Brain Pickings

Posts Tagged ‘charity’

17 MARCH, 2009

Product Design Spotlight: The Little Bottle That Could

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Why the key to revolutionary innovation is being completely incompetent.

UPDATE: Thanks to reader Kimmo for pointing out that we (as in our source) had gotten both the designer’s and the product name wrong. Thanks, AdAge, for the always-reliable information…

Is it possible to create a plastic bottle that isn’t just a despicable hallmark of human wastefulness? According to Finish designer Stefan Lindfors, yes.

Linfoss has created PLUP, a donut-shaped plastic bottle that not only revolutionizes the aesthetics of beverage manufacturing, but also solves some of the industry’s largest functional and environmental problems.

One of the biggest shortcomings of traditional bottles is that they can’t be stacked. Which means they take up too much space to store, they tip over on the table, and they’re a nightmare to transport. With PLUP, a waiter can put several bottles on a stick and take them to the table, and you can use the string that comes with the product to attach it to your belt when you go for a run on a hot day or just roam around town.

I think it’s very important that you don’t have too much knowledge of the industry as a designer, because it prevents you from flying high enough. If you do have a lot of knowledge, you have to have the ability to let go of it in the creative process.

But here’s the best part: PLUP is made of a modified PET polymer, which is not only highly recyclable, but also extremely durable, making the bottle as reusable as your average Nalgene, but without the carcinogenic connotations. At the same time, the design — pure aesthetic brilliance — is “cool” enough to actually encourage such reuse, transforming the bottle from a functional aid into a lifestyle accessory.

plup Okay, we lied: The real best part is that in every country where PLUP is distributed, a major share of the profits from each bottle sold goes to a charity fighting a major local environmental problem. (In Finland, for instance, donations go towards cleaning up the Blatic Sea, which is the world’s most polluted natural water resource.)

See the interview with Stefan and watch as PLUP transforms the packaging industry’s sorest spot.

via 3-Minute AdAge

25 FEBRUARY, 2009

GOOD Magazine: The Real Stimulus Package

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How the best magazine around got better, or why taking a slight financial hit can get you an intellectual grand slam.

We love GOOD Magazine. Always have (well, at least since their launch party in Philly’s Reading Terminal in 2007), always will. And now we have yet another reason to.

goodsub Initially, an annual subscription to GOOD used to cost $20, all of which went to your choice of charity from their list of nonprofit partners — great already. (Ours went to WWF.) But imagine our delight to discover that GOOD is now pushing the innovation front with a pay-what-you-want model – you can subscribe for anything from $1 to $1,000, all of which still goes to a charity of your choice.

Your choice of subscription also gets you various tiers of perks: Anything over $20 gets free admission to Choose GOOD parties (and good they are, take our work for it), $10o or more gets your name immortalized in the magazine, and if you have the good will and appropriate pocket depth to afford the $1,000 subscription, we’re talking lifetime subscription to the magazine, lifetime free admission to Choose GOOD parties, your name printed in the magazine, and a signed, limited edition bound copy of GOOD.

Genius.

We’ve seen this sort of approach in the music industry, with acts big and small, from Radiohead to Jill Sobule, redefining the traditional business model. But we’re all the more excited to see it in print publishing, an industry struggling to stay afloat in the digital ocean of content.

More importantly, it’s a particularly good metaphor for the broader concepts GOOD stands for: Cultural contribution. Empowerment. Freedom of choice.

choosegood We can’t recommend GOOD enough — they go so far beyond “good enough” in every respect, from the compelling content, to the fantstic design and art direction, to their sustainable choice of paper stock. So go ahead and get your subscription to GOOD — it’s a solid investment, in both your personal growth and in your contribution to causes larger than yourself.

12 JANUARY, 2009

Illustration Showcase: 5 Artists to Watch

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Shapes, colors, textures, and a whole lotta lovable monsters.

We love illustration. We love innovation. And we love these 5 incredibly innovative illustrators.

