Brain Pickings

Posts Tagged ‘Accurat’

16 DECEMBER, 2013

Famous Writers’ Sleep Habits vs. Literary Productivity, Visualized

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The early bird gets the Pulitzer … sort of.

“In both writing and sleeping,” Stephen King observed in his excellent meditation on the art of “creative sleep” and wakeful dreaming, “we learn to be physically still at the same time we are encouraging our minds to unlock from the humdrum rational thinking of our daytime lives.”

Over the years, in my endless fascination with daily routines, I found myself especially intrigued by successful writers’ sleep habits — after all, it’s been argued that “sleep is the best (and easiest) creative aphrodisiac” and science tells us that it impacts everything from our moods to our brain development to our every waking moment. I found myself wondering whether there might be a correlation between sleep habits and literary productivity. The challenge, of course, is that data on each of these variables is hard to find, hard to quantify, or both. So I turned to Italian information designer Giorgia Lupi and her team at Accurat — who make masterful visualizations of cultural phenomena seemingly impossible to quantify — and, together, we set out to explore whether it might be possible to visualize such a correlation.

First, I handed them my notes on writers’ wake-up times, amassed over years of reading biographies, interviews, journals, and other materials. Many came from two books — Daily Rituals: How Artists Work by Mason Currey and Odd Type Writers: From Joyce and Dickens to Wharton and Welty, the Obsessive Habits and Quirky Techniques of Great Authors by Celia Blue Johnson — as well as from the Paris Review interviews and various collections of diaries and letters.

We ended up with a roster of thirty-seven writers for whom wake-up times were available — this became the base data set, around which we set out to quantify, then visualize, the literary productivity of each author.

One important caveat is that there is an enormous degree of subjectivity in assessing a literary — or any creative — career, but since all information visualization is an exercise in subjective editorial judgment rather than a record of Objective Truth, we settled on a set of quantifiable criteria to measure “productivity”: number of published works and major awards received. Given that both the duration and the era of an author’s life affect literary output — longer lives offer more time to write, and some authors lived before the major awards were established — those variables were also indicated for context.

Lastly, I reached out to Wendy MacNaughtonillustrator extraordinaire and very frequent collaborator — and asked her to contribute an illustrated portrait for each of the authors.

The end result — a labor of love months in the making — is this magnificent visualization of the correlation between writers’ wake-up times, displayed in clock-like fashion around each portrait, and their literary productivity, depicted as different-colored “auras” for each of the major awards and stack-bars for number of works published, color-coded for genre. The writers are ordered according to a “timeline” of earliest to latest wake-up times, beginning with Balzac’s insomniac 1 A.M. and ending with Bukowski’s bohemian noon.

The most important caveat of all, of course, is that there are countless factors that shape a writer’s creative output, of which sleep is only one — so this isn’t meant to indicate any direction of causation, only to highlight some interesting correlations: for instance, the fact that (with the exception of outliers who are both highly prolific and award-winning, such as like Bradbury and King) late risers seem to produce more works but win fewer awards than early birds.

The most important point, perhaps, is a meta one: A reminder that no specific routine guarantees success, and the only thing that matters is having a routine and the persistence implicit to one. Showing up day in and day out, without fail, is the surest way to achieve lasting success.

Pore over (click the image to zoom) and delight in drawing your own conclusions or merely in taking some voyeuristic enjoyment:

The visualization is available as a gorgeous giclée print, with a third of the proceeds donated to literacy nonprofit Room to Read and the rest split between Accurat and Wendy.

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29 NOVEMBER, 2013

The Creative Pace of the 20th Century’s Greatest Authors, Visualized

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A visual taxonomy of lives and literary greatness.

Almost as contentious as the questions of what the greatest books of all time are and what makes a classic is the question of what goes into the making of a literary masterpiece. We look to the daily routines and odd habits of famous writers for clues, but surely there must something more to it, something unqualifiable and unquantifiable. That’s the sort of challenge that my friend Giorgia Lupi and her amazing data visualization team at Accurat — who have previously visualized such diverse cultural curiosities as the history of the Nobel Prize, the lives of famous painters, science fiction’s visions for the future, and the 100 geniuses of language — like to tackle.

In this graphic analysis originally published in Italy’s La Lettura and adapted in English exclusively for Brain Pickings, they set out to quantify the genius behind the most acclaimed fiction of the twentieth century. Using the Modern Library ranking of the best English novels published between 1900 and 1999, as well as several data sets of biographical information, they visualized the timespan between each author’s debut work and the publication of his or her novel(s) included in the ranking.

Color triangles in each circle depict the author’s age at the time of the debut novel as well as at the time of his or her subsequent masterworks. For nearly a third of the authors — 22 of the 75 authors — the debut and the first masterpiece coincide, so a single yellow triangle points to the age at which that author published the respective novel. The circumference of the circle corresponds to the author’s lifespan, out of a possible 100 years for the full circle. The author’s hometown is also listed, color-coded to indicate the continent of its location. (Larger version here.)

