Brain Pickings

Posts Tagged ‘children’s books’

12 MAY, 2015

Bright Sky, Starry City: An Illustrated Love Letter to Our Communion with the Cosmos, Celebrating Women Astronomers

By:

A warm and wonderful ode to the universe for the modern urban astronomer.

When trailblazing astronomer Maria Mitchell began teaching at Vassar in the 1860s, where she was the only woman on the faculty, the university’s official handbook forbade female students from going outside after dark — a dictum of obvious absurdity in the context of teaching astronomy. Although the rule was overturned and Mitchell went on to pave the way for women in science, a century and a half later a different civilizational absurdity obstructs aspiring astronomers of any gender — light pollution in cities is making it increasingly difficult to peer into the starry sky and take, to paraphrase Ptolemy, our fill of cosmic ambrosia.

In Bright Sky, Starry City (public library), author Uma Krishnaswami and illustrator Aimée Sicuro take on both of these issues — the expanding horizons for women in astronomy, the modern constrictions of light pollution — with great warmth and wonderment for the eternal allure of communing with the cosmos, of feeling our tininess and the enormity of life all at once, by the simple act of looking out into the glimmering grandeur of space.

This is the story of Phoebe, a little girl whose father owns a telescope shop in a bustling city. Enchanted by the planets, Phoebe likes to draw the Solar System on the sidewalk outside her dad’s store. One particularly exciting day, when Saturn and Mars are expected to appear in the sky that night, Phoebe worries that the city lights, which “always turned the night sky gray and dull,” would render her beloved planets invisible.

Just as she closes her eyes and wishes those dreadful urban lights away, another obstacle emerges — a mighty storm sets in, so Phoebe and her dad pack in their telescopes and retreat indoors.

But as they sit in the store and the wind rages outside, Phoebe’s wish is miraculously granted — the storm shuts down the city’s power grid and, if only for a little while, all the lights go out just as the sky clears of clouds.

Above the newly washed city,
with the power still out,
glowing, sparkling, gleaming lights
painted the night — some faint, some brilliant,
some clustered together
and some scattering fiercely
through the inky darkness.

And then, suddenly, they appear — Saturn and Mars, “right where they should be.”

People milled around,
talking, pointing, laughing, looking
all at once, all together
under the stars.

A nonfiction postscript offers a pithy primer on the Solar System, making the story a fine addition to these intelligent and imaginative children’s books celebrating science.

Bright Sky, Starry City comes from Canadian indie powerhouse Groundwood Books, who have previously celebrated the history of astronomy with the wonderful picture-book biography of Ibn Sina and have given us such thoughtful treasures as a Sidewalk Flowers and Morris Micklewhite and the Tangerine Dress.

Complement this particular astro-treat with You Are Stardust, which teaches kids about the universe in breathtaking dioramas, then revisit of story of how Galileo’s astronomy influenced Shakespeare.

Donating = Loving

Bringing you (ad-free) Brain Pickings takes hundreds of hours each month. If you find any joy and stimulation here, please consider becoming a Supporting Member with a recurring monthly donation of your choosing, between a cup of tea and a good dinner.





You can also become a one-time patron with a single donation in any amount.





Brain Pickings has a free weekly newsletter. It comes out on Sundays and offers the week’s best articles. Here’s what to expect. Like? Sign up.

08 MAY, 2015

A Lovely Illustrated Children’s Book Celebrating Trailblazing Jazz Pianist and Composer Mary Lou Williams

By:

How an extraordinary woman transformed bullying into beautiful music and came to lift the spirits of millions.

The history of jazz is strewn with Y chromosomes and credit-hogging egos, which makes pianist, composer, and arranger Mary Lou Williams (May 8, 1910–May 28, 1981) all the more dazzling an outlier — a generous genius who, like Mozart, began playing the piano at the age of four. At a time when women sang and danced but rarely played an instrument, Williams became a virtuoso pianist who went on to write and arrange for legends like Duke Ellington and mentored a generation of emerging icons, including Thelonious Monk, Charlie Parker, Dizzy Gillespie, and Miles Davis. Ellington himself, who believed she was “like soul on soul,” aptly captured her spirit and legacy in noting that “her music retains a standard of quality that is timeless.”

