In the 1970′s, while American hippies were busy inking themselves with peace signs and psychedelic rainbows, Danzig Baldayev, a guard at St. Petersburg’s notorious Kresty Prison, began documenting the far less Woodstockian body art of Russia’s most infamous criminals.

For 33 years, Baldayev used his exclusive access to and rapport with the prisoners to hand-illustrate and capture in artful photographs more than 3,600 inmate tattoos — as admirable a feat artistically as it was sociologically.

In 2003, when he was in his late 70′s, Baldayev began releasing his magnificent archive as a series of books revealing a rich and eerie intersection of art and violence.

Russian Criminal Tattoo Encyclopaedia Volumes I, II and III offer not only a visceral record of this intersection, but also Baldayev’s aambitious effort to, through text and illustrations, parse the meaning of these tattoos and place them in the context of this fiercely self-contained subculture. (Or, as it were, institution-contained as well.)

Perhaps even more striking than the body art itself is how Baldayev was able to talk some of Russia’s most dangerous convicts into posing for such intimate and often vulnerable portraits.

For a related glimpse of this darkly enigmatic world, the excellent Oscar-nominated 2007 film Eastern Promises about the Russian mob in London, starring Naomi Watts and Viggo Mortensen, offers an intriguing look at tattoos as storytelling, a narrative through which prisoners told their life stories and conveyed their credos.

Thanks, Greg

Each of the volumes is an absolute masterpiece and a fascinating slice of (sub)cultural anthropology. It’s the kind of thing that adds instant conversation potential to any home library or coffee table, and guaranteed you’re-cooler-than-my-other-friends gifting recognition.

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“Ashes to ashes, dust to dust,” according to the Anglican Book of Common Prayer. If you want to understand the life cycle in more specific molecular detail, though, you should look to a surprising disciplinary source. That’s because the most contemporary thinking on decomposition doesn’t come from religion or science; it comes from industrial design.

Perhaps it’s the passing of another year that has us thinking about the ultimate human passage. That’s right: today we’re all about death. More specifically, it’s about designerly approaches to death, and why this topic merits interest for reasons beyond aesthetic fetishism. The objects we’re considering today illustrate how design can imbue death with dignity, while also creating value for the people and earth that remain behind — not a bad legacy to leave.

SPIRITREE

Recipient of an honorable mention in I.D. magazine’s 2009 Annual Design Review, Spiritree is one option for those looking to leave the lightest footprint at the end of their lives. (As an aside, we were dismayed to learn that I.D. is itself meeting an untimely end because of the death of its publishing model. RIP, I.D.)

Spiritree is a futuristic-looking pod that transforms the traditional funerary urn into something that looks like the lovechild of Karim Rashid’s brain and a bird feeder. Spiritree’s website cites eco-entrepreneur Paul Hawken as an inspiration, and we can see why. Designed by Arquitectura/Diseño in Puerto Rico, the Spiritree turns remains into fertile fodder for “a living memorial in the form of a tree.” Its pieces are intended to biodegrade as the seeds added to it germinate; and the pod’s ceramic upper half eventually cracks as the emerging plant grows strong enough to break it.

We don’t like to talk or think about what happens to our mortal coils when we shuffle them off, but, like all of our remains, they have to go somewhere.

And like much else we humans leave behind as a species, we haven’t been good at disposing of ourselves. Death is a resource-intensive business. By some estimates, 200 million pounds of steel are used each year to build caskets; many are also lined with copper or zinc. Embalming usually involves carcinogenic chemicals — not much of a concern for the recently departed, but definitely bad when they eventually leach into our groundwater. And many cemeteries encourage water waste and other landscaping evils.

POST-MORTEM PROJECT

Thankfully, intrepid industrial designers like Nadine Jarvis have been ruminating on the vessels via which we meet our earthly rest.

