Brain Pickings

Posts Tagged ‘children’s books’

25 NOVEMBER, 2013

Jane, the Fox and Me: A Gorgeous Graphic Novel about the Travails of Youth Inspired by Charlotte Brönte

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A tender illustrated story about acceptance and belonging.

“Reading is escape, and the opposite of escape; it’s a way to make contact with reality,” Nora Ephron wrote. “If I can’t stand the world I just curl up with a book, and it’s like a little spaceship that takes me away from everything,” Susan Sontag told an interviewer, articulating an experience at once so common and so deeply personal to all of us who have ever taken refuge from the world in the pages of a book and the words of a beloved author. It’s precisely this experience that comes vibrantly alive in Jane, the Fox, and Me (public library) — a stunningly illustrated graphic novel about a young girl named Hélène, who, cruelly teased by the “mean girls” clique at school, finds refuge in Charlotte Brönte’s Jane Eyre. In Jane, she sees both a kindred spirit and aspirational substance of character, one straddling the boundary between vulnerability and strength with remarkable grace — just the quality of heart and mind she needs as she confronts the common and heartbreaking trials of teenage girls tormented by bullying, by concerns over their emerging womanly shape, and by the soul-shattering feeling of longing for acceptance yet receiving none.

Written by Fanny Britt and illustrated by Isabelle Arsenault — who also gave us the magnificent Virginia Wolf, one of the best children’s books of 2012 — this masterpiece of storytelling is as emotionally honest and psychologically insightful as it is graphically stunning. What makes the visual narrative especially enchanting is that Hélène’s black-and-white world of daily sorrow springs to life in full color whenever she escapes with Brönte.

When Hélène reluctantly goes on a class trip, she finds herself humiliated in front of everyone. As she resigns herself to the outcasts’ tent, her fictional friend no longer provides sufficient consolation and assurance that she’s worthy of friendship.

Just then, a small red fox appears before the tent — a tender creature whose gaze gives Hélène a momentary glimpse of that soul-to-soul connection she so desires.

But it only lasts a moment — one of the mean girls scares the fox away, claiming it is rabid and leaving Hélène to believe that there must be something diseased and defective about anyone who seeks to connect with her.

But as the class returns to school, a new girl joins the outcast group, unconcerned with the circle’s social standing. Géraldine is simply content to be surrounded by people she likes who like her back, people with whom she shares that simple yet profound being-to-being connection that Hélène had found in the fox’s eyes. And, just like that, Hélène comes to see that the only way to un-believe all the hurtful things others say about her is to simply stop worrying about it all — and to believe that the deep sense of acceptance and inner peace she found in Jane Eyre and the fox springs from her own soul.

Jane, the Fox, and Me is an absolute treasure that blends the realities of children’s capacity to be cruel, the possibilities of transcending our own psychological traps, and literature’s power to nourish, comfort, and transform.

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21 NOVEMBER, 2013

To Live Long, Write for Children: RIP Charlotte Zolotow, 98

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Honoring one of the biggest hearts and most brilliant minds in children’s literature.

For those who hold children’s books dear, a little piece of the soul dies every time another beloved children’s book author or artist leaves us. It helps a little to know that the great Charlotte Zolotow (June 26, 1915–November 19, 2013) lived to be 98. (On a semi-serious aside: It seems that writing for children holds an especial promise of longevity, with many authors and illustrators outliving the average life expectancy of their homeland by years, often decades — Maurice Sendak lived to be 84, E. B. White 86, Ruth Krauss 92, Alice Provensen reportedly continues to draw well into her nineties, and Eric Carle just released his latest book at 84. There must be something uniquely soul-nourishing about the warmth and kindness that writing for children both requires and stimulates.)

Illustration by Maurice Sendak from Charlotte Zolotow's Mr. Rabbit and the Lovely Present (1962)

Although she authored and edited more than seventy books, Zolotow remains best-known for Mr. Rabbit and the Lovely Present, published in 1962 and illustrated by none other than Sendak. But the most influential relationship of her career was with the great Ursula Nordstrom, fairy godmother of modern children’s literature, who steered Zolotow’s collaboration with Sendak and with whom Zolotow worked closely for many years thereafter. From Leonard Marcus’s altogether fantastic Dear Genius: The Letters of Ursula Nordstrom (public library) — which also gave us Nordstrom’s witty, wise, and prescient 1953 letter on the state of publishing and the infinitely heartwarming story of how she cultivated young Sendak’s genius — comes the wonderful record of Zolotow’s formative relationship with Nordstrom.

Illustration by Maurice Sendak from Charlotte Zolotow's Mr. Rabbit and the Lovely Present (1962)

In August of 1961, when Mr. Rabbit and the Lovely Present was coming together, Nordstrom assured Sendak of Zolotow’s commitment to the project:

She is so glad you’re illustrating it, and so are we, that nothing can cloud our pleasure.

