We’re bigfans of iconic designer Saul Bass. This triad of interviews, filmed shortly before Bass’s death in 1996, offers a rare peek at the machinery of his creative genius as he shares priceless and often unexpected insight on the tradeoff between making money and doing quality work, his legacy, and the fundamental competency responsibilities of young designers.
I don’t give a damn if the client thinks it’s worth anything, or whether it IS worth anything — it’s worth it to me. It’s the way I wanna live my life. I wanna make beautiful things, even if nobody cares.” ~ Saul Bass
Learn to draw! If you don’t, you’re gonna live your life getting around that and trying to compensate for that.” ~ Saul Bass
The full 90-minute documentary is available on 2-disc DVD from the filmmaker and designer Archie Boston’s site. Meanwhile, don’t miss Bass’s absolutely fantastic Why Man Creates animated feature, a deeper investigation into the origin of creative impetus.
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What single Chinese men have to do with evolution and insults from Virginia Woolf.
We love, love, love words and language. And what better way to celebrate them than through the written word itself? Today, we turn to five of our favorite books on language, spanning the entire spectrum from serious science to serious entertainment value.
THE STUFF OF THOUGHT
Harvard’s Steven Pinker is easily the world’s most prominent and prolific psycholinguist, whose multi-faceted work draws on visual cognition, evolutionary science, developmental psychology and computational theory of mind to explain the origin and function of language. The Stuff of Thought: Language as a Window into Human Nature reverse-engineers our relationship with language, exploring what the words we use reveal about the way we think. The book is structured into different chapters, each looking at a different tool we use to manage information flow, from naming to swearing and politeness to metaphor and euphemism. From Shakespeare to pop songs, Pinker uses a potent blend of digestible examples and empirical evidence to distill the fundamental fascination of language: What we mean when we say.
In 2009, The Snark Handbook: A Reference Guide to Verbal Sparring became an instant favorite with its enlightening and entertaining compendium of history’s greatest masterpieces in the art of mockery, contextualizing today’s era of snark-humor and equipping us with the shiniest verbal armor to thrive as victor knights in it. Last year, author Lawrence Dorfman released a worthy sequel: The Snark Handbook: Insult Edition: Comebacks, Taunts, and Effronteries — a linguistic arsenal full of strategic instructions on how and when to throw the jabs of well-timed snark alongside a well-curated collection of history’s most skilled literary insult-maestros.
Every time I read Pride and Prejudice, I want to dig her up and hit her over the skull with her own shin-bone.” ~ Mark Twain on Jane Austen
It’s a new low for actresses when you have to wonder what’s between her ears instead of her legs.” ~ Katherine Hepburn on Sharon Stone
I am reading Henry James… and feel myself as one entombed in a block of smooth amber.” ~ Virginia Woolf on Henry James
He was a great friend of mine. Well, as much as you could be a friend of his, unless you were a fourteen-year-old nymphet.” ~ Capote on Faulkner
Ultimately, the book is the yellow brick road to what, deep down, you know you always knew you were: Better than everybody else. (Read our full review here.)
Originally published in 1976 by legendary Welsh novelist and critic Raymond Williams, Keywords: A Vocabulary of Culture and Society offers a fascinating and timeless lens on language from a cultural rather than etymological standpoint, examining the history of over 100 familiar yet misunderstood or ambiguous words, from ‘art’ to ‘nature’ to ‘welfare’ to ‘originality.’
The book begins with an essay on ‘culture’ itself, dissecting the historical development and social appropriation of this ubiquitous and far-reaching semantic construct. It paints a living portrait of the constant transformation of culture as reflected in natural language. So seminal was Williams’ work that in 2005, Blackwell attempted an ambitious update to his text in New Keywords: A Revised Vocabulary of Culture and Society.
IN OTHER WORDS
As beautiful as the English language may be, it isn’t without insufficiencies. C. J. Moore’s curates the most poetic of them — rich words and phrases from other langauges that don’t have an exact translation in English, but convey powerful, deeply human concepts, often unique to the experience of the culture from which they came. (For instance, in Tierra del Fuego there is a specific word — mamihlapinatapei — for that an expressive, meaningful romantic silence between two people. And in China, gagung literally means “bare sticks” but signifies the growing population of men who will will remain unmarried because China’s one-child policy and unabashed preference for male progeny has reduced the proportion of women.)
Witty and illuminating, the book covers 10 different types of languages spanning across various eras and locales, from ancient and classical to indigenous to African to Scandinavian, digging to find the precious meanings lost in translation.
The book is divided into different themes, from food to love to just about everything in between, that reveal specific cultural dispositions towards these subjects through the language in which they are framed.
And on a semi-aside, @hangingnoodles is a must-follow on Twitter, a treasure trove of interestingness at the intersection of science and culture.
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We have a soft spot for creative, playfultakes on the book medium. So we’re head-over-heels with Panorama — an astounding fold-out children’s travelogue by author Fani Marceau and illustrator Joelle Joviet, originally published in France in 2007.
A journey from Bangladesh to Scotland to Antarctica unfolds, literally, in stunning black-and-white woodcut illustrations across 15 magnificent spreads, each a whimsical portrait of a different exotic locale. Underlying the narrative is a subtle yet thoughtful message about sustainability and biodiversity, adding a richer context to the pure aesthetic joy of the experience.
Panorama is as much an engrossing educational experience for young readers as it is an absolute masterpiece of design for aesthetic poeticism aficionados of all ages.
Last week, we featured Aaron Koblin’s insightful thoughts on the digital renaissance. The interview, produced by futurism exploration outfit Emergence Collective, was actually part of a larger “immediated autodocumentary” — a full-length documentary short and edited in an extraordinarily short amount of time — on the future of art, released this week. The film features interviews with 13 leading digital artists and creative entrepreneurs, interviewed at the 2011 Transmediale Festival in Berlin, and explores everything from remix culture to the role of content curators to collaborative creativity.
That is the role that we [curators] play — making connections between things that might not otherwise be obvious connections.” ~ Heather Kelley
The idea of originality and proprietariness also contributes to the whole Great Man Theory, which is slowly disintegrating — the idea of the genius, the Freud, the Marx, the Leonardo, the Einstein… They’ve come up with an idea that’s completely related to the man that came up with it. Whereas, today, the ideas just get thrown out there and used, and it’s that use that in a way is the art, rather than the person who comes up with the idea.” ~ Ken Wahl
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