Jarvis’s thesis project at the University of London took the form of a series of alternative proposals for the post mortem. In Carbon Copies, Jarvis turned cremains into a lifetime supply of pencils — 240 to be exact — to be used by the deceased’s survivors. Rest in Pieces takes the form of a ceramic urn suspended from a tree; the cord from which it hangs deteriorates over a period of one to three years, at which point the urn drops and smashes, scattering its contents.

Jarvis’s Bird Feeders gesture at reincarnation, relying on birds’ ingestion of the ash and seeds that comprise the pieces. Her work engages the grieving process with elegance, enlarging through form the spaces in which we mourn. Pieces from Jarvis’s post-mortem research are in the collections of London’s Design Museum and Funeria, the founding agency behind the only (to our knowledge, anyway) biennial for funerary artwork, Ashes to Art.

ECOPOD

Finally, for cradle-to-cradle coffins, look no further than the Ecopod. Made by hand from recycled paper products, Ecopod was designed by natural-birthing practitioner Hazel Selina. Selina created the product in response to a friend’s death and her research around the limitations of traditional casket and coffin design. Ecopods come in a variety of colors (including the gorgeous gold version above), and can be screen printed with various designs or lined with feathers. We weren’t surprised to learn that the UK-based Selina was fascinated by ancient Egyptian burial rituals, since the Ecopod looks like what we imagine a 21st-century Tutankhamun might choose for his own final rest.

We realize that since the world couldn’t even agree on carbon limits at Copenhagen, we’re unlikely to see mass reform around such a personal topic as death. Still, it’s at least worth considering how we might, in our final act, try to leave the earth better rather than worse for our wear. For more resources on green burials, visit the non-profit Green Burial Council.

Kirstin Butler is writing an adaptation of Gogol for the Google era called Dead SULs, but when not working spends far, far too much time on Twitter. She currently lives in Cambridge, MA.

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You know those drop-down suggestions that pop up every time you begin typing a search into Google? Much of the time, it seems to know what you want — kind of like a very low-stakes game of Wheel of Fortune. Most people tend to just search with keywords, not bothering to fully formulate a question. But what if you went in with an incomplete Ask Jeeves-esque query and let the Google algorithm try to suggest how to finish it?

A new blog, called Questions Suggestions, does just that.

Questions Suggestions, the creation of web designer and developer Justin Talbott, presents us with screen shots of search queries along with the given suggestions — with results ranging from humorous to baffling. Assuming that the suggestions are loosely based on the most popular searches, the site offers not only amusement but also a look into what the internet community at large is searching for.

Not surprisingly, as in the example above, many of the results expose prevalent fixations of modern culture: love (or sex), money, and celebrity gossip — we’re grouping “Dubai” under money here, and the “appendix”, true to its nature, stands alone.

One of our favorite quirks is the difference in suggestions given to those who use “you” and those time-strapped individuals who use “u.” Compare this example…

… to this similar search:

If you ever thought you might be brave enough to pick the collective teenage brain, here’s your chance.

Questions Suggestions provides a somewhat voyeuristic look at what everybody is searching for — a worthy, and often very funny, piece of cultural anthropology. And while the site itself offers no commentary, we bet you won’t have trouble coming up with your own.

Meghan Walsh has a degree in Anglo-Irish Literature from Trinity College, Dublin and is finishing her thesis on J.P. Donleavy at NYU. She is currently working on two art exhibitions in New York City. For more of her writing check out her cooking blog.

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Every once in a while we stumble across something we don’t quite get, but can tell is brilliant. Case in point: The Plan 9.001 Flickr set from an artist by the cryptic name of 9000.

Full of wondrous, beautifully art directed charts, graphs, diagrams and other fascinations that capture the human condition, the illustrations are part poetry, part art direction, part homage to geek culture — and all genius.

Most of the images are left to exist in their self-contained reality, with no caption or explanation, inviting you to make sense of them ever which way you wish.

And some are brimming with keen cultural commentary, oozing both from the images themselves and from the quotes accompanying — mismatched at first glance, like this odd psalm that we had to Google-translate, but deeply profound in context.