TAD CARPENTER

Kansas City designer Tad Carpenter‘s character illustrations are what one would call “unique” — the bold colors, crisp lines and subtle 2D texture, combined with the expressive minimalism of the characters’ faces, make for a signature style you couldn’t mistake for another.

Tad Carpenter

Monster Mix-Ups Tad’s work spans across posters, identity, installations, packaging, painting, and more. Between his day job at Design Ranch and his personal work, Tad also co-runs Vahalla Studios, a top-notch screen-printing shop.

Tad recently collaborated with a few other artists on a philanthropic project — after visiting 9 orphanages in Vietnam to help paint some murals, they got inspired by the kids’ drawings and paired each kid with one of the artists, who later did his own version of the kid’s drawing. (Remember Child Art for Grown-Ups?)

They then set up an auction for the work, benefiting, of course, the orphanages.

Giving It Back to Kids

Check out Tad’s blog for more about his work, his inspiration, and his rather exciting artist life.

via grain edit

CHRISTOPHER LEE

Designer and motion graphics artist Christopher Lee, a.k.a. “The Best Is Back,” has some pretty impressive commercial gigs to his credit: Lucas Arts, TBWA, Disney Consumer Products, Vodafone and Honda, to name but a few.

TBWA: Carbon Figthers

In 2004, Christopher started a conceptual pet project dubbed The Urbanites — a friendly bunch of characters that are almost like the rest of us:

Populated together in that tight knit community you’ve grown to love and hate. Filled with best friends, mortal enemies, summer popsicles, freshly cut lawn, gossip, laughs and the obligatory robot factory.

Except they’re monsters.

The Urbanites: Sketches

Eventually, Christopher developed The Urbanites into lovable characters, each with a unique personality and back story.

The Urbanites

In 2006, Christopher moved to Southern California to look for new inspiration. And we think he’s more than found it.

Beast

Christopher now lives in Sacramento and works as an Art Director at motion graphics get-up Buck.

MATTHEW WOODSON

Chicago-based artist Matthew Woodson is the kind of illustrator who doesn’t fall for the latest grunge or “2.0” or magna fad. His minimalistic traditionalism of simple, meticulous pen and brush work somehow creates rather powerfl, almost haunting images.

Something about his ghostly illustration seems to strike a chord with the cultural and commercial A-listers — from nonprofits like UNICEF, to for-as-much-as-possible-profits like American Express, to an impressive lineup of media powerhouses: BusinessWeek, ESPN Magazine, Glamour, Randomhouse, and Wired (which, as you probably know by now, we’re completely obsessed with.)

Check out Matthew’s blog for a glimpse into his creative process.

ALBERTO CERRITEÑO

Designer Alberto Cerriteño is an enviable master of texture, shape and color, whatever medium they dwell in.

The Helium Adventure

His artwork creates nothing short of a whimsical alternate reality, sucking you in one lovable monster at a time.

Dream

Born in Mexico City, Alberto is now a Senior Art Director at a Portland-based design shop. His work spans nearly every frontier of design imaginable, from print to motion graphics to apparel and more.

Shoes

Follow Alberto’s global adventures on his blog for some insight into the fuel of that incredibly imaginative mind.

WILMER MURILLO

Honduras-based freelance illustrator Wilmer Murillo‘s artwork is brimming with that rare blend of the bizarre, the delightful and the introspective, all tied with a bow of fantastic aesthetic execution.

Don Pedro Buenaventura

His latest collection, The Messenger of Love Is Old and Tired, juxtaposes the endearing, almost cartoonish nature of the characters with the profound sadness of the conceptual message.

A Walk With a Hot Dog

Wilmer is only 21, which absolutely floors us. Keep your eyes peeled for this guy as he takes the design world by storm in the next couple of years.

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24 DECEMBER, 2008

The Year in Ideas: 8 Best of 2008

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8 things that shaped the year’s innovation footprint, or what Buckminster Fuller has to do with tap water and Michael Phelps.