In The Little Piano Girl: The Story of Mary Lou Williams, Jazz Legend (public library), writers Ann Ingalls and Maryann Macdonald tell Williams’s uplifting story of passion, perseverance, and prolific contribution to creative culture. What emerges is not only a wonderful addition to the loveliest picture-books celebrating creative luminaries, but also a bold antidote to the striking statistics that only 31 percent of children’s books feature female protagonists and a mere 0.3 percent include characters of color.

The story, illustrated by the inimitable Giselle Potter — the talent behind Gertrude Stein’s posthumous alphabet book, Toni Morrison’s dark allegory for freedom, and an original love letter to dreams — begins with a long train ride little Mary took with her mother and sister from their hometown of Atlanta to Pittsburg, known as “The Smoky City” for its fuming steel mills, where they were to live with her aunt and uncle.

Chug-ga
Chug-ga
Clappety
Clap
Clap

The night she left Georgia, Mary couldn’t see anything but lights out the train window … but she could hear! She listened to the train and clapped out its sound on her knees.

She sang the sound of its whistle.
“Chug-ga, chug-ga, chug-ga … Toot! Toot!”

The train went faster, leaving home behind:
“Clackety-clack! Clackety-clack! Clackety-clack!”

Mary clapped and sang softly, so that Mama and her sister, Mamie, could sleep.
By the time they arrived at the big station in Pittsburgh the next morning, Mary had sung herself to sleep, too.

Music was Mary’s most exuberant love — a love seeded by her mother, who was an organ player at their church back in Georgia, attesting once again to the power of attentive, creatively supporting parenting in cultivating artistic genius.

When Mary was three, Mama played a tune, holding Mary on her lap.

As the last notes sounded through the room, Mary reached out and played them back to her mother. Mama stood up and Mary went tumbling. Mama cried to her neighbors, “Come hear this! Come hear my baby girl play!”

But they had to sell the organ when they moved, so Mary stopped playing. To make matters direr, their new home was far from welcoming — hostile to newcomers, the neighbors threw bricks through their windows and tirelessly taunted the family with unwholesome epithets. The local children called Mary cruel names, pulled her hair, and ridiculed her clothing.

And yet even at this young age, Mary possessed that singular skill of great artists — the ability to turn trauma into raw material for art — and transmuted the trying experience into music:

Ugly names and cruel words… Mary called them “bad sounds” and she taught herself to play them out. Even without a keyboard, she could do it. Tapping on the tabletop, she beat back the bad sounds and sang out her sadness. She crooned and whispered and shouted out until her spirit was lifted free.

One day, when little Mary was picking dandelions in the street, a kindly lady from the local church passed by and invited her over for ice cream. As soon as the little girl entered the house, a treat far more delectable transfixed her — a big old piano, sitting in the corner under a lace cover. Intrigued by the little girl’s interest, the lady invited Mary to play her a tune.

Mary sat down and lifted the cover. She drew a shaky breath and her fingers found the keys. They hadn’t forgotten a thing. Soon she was riding those keys, playing a tune that rumbled along like a freight train.

“Lord have mercy!” said Lucille. The teacup jumped in her hand. She went to the stairs and called up.

“Cephus! Come down here and hear this child play.” But Cephus was already halfway down the stairs.

Soon, the neighbors and the whole town were bewitched by Mary’s talent and she became affectionately known as “the little piano girl of East Liberty.” People even started paying her to play for them — something that calls to mind another pioneering woman of the era, the great children’s book artist and author Wanda Gág, who was so talented as a child that she sold her drawings to feed the family.

The remainder of the wholly wonderful The Little Piano Girl goes on to tell the story of how Williams came to lift other spirits free with her music the way she had once lifted her own, electrifying people the world over and becoming one of the most influential musicians humanity has ever known.

Complement it with more magnificent picture-book biographies celebrating great artists, writers, and scientists, including those of Frida Kahlo, Jane Goodall, Albert Einstein, Henri Matisse, and Pablo Neruda.

