01 OCTOBER, 2012
By: Maria Popova
A century of conviction celebrating the freedom to read.
Some history’s most celebrated works of literature have, at various times and in various societies, been banned — from Arabian Nights to Ulysses to, even, Anaïs Nin’s diaries, to name but a fraction. To mark Banned Books Week 2012, I’ll be featuring excerpts from once-banned books on Literary Jukebox over the coming days. But, today, dive into an omnibus of meditations on and responses to censorship from a selection of literary heroes from the past century.
Kurt Vonnegut writes in his almost-memoir, A Man Without a Country (public library):
And on the subject of burning books: I want to congratulate librarians, not famous for their physical strength or their powerful political connections or their great wealth, who, all over this country, have staunchly resisted anti-democratic bullies who have tried to remove certain books from their shelves, and have refused to reveal to thought police the names of persons who have checked out those titles.
So the America I loved still exists, if not in the White House or the Supreme Court or the Senate or the House of Representatives or the media. The America I love still exists at the front desks of our public libraries.
And yet libraries have had a track record for exercising censorship themselves. When Virginia’s Hanover County School Board removed all copies the Harper Lee classic To Kill a Mockingbird (public library) in 1966 on the grounds that it was “immoral,” Lee wrote the following letter to the editor of The Richmond News Leader, found in Understanding To Kill a Mockingbird:
Editor, The News Leader:
Recently I have received echoes down this way of the Hanover County School Board’s activities, and what I’ve heard makes me wonder if any of its members can read.
Surely it is plain to the simplest intelligence that “To Kill a Mockingbird” spells out in words of seldom more than two syllables a code of honor and conduct, Christian in its ethic, that is the heritage of all Southerners. To hear that the novel is “immoral” has made me count the years between now and 1984, for I have yet to come across a better example of doublethink.
I feel, however, that the problem is one of illiteracy, not Marxism. Therefore I enclose a small contribution to the Beadle Bumble Fund that I hope will be used to enroll the Hanover County School Board in any first grade of its choice.
In 1985, when the Public Library in Nijmegen decided to remove Charles Bukowski’s Tales of Ordinary Madness (public library) after a complaint from a reader, declaring it “very sadistic, occasionally fascist and discriminatory against certain groups (including homosexuals),” a local journalist reached out to the author for a response. Bukowski immediately fired off an altogether brilliant letter, which included a direct shot at the essence of censorship:
Censorship is the tool of those who have the need to hide actualities from themselves and from others. Their fear is only their inability to face what is real, and I can’t vent any anger against them. I only feel this appalling sadness. Somewhere, in their upbringing, they were shielded against the total facts of our existence. They were only taught to look one way when many ways exist.
In a poignant and heated exchange with the editor of Esquire in 1975, E. B. White considers media sponsorship as a form of censorship that hinders the free press, and argues:
For a citizen in our free society, it is an enormous privilege and a wonderful protection to have access to hundreds of periodicals, each peddling its own belief. There is safety in numbers: the papers expose each other’s follies and peccadillos, correct each other’s mistakes, and cancel out each other’s biases. The reader is free to range around in the whole editorial bouillabaisse and explore it for the one clam that matters — the truth.
In September of 1965, Susan Sontag wrote in her diary, As Consciousness Is Harnessed to Flesh: Journals and Notebooks, 1964-1980:
I am against censorship. In all forms. Not just for the right of masterpieces — high art — to be scandalous.
But what about pornography (commercial)?
Find the wider context:
notion of voluptuousness à la Bataille?
But what about children? Not even for them? Horror comics, etc.
Why forbid them comics when they can read worse things in the newspapers any day. Napalm bombing in Vietnam, etc.
A just/ discriminating censorship is impossible.
Lemony Snicket writes in The Penultimate Peril (A Series of Unfortunate Events, Book 12) (public library):
The burning of a book is a sad, sad sight, for even though a book is nothing but ink and paper, it feels as if the ideas contained in the book are disappearing as the pages turn to ashes and the cover and binding — which is the term for the stitching and glue that holds the pages together — blacken and curl as the flames do their wicked work. When someone is burning a book, they are showing utter contempt for all of the thinking that produced its ideas, all of the labor that went into its words and sentences, and all of the trouble that befell the author.
In Mrs. Warren’s Profession (public library), George Bernard Shaw puts it in the most deterministic terms possible:
All censorships exist to prevent anyone from challenging current conceptions and existing institutions. All progress is initiated by challenging current conceptions, and executed by supplanting existing institutions. Consequently, the first condition of progress is the removal of censorship.
In June of 1945, Anaïs Nin wrote in her diary:
The important task of literature is to free man, not to censor him, and that is why Puritanism was the most destructive and evil force which ever oppressed people and their literature: it created hypocrisy, perversion, fears, sterility.
Ray Bradbury writes in Fahrenheit 451 (public library):
There is more than one way to burn a book. And the world is full of people running about with lit matches. Every minority, be it Baptist/Unitarian, Irish/Italian/Octogenarian/Zen Buddhist, Zionist/Seventh-day Adventist, Women’s Lib/Republican, Mattachine/FourSquareGospel feels it has the will, the right, the duty to douse the kerosene, light the fuse. Every dimwit editor who sees himself as the source of all dreary blanc-mange plain porridge unleavened literature, licks his guillotine and eyes the neck of any author who dares to speak above a whisper or write above a nursery rhyme.
When a New Hampshire high school banned John Irving’s “inappropriate” The Hotel New Hampshire (public library), Irving sent an indignant letter to the head school librarian, ending with the following parenthetical:
Real readers finish books, and then judge them; most people who propose banning a book haven’t finished it. In fact, no one who actually banned Salman Rushdie’s “The Satanic Verses” even read it.
In fact, Salman Rushdie himself recently reflected on censorship in The New Yorker:
The creative act requires not only freedom but also this assumption of freedom. If the creative artist worries if he will still be free tomorrow, then he will not be free today.
For a weeklong celebration of the freedom to read, tune into Literary Jukebox for some favorite excerpts from censored books, thematically paired with music.
Public domain images courtesy of Flickr Commons
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