This being an indiscriminate ideas blog, we’ve put together a selection of the year’s best ideas — big and small, spanning a multitude of categories, and held together by the sole common tangent of being truly, tangibly, future-changingly innovative. Here’s our shortlist for the 8 most compelling ideas of 2008.

iTUNES GENIUS

Music recommendation services have been around for a while, driven by smart algorithms that seem to know your music taste better than your bff. But despite all the Pandoras and Last.fm’s of the world, the music industry and its business model are falling apart. And digital music leader iTunes may have a win-win solution for both consumers and the industry, thanks to the recently released Genius feature.

genius

So why is Genius genius? It works remarkably well — its recommendations are immaculate and the playlists it builds can rival even the most meticulously compiled mixtape that your 8th-grade sweetheart spent 3 weeks crafting. More importantly, it fights the two deadliest threats to today’s music industry — the failure to monetize “fandom” (Last.fm may be great at helping you discover new favorite artists, but not so great at cashing the fandom check) and consumer’s music library overload. (Anyone with more than a few hundred songs in their iTunes, which is pretty much everyone, is slowly losing track of the tracks and forgetting some of those artists even existed.)

In a world where keeping up with our own music is becoming overwhelming and getting new stuff is anything from burdensome to illegal, Genius steps in as a welcome and well-crafted one-two-punch solution.

LZR RACER
LZR

No one made more waves in Summer ’08 than wonderboy Michael Phelps. And when a record-breaking 8 Olympic gold medal streak is almost shadowed by another wave-maker, we know there’s something big going on.

Wave-maker in point: Speedo’s technologically supreme and ethically controversial LZR Racer Suit. It’s been called anything from “technological doping” to downright incapacitating for non-LZR-wearing swimmers.

But here’s the thing: 3 years of R&D produced technology that’s utterly groundbreaking and innovative and all those superlatives attached to true progress. So we find it ridiculous to put a “moral” label on it. It’s like saying that cars should’ve never upgraded to better tires because it would’ve been unfair to all the lagging manufacturers, or Firefox should’ve never revolutionized the web browser because it was unfair to Netscape and Internet Explorer.

Progress has to start somewhere, and the laggards better suck it up and learn to keep up.

YES WE CAN SONG

We’ve featured it again and again. And, yep, we’re doing it yet again. Because will.i.am‘s deeply moving, celebrity-powered remix of Obama’s New Hampshire primary speech managed to do something extraordinary, something never before seen in the stiff world of politics: Tap the very emotional chord that makes people so profoundly moved by and connected to music, and translating it to political motivation.

The resulting Song For Change became the most-watched election-related video on YouTube and we strongly believe it had a lot to do with getting the President Elect that much-needed, make-or-break youth vote.

BUCKYPAPER

It may be a scientific cliche that the best of discoveries happen by accident, but it’s exactly the case with buckypaper — a revolutionary material composed of tube-shaped carbon molecules 50,000 times thinner than a human hair.

What makes buckypaper unique isn’t simply its ability to conduct both electricity and heat, but also the fact it’s 10 times lighter and 500 times stronger than steel.

You could say that buckypaper virtually came from outer space.

In 1985, British scientist Harry Kroto tried to simulate the conditions that exist in a stars, the source of all carbon in the universe, to see how they make the element of life. But halfway through the experiment, something unusual happened: A bizarre 60-atom carbon molecule shaped like a soccer ball popped up out of the blue. Kroto thought it looked like iconic architect, inventor and futurist Buckminster Fuller’s geodesic domes, so he named the new molecule buckminsterfullerene, or “buckyballs” for short. (Besides the wacky name, the discovery also landed Kroto and colleagues the Nobel Prize for chemistry in 1996.)

Fast-forward 20-odd years, and you’ve got a renewed interest in the chemical oddball, resulting in the development of a thin film that forms when the carbon tubes are filtered through a fine mesh and stick together in a liquid suspension — that’s buckypaper.

So we can sit back and wait for that super light, super fast, thunderstorm-proof buckypaper jet plane.