Donating = Loving

Bringing you (ad-free) Brain Pickings takes hundreds of hours each month. If you find any joy and stimulation here, please consider becoming a Supporting Member with a recurring monthly donation of your choosing, between a cup of tea and a good dinner.





You can also become a one-time patron with a single donation in any amount.





Brain Pickings has a free weekly newsletter. It comes out on Sundays and offers the week’s best articles. Here’s what to expect. Like? Sign up.

30 APRIL, 2015

An Adventure in Paris with Pussy and Lovey: Alice B. Toklas and Gertrude Stein Become Babysitters

By:

A positively pleasing illustrated take on a true story.

The fateful first meeting of Gertrude Stein and Alice B. Toklas sparked a lifelong romance that lasted not merely until Stein’s death but, as Toklas’s moving memoir suggests, until her own death twenty years later. During their reign as the quintessential Americans in Paris, they became an epicenter of creative culture, around which such rising stars as Picasso, Matisse, Hemingway, and Fitzgerald orbited. In 1954, Toklas captured their extraordinary partnership in The Alice B. Toklas Cookbook — a delicious memoir in disguise, written in a style similar to Stein’s autobiography and peppered with warm recollections of the couple’s life and love.

Although their story is yet to join the finest picture-book biographies of great artists, writers, and scientists, a most delightful fragment of it comes to life in Gertrude and Alice and Fritz and Tom: An Artful Adventure with Gertrude Stein and Alice B. Toklas (public library) by longtime Stein and Toklas collector Hans Gallas. Illustrated by comic artist and New Yorker cartoonist Tom Hachtman, creator of the comic strip Gertrude’s Follies, this marvelous picture book for all ages is loosely based on a chapter from the memoir of Fritz Peters, who went to a boarding school near Paris in the 1920s with his younger brother Tom and did indeed visit with Stein and Toklas one holiday.

The story begins with an affectionate primer on Stein and Toklas and their home in Paris amid “masterful modern paintings that covered the walls, floor to ceiling,” including a “positively pleasing portrait of Gertrude” by the couple’s dear friend Picasso.

Gertrude was a really remarkable writer and sometimes Alice called her “Lovey.”

Alice was a constantly creative cook and sometimes Gertrude called her “Pussy.”

One day, they receive a letter from an American friend asking them to babysit her “beautifully behaved boys, Fritz and Tom,” over Thanksgiving.

“There, there,” said Gertrude, “What to do? What to do? What to do?”

“Lovey,” said Alice, “I’ve heard Fritz and Tom can be a horrible handful. They play pesky pranks at school and are not fond of challenging chores.”

“Horrible handful? Pussy, you mean beastly brats who play pesky pranks and are not fond of challenging chores?

How beastly can the brats be? We have two dogs, Basket and Pépé.

Rose is a rose is a rose is a rose.”

After some deliberation over Tibetan tea and Alice’s “truly tasty teacakes,” the couple decides to let the boys visit. From the moment they arrive and begin pressing their noses against Stein’s prized art, festive chaos ensues.

After their Thanksgiving feast, appropriately reflective of Toklas’s culinary creativity, the foursome take to the streets of Paris for sightseeing and adventures in Stein’s famous car, Lady Godiva.

Eventually, the boys depart and the couple resumes life as usual.

Then, one morning, Alice discovers a sweet thank-you note from Fritz and Tom tucked behind her favorite teapot and runs to show it to Gertrude, who is enjoying one of her beloved bubble baths.

“Pussy, don’t drop it in the tub,” said Gertrude. “This is one of the nicest notes we have ever received.”

“Lovey, it is positively pleasing, and I think we would make two amusing American aunts,” said Alice B. Toklas.

“Now finish your belated bubble bath, you have some really remarkable writing to do!”

“And you have some constantly creative cooking to do!” said Gertrude Stein.

Complement the altogether positively pleasing Gertrude and Alice and Fritz and Tom with Stein’s loving “word portrait” of Toklas and Toklas’s recollection of the magical moment they first met, then revisit Lisa Congdon’s wonderful illustrated inventory of Stein’s favorite objects.

