Monday Music Muse: Peter Buffett

Something delightfully different.

In an effort to branch out of our typical indie-folk-rock niche, we’re doing something a little different today. Something a bit more mellow and grown-up and brimming with the settled contemplative power of an award-winning composer who’s lived through commercial jingles and critical acclaim.

That’s exactly the sort of vibe you’ll find in composer-turned-vocal-expérimentateur Peter Buffett‘s latest album, Imaginary Kingdom. It’s a hard-to-classify but rather successful intersection of seeming opposites – from the keyboard magic of Pink Floyd‘s Dark Side of The Moon period to the dreamy tromp of Death Cab for Cutie.

Among the hidden gems up Buffett’s sleeve is the off-album Anything, featuring Akon, which even echoes some of Byrne & Eno‘s socially-conscious lyrical sensibility and ambient electronica.

(And from the department of interesting asides, a tidbit on the Imaginary Kingdom album cover: It was designed by LA-based artist, Lois Keller whose whimsical illustrations and paintings have graced the silos of such high-culture institutions as The Milwaukee Ballet and the Cincinnati Opera, as well as commercial darlings like Disney stores around the world.)

So go ahead, raise your own cultural brow with some music for grown-ups. It’s okay.

2008 in Album Art

The year’s best cover art — from albums that actually didn’t suck.

All too often we see killer album artwork, only to find it covering a total musical let-down — perhaps banking on the trite notion that people will indeed judge a book, or in this case an album, by its cover.

So we sifted through a sea of mediocrity and sheer hideousness, both graphic and musical, to bring you the most innovative album covers of 2008 — from albums that were actually good. Really, really good.

THE ODD COUPLE

Just like movie sequels, second albums are usually more of a disappoint than an upgrade. Always the non-conformists, electro-pop-hop duo Gnarls Barkley does nothing of the sort. Their second album, The Odd Couple, oozes cinematic beats, powerful vocals and compelling lyrics.

The cover art belies the album’s unique urban sensibility bent through a prism of crisp electronica and vibrant Brit-pop-like undercurrents and an urban sensibility.

Best track: Going On.

19

From the UK’s smoky underground bar scene straight to the soundtrack of just about every American primetime drama, British sensation Adele is just that: a sensation. Amy Winehouse without the substance-induced self-destruction, her powerful raspy voice and infectious melodies stick to your soul like a housefly on melted licorice.

And there’s something to be said for using pure portrait photography in cover art — perhaps because it’s so incredibly difficult to do tastefully, it’s a rarity these days. The few contemporary artists who do it mostly go for an overly Photoshoppy textured and filtered photo, or simply bail with an abstract illustration.

19, however, is supreme in its clean, bold simplicity. The rich negative space and minimalist color scheme yield to the meticulous lighting and the natural curves, building a powerful sense of mystery and allure — a perfect visual metaphor for the music within.

Best track: Right As Rain.

MADE OF BRICKS

Another breath-of-fresh-air British import, Kate Nash burst onto the global scene this year. Made of Bricks vibrates with her perky beats and angst-driven yet profound lyrics, it’s like The Clash was reincarnated in the body of a 23-year-old girl.

The album art captures the Tim Burtonesque magic of Nash’s music — poppy, almost child-like beats and vocals that turn chilling and heavy in a split second under the burden of an adult mind.

Best track: Pumpkin Soup.

SANTOGOLD

The artist who took SXSW by storm and invaded the hipster scene faster than a new American Apparel V-neck did so in good right. Her eponymous debut album is nothing short of brilliant, with a sound so utterly unique that it may just be the stuff of tomorrow’s music history books.

The album artwork, much like the music inside, is a bold manifestation of minimalism with a punch, from the quiet, grainy black-and-white photograph blasted with an unexpected burst of gold, to the provocative layout and muted yet unusual typography.

Best track: Lights Out.