RICOH GREEN BILLBOARD

ricoh Consumerism is the reason why we’re in our climate pickle, no question there. It’s wasteful and gratuitous and driven by excess. And the marketing industry is pouring more fuel into its fire than anything else. So it’s refreshing to see bold, innovative efforts that significantly shrink the carbon footprint of capitalism’s necessary evil.

Case in point: Times Square’s first “green” billboard for office equipment supplier Ricoh. At $3 million, the board is powered solely by 16 wind turbines and 64 solar panels connected to a bank of batteries. Comapred to a traditional electric billboard, it’s estimated to save 18 tons of carbon over the course of a year — enough to light 6 large houses.

And with over 15,000 billboards in New York City alone, do the math. Ok, we’ll do it for you — roughly 270,000 tons of carbon spewed into the atmosphere each year just by NYC’s outdoor advertising, the equivalent of lighting a small 90-house village.

Times Square's first

The board took about a year from inception to completion and entailed a whole lot of challenges. Eventually, they were able to find a small California-based company, PacWind, that makes very efficient turbine technology that actually works in very little wind.

The best part is how “real” company executives are about the new technology and its drawbacks. (Like, say, the fact that the billboard will go out on a cloudy day.)

An advertisement is not a mission-critical function… nobody will ever die because our eco-board is lit or is not. So we think that if it goes dark, it’s actually an even brighter light on the fact that we’re using alternative energy and that we’re not wasting carbon in order to advertise.

You said it, brother.

GOOGLE ANDROID

Android alternative logo Granted, Android was unveiled in late 2007. But its fundamental “great ideaness” lies in its category-defying, industry-revolutionizing open model. And it officially became open-source only a couple of months ago, on October 21, 2008.

Today, the entire source code is available under an Apache license, which allows developers and vendors to add free extensions and toss them right back into the open source community. And open-source evangelists’ nitpicking aside, that’s something rare and precious in today’s telecom oligopoly and the stifling proprietariness of everything. (iPhone/AT&T lovenest, we’re looking at you.)

GINA

GINA When BMW’s GINA concept car fist made the buzz rounds mid-year, many thought it was a hoax or a clever teaser for something a bit more… real. It turned out, however, to be a no-B.S., totally serious, perfectly real effort by the trend-setting German automaker.

The GINA Light Visionary Model is, simply put, a car made out of cloth. Instead of having a metal or plastic body, GINA is draped in a flexible material stretched over a movable wire mesh, making the car a structural chameleon — the driver can choose to change its shape on a whim.

Beyond the sheer cool factor, GINA is also considerably more environmentally reasonable than traditional cars. Not only does the light fabric take much less energy to produce than heavier, more rigid materials, but it also makes the total weight of the car much lower, resulting in significantly better fuel efficiency.

Plus, it’s fucking badass.

THE TAP PROJECT

Tap Project logoYou may recall how seriously we take the drinking water problem around here. Which is why the Tap Project is topping our ideas list this year — a small but incredibly smart, ambitious and inspired project that has the potential to make tremendous difference to the poor by asking ridiculously little of the wealthy.

Here’s how it works: During World Water Week in March this year,the Tap Project launched a nationwide effort, inviting restaurants and their patrons to simply donate $1 (or more) for the tap water they’d normally get for free. Every dollar raised buys a child in the third world 40 days worth of clean drinking water.

Pause to digest that. Exactly.

So simple. So potent. And so eye-opening, juxtaposing what we in the seat of privilege take for granted with the deadly lack thereof that kills — literally — millions.

The Tap Project is the brain child of creative icon David Droga and was developed in partnership with UNICEF. Over 2,350 restaurants participated in the 2008 push, raising more than $5 million — the equivalent of 1.7 million days of clean drinking water for children around the world.

With close to 1 million restaurants nationwide (it’s the second-largest industry outside of government), you can only imagine the project’s full breadth of potential as it continues to reach critical mass.

Now that’s an idea.