Donating = Loving

Bringing you (ad-free) Brain Pickings takes hundreds of hours each month. If you find any joy and stimulation here, please consider becoming a Supporting Member with a recurring monthly donation of your choosing, between a cup of tea and a good dinner.





You can also become a one-time patron with a single donation in any amount.





Brain Pickings has a free weekly newsletter. It comes out on Sundays and offers the week’s best articles. Here’s what to expect. Like? Sign up.

29 APRIL, 2015

Where the Wild Things Really Are: Maurice Sendak Illustrates the Fairy Tales of the Brothers Grimm

By:

A dialogue in darkness and light across two centuries of magic and genius.

It is always an immeasurable delight when a beloved artist reimagines a beloved children’s book — take, for instance, the various illustrations for Alice in Wonderland and The Hobbit from the past century — but I have a special soft spot for reimaginings of the Brothers Grimm fairy tales, which remain among humanity’s most exquisite and enduring storytelling. The roster of notable interpretations is lengthy and impressive — including Lorenzo Mattotti for a retelling by Neil Gaiman, Andrea Dezsö for the little-known original edition of the tales, Edward Gorey for three of the best-known ones, David Hockney for an unusual vintage edition, and Wanda Gág’s seminal early-twentieth-century illustrations. But the most bewitching Grimm interpreter of all is Maurice Sendak (June 10, 1928–May 8, 2012).

To celebrate the 150th anniversary of the tales in 1973, exactly a decade after Where the Wild Things Are transformed Sendak from an insecure young artist into a household name, FSG invited the 45-year-old artist to illustrate a translation of the Grimm classics by Pulitzer-winning novelist Lore Segal. Sendak had first envisioned the project in 1962, just as he was completing Where the Wild Things Are, but it had taken him a decade to begin drawing. He collaborated with Segal on choosing 27 of the 210 tales for this special edition, which was originally released as a glorious two-volume boxed set and was reprinted thirty years later in the single volume The Juniper Tree: And Other Tales from Grimm (public library).

The Poor Miller's Boy and the Little Cat

The Goblins

Bearskin

The Goblins

To equip his imagination with maximally appropriate raw material, Sendak even sailed to Europe before commencing work on the project, hoping to drink in the native landscapes and architecture amid which the Brothers Grimm situated their stories. Aware of the artist’s chronic poor health, legendary children’s book patron saint Ursula Nordstrom — Sendak’s editor and his greatest champion — beseeched him in a lovingly scolding letter right before he departed: “For heaven’s sake take care of yourself on this trip.”

The Twelve Huntsmen

Hans My Hedgehog

The Golden Bird

Fitcher's Feathered Bird

The Frog King, or Iron Henry

Many-Fur

Rapunzel

That Sendak should gravitate to such a project is rather unsurprising. His strong opinions on allowing children to experience the darker elements of life through storytelling were rooted in an early admiration for the Brothers Grimm, who remained an influence throughout his career. He was also not only a lifelong reader, writer, and dedicated lover of books, but also a public champion of literature through his magnificent series of posters celebrating libraries and reading.

The Devil and the Three Golden Hairs

Snow-White and the Seven Drawfs

Ferdinand Faithful and Ferdinand Unfaithful

Brother and Sister

The Fisherman and His Wife

The Master Thief

Brother Gaily

The Goblins

The Story of One Who Set Out to Study Fear

Complement The Juniper Tree: And Other Tales from Grimm with Sendak’s equally bewitching visual interpretations of three other classics — Tolstoy’s Nikolenka’s Childhood in 1961, E.T.A. Hoffmann’s Nutcracker in 1984, and Melville’s Pierre in 2005 — then revisit his own darkest, most controversial, yet most hopeful children’s book.

Donating = Loving

Bringing you (ad-free) Brain Pickings takes hundreds of hours each month. If you find any joy and stimulation here, please consider becoming a Supporting Member with a recurring monthly donation of your choosing, between a cup of tea and a good dinner.





You can also become a one-time patron with a single donation in any amount.





Brain Pickings has a free weekly newsletter. It comes out on Sundays and offers the week’s best articles. Here’s what to expect. Like? Sign up.