A few months later, on October 30, she sent a heartwarming letter to Zolotow herself:

Dear Charlotte—

Sendak’s pictures are so lovely for your (untitled) book! Utterly different from anything he’s ever done — with a timeless, classic quality: You’ll be happy, I know. The little girl is so lovely, and the rabbit is funny, a good combination, I think.

After thanking Zolotow for recommending a play Nordstrom had just seen and loved, and for Zolotow’s kind words about the only children’s book Nordstrom herself ever wrote, The Secret Language, she holds up a mirror of warm mutuality:

I can never tell you how grateful I am to you, dear friend and author. I’ve never had anyone — well, — be so generous and kind, certainly no AUTHOR — as you’ve been.

The longtime collaboration and lifelong friendship between the two began when Zolotow became Nordstrom’s editorial assistant at Harper & Row — a position that, under the influence of Nordstrom’s enormous generosity of spirit and creative bravery, no doubt helped Zolotow cultivate her own. In fact, she soon became Nordstrom’s right-hand-woman and was even the one to bring in Louise Fitzhugh’s hugely popular 1964 classic, Harriet the Spy, which queer women continue to celebrate for its trailblazing use of an apparently queer protagonist.

Harriet the Spy by Louise Fitzhugh (1964)

In a 2009 interview, Zolotow spoke of the interplay between being a writer and being an editor:

Being both a writer and editor affects different expressions of the same personality. Writers must shut out everyone else while they write. They must forget outside suggestions, or the temptation to follow suggestions separate from their own visions.

Editors must resist the desire to insert their own idea of how and where the story goes. They must resist the temptation to offer their own words as a solution when something is weak; instead they should alert the writer to this weakness, so that if the writer agrees, she may solve the problem in her own words and way.

When Nordstrom was ready to leave Harper, she bequeath her department to Zolotow. In a 1980 letter to another one of her authors, Mary Stolz, Nordstrom wrote:

I told Charlotte Zolotow many months ago that I wanted to slope off my job with Harper, and not be an editor any more. There are good things about it, always have been, but no more working with authors, dealing with contracts, worrying about the lack of reviews, or when there are bad ones, for “my” authors. Charlotte, as head of the department, is a brilliant and sensitive creative person. She will see that your work get the good attention I think you have always had from the dept.

Illustration by William Pène du Bois from William's Doll (1972)

And see to it she did — Zolotow went on to bring to life dozens of books for young readers, from her very first, The Park Book, published in 1944 and illustrated by H. A. Ray, to such delights as William’s Doll (1972) illustrated by William Pène du Bois and I Know a Lady (1984) illustrated by James Stevenson to her final book, The Beautiful Christmas Tree, published in 1999 and illustrated by the inimitable Yan Nascimbene, whom we also lost this year.

Illustration by Maurice Sendak from Charlotte Zolotow's Mr. Rabbit and the Lovely Present (1962)

Thank you for the many lovely presents, Charlotte.

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19 NOVEMBER, 2013

Iconic Illustrator Eric Carle’s Vibrant Ode to Friendship

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A heartwarming tale of affection and determination, told by one of our time’s greatest visual storytellers.

Eric Carle (b. June 25, 1929) is arguably the most celebrated — and prolific — children’s book author-illustrator alive and a tireless champion of art for young humans. Almost half a century after his beloved classic The Very Hungry Caterpillar, which has delighted generations of children, Carle returns with Friends (public library) — the heart-warming story of an inseparable boy and girl, and the boy’s quest to reunite with his dear friend after she moves away. The tale was inspired by a photograph of 3-year-old Carle embracing a girl in a white dress in his hometown of Syracuse. Though he never learned her name, he remained enchanted by the mystery and innocence of that early friendship.

Illustrated in Carle’s signature technique of colorful hand-painted tissue paper collages, the story exudes the joyful warmth of Maurice Sendak and Ruth Krauss’s vintage ode to friendship, I’ll Be You and You Be Me, the vibrant adventurousness of Alone in the Forest, and, above all, Carle’s own singular touch.

Friends comes two years after Carle’s most recent book, The Artist Who Painted A Blue Horse, and forty-eight after the very first book he ever illustrated, a 1965 edition of Aesop’s fables. Perhaps poetically, the second book Carle illustrated as a young artist was a small collection of quotes about friendship.

Images courtesy of Philomel / Penguin Group

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Bringing you (ad-free) Brain Pickings takes hundreds of hours each month. If you find any joy and stimulation here, please consider becoming a Supporting Member with a recurring monthly donation of your choosing, between a cup of tea and a good dinner:





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