fixed smile on her face and moving in rhythmic steps with a special flowing elegance of gesture, rise before those who have seen her at her high functions. Ever to the accompaniment of the tinkling strings of the of the samisen and the full beat of the tsuzumi that picture comes back to the foreigner as the flower of his reminiscence of Japan.'

Tokyo

'Tokyo, the capital of the Empire is one of the foremost cities of the Orient. In spite of the terrible destruction wrought by the earthquake of September 1, 1923, Tokyo will soon be a greater city than before the earthquake. Tokyo city proper under census of August, 1925, had a population of 2,036,136. Including suburbs -- that is, Greater Tokyo -- the people numbered 3,859,674.'

Bridge of Iwakuni

Buddhist Priest

'When the Buddha priest of Japan seats himself among his congregation to preach, he wears the simplest of robes, a white or sober-hued cassock, but when he opens the sutra or recites the litany, his vestments are of brocade that would serve worthily to drape a throne. Buddhist priests live on contributions of their parishioners and on the income of their lands, now greatly reduced.'

Graves of Forty-Seven Ronins

'The 47 Ronins committed suicide to escape death by the executioner and in death have become popular heroes.'

Winter Costume

'The costume of women in winter is mostly of silk, coarse or fine according to the means of the wearer. The shoes are raised on pieces of wood, like stilts, about three inches above the ground.'

A Village Waterwheel

Japanese Woman

'The woman is taught from girlhood to be modest, retiring and obedient as daughter and wife, and as a rule she is almost certain to avoid spinsterhood, so well-planned is the marriage machinery in Japan. Courtship is unknown as we know it. The bringing about of marriages regularly the work of a private go-between, who brings the young people together after the parents on both sides, with additional precautionary inquisitorial go-between, have agreed to a proposed match.'

A Geisha House

'A Geisha House is not generally a large establishment-- six or seven to a dozen Geisha's and half as many musumes make it up. The mother or keeper is generally an old geisha, often a once celebrated dancer and entertainer, as one may guess fro the many middle-aged or aging men who will sit down beside her and swap stories with her about merry old times of other days.'

For more Japan love, don’t forget the lovely 2:46: Aftershocks “quakebook” project — a Twitter-sourced anthology of art and essays by and for Japan, benefiting earthquake and tsunami relief.

Brain Pickings has a free weekly newsletter and people say it’s cool. It comes out on Sundays and offers the week’s best articles. Here’s an example. Like? Sign up.