Indeed, there’s a certain preoccupation with the God — a quest for divinity in the godless, lonesome, conflicted world the artist seems to inhabit. Or, you know, it’s just a mockery thereof.

And while we’re not quite sure what to make of it it all, we urge you to explore the Plan 9.001 set and the rest of 9000′s rather diverse but uniformly bizarre body of work — if for no other reason than that it has intrigued us more than anything we’ve come across in a long, long time.

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The face, with its intricate lace of 33 different muscles, is a powerful gateway to human emotion and thus the subject of relentless research aiming to pin down how and why we express our inner selves on that living canvas. Here are 3 fascinating projects that probe what lies beneath.

RESPONSIVE FACE

NYU Media Research Lab professor Ken Perlin has the ambitious goal of isolating the minimal number of facial expression elements that capture our character and personality.

His project, Responsive Face, is a 3D animation demo that lets you play with various facial elements — brows, gaze, head tilt, mouth and more — to see how they change as they capture emotions like fear, anger, surprise, disappointment and happiness.

The eventual goal of this research is to give computer/human interfaces the ability to represent the subtleties we take for granted in face to face communication, so that they can function as agents for an emotional point of view.

The demo is based on the iconic Facial Action Coding System (FACS) developed by psychologist Paul Ekman, who pioneered the study of emotions through the taxonomy of all conceivable facial expressions and whose work is now being used by anyone from lawyers to actors to the CIA. (Ekman also collaborated with the BBC on the excellent series The Human Face, which we couldn’t recommend enough.)

Perlin’s work is also being implemented in helping children with Autism, teaching kids not only how to “read” other people’s expressions, but also how to manipulate their own faces to communicate their emotions.

FACE RESEARCH

If you’ve ever made a few beer bucks in college participating in paid psych experiments, you know those can be long, tedious, and possibly involving being stuck in a a big, noisy fMRI machine for an hour.

Enter Face Research, an online portal for psychology experiments about people’s preferences for faces and voices, where you can help the advance of science from the comfort of your own living room. The project invites users to take a series of personality questionnaires and participate in various experiments in exchange for a look at the findings once data is collected. Granted, that won’t pay for beer, but it does indulge the psych geeks among us.

Previous studies have investigated fascinating topics like the relationship between averageness and attractiveness, women’s preference for masculinity in men’s faces, and various other aspects of why we like what we like.

The project is a joint venture between the University of Aberdeen School of Psychology Face Research Lab and The Perception Lab at the University of St Andrews. Sign up and help coin the cultural definition of attractiveness.

THAT’S MY FACE

That’s My Face lives in that awkward limbo between the scientific and the bizarre, with one foot firmly planted in the questionable. Simply put, it’s a tool that lets you upload photos of yourself and explore your face in 3D as you manipulate age, race, gender and other attributes.

So far so good. But then comes the questionable — the site offers various souvenirs of narcissism, such as your own action figure, framed 3D portrait, and custom 3D crystal. There’s even an affiliate program, where the more, um, entrepreneurial can make a few bucks off of other people’s self-worship.

That’s My Face was founded by a grad student from University of Cambridge’s Computer Laboratory. We think it’s an interesting metaphor for the value of a PhD in today’s cultural environment — make what you will of that statement.

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If there ever were a formula for cool, it wouldn’t be far from simplicity + social statement + Helvetica. And Pick One is just that. Part social experiment, part art project, part brilliant head-scratcher, it’s artist Ben Nyberg‘s clever stab at getting your priorities straight — and it’s as playful or as serious as you want it to be.

All you do is go through pairs of cultural items — from Google to guns to God, and everything in between — and pick the one you prefer within each pair, which gives it a score of 1 point.

After a couple of hundred clicks, we lost patience in trying to reach some sort of end — we suspect it’s an infinite loop that randomly pairs each item with every other, then starts all over again — and voyeured over to the Top 10 and the Bottom 10, based on the crowdsourced cumulative score of each item.

It’s a sign of the times when The Internet ends up amidst the most fundamental of human needs. Then again, if it were up to us, it would even rank four positions higher.

