Brain Pickings

Posts Tagged ‘art’

12 AUGUST, 2011

Salvador Dalí on Decadence, Death and Immortality: The 1958 Interview

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What Freud to antimatter, or what pre-birth memories and lucid dreams have to do with the ego of genius.

Between 1957 and 1960, iconic television personality Mike Wallace — who anchored the first documentary on homosexuality — hosted a series of 30-minute conversations with luminaries from the era known as The Mike Wallace Interview. We’ve previously seen him discuss morality and love Ayn Rand. In 1958, Wallace interviewed the great Salvador Dalí, then 53, making for a fascinating discussion of “decadence, death and immortality.” We see a heavily accented Dalí face a mildly mocking, partly confused, wholly curious Wallace to discuss everything from surrealism to nuclear physics to chastity to what artists in general contribute to the world. The footage is a true time-capsule of the moment, from Dalí’s famous third-person narratives of himself to the extended tobacco commercial prefacing the program, but more importantly, a genuine testament to the power of combinatorial creativity as we marvel at the great painter’s remarkable curiosity and vast pool of cross-disciplinary inspiration, from ancient philosophy to psychology to antimatter.

Dalí paints the Atomic Age and the Freudian Age — nuclear scenes and psychoanalytic scenes.” ~ Salvador Dalí

The interview is almost a caricature, though one that makes you truly grasp the gravity with which Dalí took his work, himself and his delightfully grandiose persona. When asked who the greatest contemporary painters are, he responds in a matter-of-factly manner, “First Dalí. Then, Picasso.” Wallace, half-mockingly, concludes: “The two geniuses of modern times are Dalí and Picasso.”

I cannot understand why human beings should be so little individualized, why they should behave with such great collective uniformity. I do not understand why when I ask for a grilled lobster at a restaurant, I’m never served a cooked telephone.” ~ Salvador Dalí

Scattered throughout the interview are a number of references to 50 Secrets of Magic Craftsmanship, Dalí’s excellent semi-biography, offering a revealing look at the mind and creative process of the eccentric genius.

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11 AUGUST, 2011

Library of Dust: Reflections on Life Through the Unclaimed Dead

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Psychiatry’s ghosts, the poetry of the metaphysical, or what tree bark has to do with chemical corrosion.

I’m spending some time in Bulgaria this month, keeping my grandfather company as he wanes through the final stages of cancer. So death and mortality are on my mind a lot, underpinned by the inevitable question of what remains of us after we breathe our final breath. I was reminded of the work of photographer David Maisel, who explores the subject from an unusual, almost surreal angle in Library of Dust — an artful depiction of copper canisters containing the cremated remains of individual patients from the Oregon State Insane Asylum, a state-run psychiatric hospital, who died there between 1883 and the 1970s, their bodies never claimed by their families. Maisel photographed many of the 3,500 canisters with incredible detail, their multicolor blooming corrosion reminiscent of nature’s wonders like vibrant sunset skies or rich bedrock textures or the aurora borealis.

Among my concerns with Library of Dust are the crises of representation that derive from attempts to index or archive the evidence of trauma; the uncanny ability of objects to portray such trauma; and the revelatory possibilities inherent in images of such traumatic disturbances. While there are certainly physical and chemical explanations for the ways these canisters have transformed over time, the canisters also encourage us to consider what happens to our own bodies when we die, and to the souls that occupy them.” ~ David Maisel

Asylum 16, Oregon State Hospital, Salem, OR

Asylum 4, Lounge/Meeting Room, Ward 66, abandoned portion of J Building, Oregon State Hospital, Salem, OR

Asylum 2, Doctor's Office, Ward 66, abandoned portion of J Building, Oregon State Hospital, Salem, OR

A closer look at the canister details brings to mind Cedric Pollet’s incredible photos of tree bark:

Poignant, poetic and just the right amount of unsettling, Library of Dust is the kind of project that will give you pause as you find in its physical splendor an existential meditation on the metaphysical.

Images courtesy of David Maisel

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11 AUGUST, 2011

Tom Gauld’s Both: If Edward Gorey Did Contemporary Quirk-Comics

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What a morally outraged sweetcorn kernel has to do with some not-so-bright astronauts and Mexican wrestlers.

London-based cartoonist and artist Tom Gauld might just be the Edward Gorey of our time, channeling his wry humor and macabre aesthetic through exquisite black-and-white illustrations. In 2002, he collaborated with fellow RCA alum Simone Lia on Both — a lovely little book blending two previous volumes, unequivocally titled First and Second. It’s a quirky story about, well, a morally outraged sweetcorn kernel, some Mexican wrestlers, some astronauts, a rabbit, bread and bhagis, among other oddballs, who explore the bittersweetness of the world through offbeat vignettes and minimalist narratives full of sometimes subtle, sometimes laugh-out-loud funny humor.

Though the book is currently out of print, you can snag a used copy on Amazon for as little as $8 or try hunting it down at your favorite local offbeat bookstore.

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