Brain Pickings

Posts Tagged ‘art’

21 OCTOBER, 2011

Stunning Subjectivity: Obsessive Typographic Maps by Paula Scher

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An irreverent, artful antidote to GPS appification, or what the NYC subway has to do with tsunamis.

Iconic designer Paula Scher is one of my big creative heroes, her thoughts on combinatorial creativity a perfect articulation of my own beliefs about how we create. Since the early 1990s, Scher has been creating remarkable, obsessive, giant hand-painted typographic maps of the world as she sees it, covering everything from specific countries and continents to cultural phenomena. This month, Princeton Architectural Press is releasing Paula Scher: MAPS — a lavish, formidable large-format volume collecting 39 of her swirling, colorful cartographic points of view, a beeline addition to my favorite books on maps.

I began painting maps to invent my own complicated narrative about the way I see and feel about the world. I wanted to list what I know about the world from memory, from impressions, from media, and from general information overload. These are paintings of distortions.” ~ Paula Scher

(Cue in cartograms.)

A foreword by Simon Winchester contextualizes Scher’s maps as cultural objects, and an introduction by Scher herself offers a peek inside the mind and personal history that sprouted her cartographic creativity.

A Paula Scher map is both detached from reality and yet at the same time becomes an entirely new reality, one that manages to be useless and essential all at once. What follows here is cartography as living art — fun and whimsical, obsessively made, and knowingly offered, lovingly, to be read… Maps such as these are never ever to be replaced by the cold blinking eyes of the GPS. Use them, enjoy them, glory in their madness.” ~ Simon Manchester

Cherry on top: The cover jacket folds out into her legendary colorful map of the world.

The World, 1998

NYC Transit, 2007 (left); Manhattan at Night, 2007 (right)

China, 2006

Africa, 2003

Shock and Awe, 2005

International Air Routes, 2008

The Dark World, 2007

Tsunami, 2006

Sample Scher’s extraordinary mind and creative process with her now-legendary talk from Serious Play 2008:

Artful and opinionated, Paula Scher: MAPS is a beautiful antidote to the sterile objectivity of location-aware apps and devices, reminiscent of Ward Shelley’s analog data visualization and the poetic subjectivity of You Are Here: Personal Geographies and Other Maps of the Imagination, but presaging both and shining with Scher’s own distinct, quirky, visionary voice.

Images courtesy of Princeton Architectural Press // Thanks, Russell

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20 OCTOBER, 2011

A Collection a Day: An Obsessive Homage to Order

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Why we’re drawn to things organized neatly, or what sea urchins have to do with vintage erasers.

On January 1, 2010, artist and illustrator Lisa Congdon embarked on an unusual project — for 365 days, she was to photograph, draw, or, in the case of imaginary objects, paint one collection a day. She documented her process online and recently joined our own collection of blogs so great they became books.

A Collection a Day catalogs all 365 of Congdon’s quirky, obsessive, endlessly curious collections of tchotchkes — erasers, pencils, vintage stamps, mushrooms, receipts, medals, maps, sea urchins, and just about everything in between — in a beautiful volume that’s somehow calming and centering in its neatness, a rare oasis of order amidst the chaos of the everyday stuff that surrounds us.

Since I was a young girl, I have been obsessed both with collecting and with arranging, organizing and displaying my collections. This is my attempt to document my collections, both the real and the imagined.” ~ Lisa Congdon

For a peek inside Congdon’s creative process and what makes these collections so alluring with her wonderful recent talk from the San Francisco chapter of Creative Mornings — bonus points for the Ursus Wehrli, Andy Goldsworthy, and Edward Tufte references.

I think that ordinary objects become something different when they’re arranged with other like things… Seeing things with other like things helps us to see them in new ways.” ~ Lisa Congdon

Beautifully photographed and illustrated, A Collection a Day is a charming meditation on objects and stuff, part Obsessive Consumption, part Things, part its very own peculiar project with its own peculiar character.

Images courtesy of Lisa Congdon / UPPERCASE

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20 OCTOBER, 2011

Spike Jonze’s Handmade Stop-Motion Love Story for Bibliophiles

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How to punch a whale, or what Dracula has to do with Faulkner and Macbeth.

When beloved director Spike Jonze, he of Being John Malkovic and Where The Wild Things Are fame, met handbag designer Olympia Le-Tan, he fell in love with her intricate embroidery and asked for an embroidered cover of Catcher in the Rye to put on his wall. Le-Tan agreed, but asked for a film in return. The result was Mourir Auprès de Toi (To Die By Your Side) — an absolutely beautiful stop-motion animation for book-lovers that’s part This Is Where We Live, part Going West, part creative magic only Spike Jonze can bring.

Set inside iconic Parisian bookstore Shakespeare and Company, the film tells the story of the skeleton from the cover of Macbeth, voiced by Jonze himself, who falls in love with Mina Harker on the cover of Dracula. He sets out to meet her, but loses his head to a French version of The Big Clock on the way, trips and falls into Faulkner’s Sartoris, and is then swallowed by Moby-Dick. Harker, voiced by French singer Soko, springs to his rescue, punching the legendary whale in the face with a mischievous smirk. The happily-ever-after ending comes only after an appropriately dark and grim twist.

(We also seem to have a running theme of whales this month, first with the stunning Moby-Dick in Pictures, then the poetic animation about the afterlife of a whale, and now this embroidered stop-motion goodness.)

You just start with what the feeling is. For this one the feeling definitely started with the handmade aesthetic and charm of Olympia’s work. Instantly I had the idea of doing it in a bookstore after-hours, imagining the lights coming down and these guys off their books. Me and Olympia both wanted to make a love story, and it was fun to do it with these characters. It evolved naturally and it all just started with the feeling. From there you entertain yourself with ideas that excite you.” ~ Spike Jonze

Here’s Jonze on the inspired making of the film:

via Slate

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