And a note to all the budding social psychologists and ethicists out there — you may want to rethink your career path: Morality, which appears in the pick-pairs, didn’t even make a cameo on the Top 10. Neither did art — ironic, in the context of an art project.

Pick One is also a testament to its own hipsterness — there’s no question about the psychographic composition of a crowd that hates Uggs more than hate itself, George W, or death.

HT @BBHLabs

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It’s no secret we’re huge (HUGE) Mac fans. But if there’s one place were fanboy culture is at its most extreme, it has to be Japan.

Case in point: One Japanese Mac fan decided to take both his love of Apple and the term “branding” to literal levels by “tattooing” a crop of Fiji apples with the Apple and iPod logos.

How?

Pretty much the same way sun tattoos work — you slap a sticker before the skin pigments and the shape gets imprinted on it. Because apples get their pigment from sunlight as they ripen, the Apple enthusiast just stickered them a month before the harvest…

… and just waited for nature to run its due course.

Well, it seems like Steve Jobs has out-big-in-Japanned any Hollywood celebrity. Jack Bauer can endorse all the low-cal drinks he wants, but we don’t see his image and likeness on any produce, now do we?

via Gizmodo

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Oh, the wonders of Russian art. The great novelists. The great playwrights. The great poets. And, now, the great sausage artists.

That’s right, Russian art is branching out into the edible category with packaged meat art. See some of the great masterpieces reenvisioned with an eye for, well, the stomach.

So much for the starving artist stereotype.

And while nothing about packaged farm animal carcasses screams high culture to us, it does appear to be a thing of the bourgeois — let’s not forget that when the Titanic sank, there were 3,000 tons of ham onboard. (We’ve always wanted to throw something in from our new favorite timesuck, Unnecessary Knowledge.)

via English Russia

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We love clocks. And we love creative communication that technically falls within the advertising industry, but is actually oh-so-much-more. Today, we look at five supremely creative executions involving clocks.

UNIVERSITY OF GENT: DARE TO THINK

Agency: Saatchi & Saatchi, Brussels
Creative Director: Jan Teulingkx

Brilliantly captures the very point of a liberal arts education: Studying the traditional and universal, then challenging it.

HAMBURG DALI EXHIBITION

Agency: Jung von Matt, Hamburg
Creative Director: Deneke von Weltzien

To bring the great artist to life, Hamburg agency Jung von Matt replaced a number of public clocks with the iconic melted Dali clock for the duration of the exhibition.

WWF: IT’S TIME TO SAVE THEM

Agency: Asatsu Thailand, Bangkok
Art Director: Romerun Chueawongprom

The recognizable WWF logo, reconceived with a new sense of urgency. So simple, but it gets the point across so powerfully

LG TIME MACHINE TV

Agency: Y&R, Dubai
Creative Directors: Shahir Ahmed, Guilherme Rangel

Creative visual translation of the basic product proposition: 24-hour live recording that makes TV run on your own time.

VOLKSWAGEN: CUCKOO CLOCK

Agency: DDB, Berlin
Creative Directors: Bert Peulecke, Amir Kassaei, Stefan Schulte

www.youtube.com/watch?v=DVQ04FA4xy0

Knocking down knock-off culture one hum-drum old couple at a time. Winner at the New York Television & Radio Advertising Festival.

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PEN & PAPER: 1, GPS: 0

It’s no secret we’ve been obsessed with maps for a while now. Which is why we’re all over the Hand Drawn Map Association — a quirky, relentlessly amusing archive of user-submitted maps and other interesting diagrams, all drawn, of course, by hand.

The collection spans anything from convoluted direction maps that we bet did more harm than good, to a weird hybrid diagram of the digestive system and hell, to what appears to be a bizarre and somewhat creepy treasure-hunting map.

And in the ultimate old-school-new-school fashion, the Association has its very own Facebook page, complete with free goodies for anyone who fans it. You can even follow them on Twitter.

Which reminds us of that incessantly awesome Map of Online Communities.

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