Brain Pickings

Posts Tagged ‘art’

25 JULY, 2011

Akule: Magnificent Black-and-White Underwater Photographs

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What underwater tornadoes have to do with marine sustainability and Captain Cook’s death.

For the past 30 years, photographer Wayne Levin has been capturing the magnificence of the underwater world in spellbinding black-and-white images with equal parts mystery and awe. One day, as he was swimming to photograph the spinner dolphins of Hawaii’s Kealakekua Bay, infamous as the location of Captain Cook’s death, Levin came across what appeared to be a giant coral reef. But, as he approached it, the “reef” began to move and morph, turning out to be an enormous school of bigeyed scad fish. Levin snapped some photos and scurried to find the dolphins, but the experience stuck with him. Over time, he developed a fascination with the strange beauty and synchronicity of these fish schools and spent the next 10 years capturing them on hundreds of rolls of film.

His new book, Akule, offers a selection of his finest photographs, named after the Hawaiian word for bigeyed scads. Haunting and poetic, Levin’s work is particularly fascinating — if not melancholic — when examined in parallel with the Census of Marine Life and our efforts to reverse the damage we’ve inflicted on this whimsical microcosm.

Surrounded by Akule

Image courtesy of Wayne Levin

Puffer fish with Akule

Image courtesy of Wayne Levin

Two Amber Jacks Under Akule

Image courtesy of Wayne Levin

School of Akule by Mooring

Image courtesy of Wayne Levin

Most underwater photographers are divers first, then they get into photography to capture the beautiful scenes they see underwater. I was a photographer first. My first serious underwater photography was when I finished graduate school at Pratt in 1983. I returned to Hawaii to teach photography at University of Hawaii, and decided to photograph surfers from underwater. My first attempts were in color, but the results were very murky blue on blue. Then I switched to black and white, and everything came alive.” ~ Wayne Levin

Line of Akule

Image courtesy of Wayne Levin

Akule Tornado

Image courtesy of Wayne Levin

Rainbow Runners with Akule

Image courtesy of Wayne Levin

Great Barracuda Surrounded by Akule

Image courtesy of Wayne Levin

Akule Pinwheel

Image courtesy of Wayne Levin

I feel a sense of freedom, and I can feel myself relax, and my bodily functions slow down as I leave the anxieties of the human world behind. But the ocean has its own dangers. … So there is a freedom in being underwater, but also a responsibility to always be aware of your surroundings, and yourself.” ~ Wayne Levin

Akule is the follow-up to Wayne’s 1997 debut book, Through a Liquid Mirror, a play on the title of Lewis Carroll’s Through the Looking Glass to convey the magic and wonderment Wayne finds once he passes through the surface, just like Alice passes through the mirror into Wonderland. For more, NPR has an excellent interview with Levin.

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25 JULY, 2011

A Brief History of Film Title Sequence Design in 2 Minutes

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What elementary school geometry has to do with the cornerstones of creativity in cinema.

The art of title sequences is no stranger around here. In his graduation project, an absolutely brilliant motion graphics gem, Dutch designer and animator Jurjen Versteeg examines the history of the title sequence through an imagined documentary about the designers who revolutionized this creative medium. With winks to everyone from Georges Melies to Saul Bass to Maurice Binder in ways that capture each creator’s signature style, the film is a piece of minimalist genius.

For more on finer points of artful title sequences, you won’t go wrong with the fairly recent Creative Motion Graphic Titling for Film, Video, and the Web: Dynamic Motion Graphic Title Design.

via Quipsologies

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22 JULY, 2011

Milton Glaser: To Inform & Delight

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What Bob Dylan has to do with civic pride and Ancient Rome’s views on the purpose of art.

Milton Glaser is one of the greatest graphic designers alive today, and a longtime favorite around here. From his iconic I ♥ NY logo to his prolific newspaper and magazine designs, logos, brand identities, posters and other celebrated visual ephemera, Glaser is as revered for his exceptional visual output as he is for his thoughtful reflections on the role of design at large. His work, equal parts playful and poignant, explores the intersection of form and light to inform and delight, these being the purpose of art as defined by Ancient Roman poet Horace.

That’s the inspiration behind the title of the fantastic 2008 documentary Milton Glaser: To Inform & Delight, a remarkable debut by first-time filmmaker Wendy Keys. The film, now out on DVD, iTunes and Amazon Instant Video (free for Amazon Prime members, bless), offers an unprecedented glimpse of the ordinary moments of Glaser’s personal life, his creative process and the cross-pollination between the two, revealing the genuine humility, warmth and extraordinary intelligence of a modern-day Renaissance man.

I have made nothing on I [heart] New York, ever. There’ve been no cash rewards as a consequence of doing it. On the other hand, it really makes me feel very, very proud to have taken part in that shift in the city’s consciousness from being indifferent to itself to realizing, ‘We love this place.'” ~ Milton Glaser

As the creator of I ♥ NY and the moving sequel that followed 9/11, he may be the best-known graphic designer in the world. But they don’t begin to even hint at the impact and significance of Milton Glaser’s work. He’s taken the gifts he had to start with and developed them along a dazzling variety of lines that have influenced every serious designer I can think of, and that have materially affected the way we get information, the way we buy things and, in fact, the things that we buy.” ~ Ralph Caplan, Design Writer

With reflections from some of today’s most acclaimed design critics and direct footage of Glaser himself talking about everything from humorous anecdotes pf the 1960s to the problem-solving capacity of the brain to the profound impact music has had on his life and process, To Inform & Delight is an essential piece of creative history and will inform and will delight. (Amazon also has the beautiful poster for the film, based on Glaser’s iconic 1967 Bob Dylan poster, at 90% off.)

I [internalized] this idea that it didn’t matter whether I was called an artist or a designer or an illustrator or whatever else it was. The core value was always the act of making things, and the transformation of an idea that you hold in your mind that becomes real or material. That, to me, still is the glory of any creative activity.” ~ Milton Glaser

Thanks, Ruth Ann

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