One of the curious insights is that for more than half of the authors — 38 out of 75 — the timespan between the debut and the first masterpiece is no more than five years. What also emerges is a certain taxonomy of author types: the “superauthors” who sustain high creative output over their entire lives (Joyce, Lawrence, Forster, Conrad, Faulkner, Waugh, James); those who peak early, then drop off (Mailer, Hughes, Donleavy, Salinger); and those who the data suggests may have produced a great deal more had they lived longer (West, Orwell, London, Fitzgerald, Lawrence).

For more on what goes into the making of great literature, see the collected advice of famous authors. For more of Accurat’s wonderful visualizations, see their portfolio and their previous Brain Pickings exclusives.

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07 JUNE, 2013

The Lives of 10 Famous Painters, Visualized as Minimalist Infographic Biographies

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Pollock, Dalí, Matisse, Klimt, Picasso, Mondrian, Klee, Boccioni, Kandinsky, and Miro, visually distilled.

For their latest masterpiece, my friend Giorgia Lupi and her team at Accurat — who have previously given us such gems as a timeline of the future based on famous fiction, a visualization of global brain drain, and visual histories of the Nobel Prize and the 100 geniuses of language — have teamed up with illustrator Michela Buttignol to visualize the lives of ten famous painters, using the visual metaphors of painting and the specific stylistic preferences — shapes, colors, proportions — of each artist.

The artists include Jackson Pollock (whose meditation on art and life is a must-read and who had a pretty amazing dad), Salvador Dalí (whose little-known Alice in Wonderland illustrations never cease to delight), Gustav Klimt (who was a key figure in sparking the cross-pollination of art and science that shaped modern culture), Henri Matisse (who, unbeknownst to many, once illustrated Joyce’s Ulysses) and Piet Mondrian (who has even inspired artisanal cake), and each painter is represented by a cleverly designed pictogram reflective of his signature style:

Each visual biography depicts key biographical moments — births, deaths, love affairs, marriages, birth of children, travel — as well as notable and curious features like handedness (mostly righties, with the exception of Klee), astrological sign, and connections.

For a closer look, click each image to view the full-size version:

The visualizations are available as art prints on Society6.

You can see more of Giorgia’s wonderful work on her site and follow her on Twitter.

For an even more minimalist distillation of famous lives, see the delightful, if much less scholarly, Life In Five Seconds.

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27 MARCH, 2013

History’s 100 Geniuses of Language and Literature, Visualized

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“Genius, in its writings, is our best path for reaching wisdom … the true use of literature for life.”

“Genius is nothing more nor less than doing well what anyone can do badly,” Victorian novelist Amelia E. Barr reflected in her 9 rules for success. But what, exactly, is genius? In their latest project, Italian visualization wizard Giorgia Lupi and her team at Accurat — who have previously given us a timeline of the future based on famous fiction, a visual history of the Nobel Prize, and a visualization of global brain drain inspired by Mondrian — explore the anatomy of genius, based on Genius: A Mosaic of One Hundred Exemplary Creative Minds (public library) by literary titan Harold Bloom.

Playing off Bloom’s use of the Sefirot image — the ten emanations of the Kabbalah — to organize the taxonomy of the one hundred geniuses of language he identifies, from Shakespeare to Stendhal to Lewis Carroll to Ralph Ellison, the visualization depicts the geographic origin, time period, and field of each “genius,” correlated with visits to the respective Wikipedia page and connection to related historical figures.

Bloom writes:

All genius, in my judgment, is idiosyncratic and grandly arbitrary, and ultimately stands alone. … My placement of the hundred geniuses is hardly one that fixes them in place, since all the Sefirot are images constantly in motion, and any creative spirit must move through all of them, in many labyrinths and transformations. … Since the ten Sefirot form a system in constant motion, all of my hundred persons could be illuminated almost equally well by the other nine Sefirot, beyond the one where I group them, and I intend this book to be a kind of mosaic-in-perpetual-movement.

Appearing here is an exclusive English-language version of a forthcoming spread in Italian literary supplement La Lettura.

{Click image to enlarge)

At the heart of Bloom’s ambitious taxonomy is a concern with the very nature of genius:

What is the relationship of fresh genius to a founding authority? At this time, starting the twenty-first century, I would say: ‘Why, none, none at all.’ Our confusions about canonical standards for genius are now institutionalized confusions, so that all judgments as to the distinction between talent and genius are at the mercy of the media, and obey cultural politics and its vagaries.

Echoing Virginia Woolf’s counsel on the art of reading, Bloom argues for cultivating an individual sensibility of genius-appreciation:

Literary genius, difficult to define, depends upon deep reading for its verification. The reader learns to identify with what she or he feels is a greatness that can be joined to the self, without violating the self’s integrity…. Genius, in its writings, is our best path for reaching wisdom, which I believe to be the true use of literature for life.

More than a decade after Genius: A Mosaic of One Hundred Exemplary Creative Minds, Bloom followed up with The Anatomy of Influence: Literature as a Way of Life, further exploring the interwoven mesh of genius.

See more of Giorgia’s wonderful work on her site and pair it with some visualization lessons from the world’s top information designers and data artists.

Donating = Loving

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