DAVID BYRNE & BRIAN ENO

Yep, we were all over David Byrne and Brian Eno’s latest album, Everything That Happens Will Happen Today — a more-than-worthy compensation for the pair’s 27-year-long absence from the music frontlines.

The cover design itself is both refreshing and nostalgic in that eerie retro-futurism kind of way, complete with slightly-off 3D imagery and an oddly metallic color scheme.

Our favorite track, Strange Overtones, also happens to be a free download on Amazon, so go grab a copy and be your own judge. Yep, it comes with the artwork.

IN RAINBOWS

There was buildup. There was anticipation. There was hype. Which means Radiohead’s In Rainbows had a lot to live up to and could easily disappoint. Except it didn’t.

The artwork itself captures the crisp, high-energy and indulgently vibrant sound of the album in all its organized chaos. Not to mention it inspired arguably even more awesome fan covers and a ton of utterly brilliant motion graphics.

The cover art even inspired an iGoogle spin-off — three artist themes designed by the band and an amazing motion graphics gadget for the House of Cards video.

THE SLIP

Speaking of buildup, no one comes anywhere near Trent Reznor and Nine Inch Nails in that department — we’re talking elaborate secret immersive games, iPhone apps, user-generated music videos, and a very clear message to major labels instructing them to perform anatomically impossible acts.

Their latest “surprise” album, The Slip, was released label-free and without any promotion under a Creative Commons license and despite (or, Trent Reznor may argue, because of) intentionally releasing the album to bit torrents first, it generated tremendous response with over 1.6 million downloads from the official website alone, on top of torrent downloads and CD sales.

And as far as the album artwork goes, the cover image — creepy-cool as it may be — isn’t really the album’s greatest feat. Each song on it actually comes with its own artwork, some alluding to older albums and clearly part of a bigger message for fans to decode.

We have to give it to NIN for extreme originality and innovation across pretty much every facet of the music industry and every fan touch point.

Best track: Discipline.

• Related Article: The 8 Best Ideas of 2008

The Mother of All Music Visualization

What global warming has to do with the formative role of music in 20th-century culture.

Two of our most popular recent stories, the fan-made Goldfrapp music video and the brilliant new album by David Byrne and Brian Eno, meet today in the mother of all music visualization.

After observing how reactive traditional music videos are, with their meticulous film direction, legendary motion graphics designer and ex-DJ Jakob Tröllback began an experimental animation project. He took David Byrne and Brian Eno’s 25-year-old track Moonlight in Glory and completely removed the human producer/director element, letting the music itself be the voice that the animation follows.

The result is a stunning visualization that makes the music, as well as its message, all the more impactful — and we’re particularly mesmerized by it because it tackles the rather timely, pressing issue of environmental apocalypse.

Watch Jacob Tröllback’s full (and by full we mean 4-minute) TED talk about it.

Meanwhile, enrich yourself with New Yorker music critic Alex Ross’ freshly released book, The Rest Is Noise: Listening to the Twentieth Century.

If there ever was a grand revelation of music’s formative role in social psychology and cultural anthropology, that would be the one.

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New York, New York

We’re back — with gifts from the Jersey mob, 33 reasons why birthdays are overrated, and music legends who can bend power-coated steel.

That’s right, we’re back — with a spankin’ new site domain. (Cue in glance at browser’s URL field.) And because right now we’re in the most un-New-York-like place in the world — Sofia, Bulgaria — we’re focusing on the random, smart, bizarre stuff that makes New York New York. Welcome to the New York, New York issue.

JERSEY MOB SAYS “THANKS”

Let’s face it, this is the age of extreme consumerism. We define ourselves by what we buy, eat, watch, and otherwise consume. And now, we can define ourselves by the stuff leftover from our consumption.

New York-based artist Justin Gignac is selling fresh-picked NYC garbage. That’s right, junk. He scours the streets of the world’s most conspicuous-consumption-driven city for leftovers — metro cards, plastic cups, cigarette buds, newspaper, receipts, gum wrappers, you name it — then carefully arranges them in small (non-leaky, non-smelly) plastic cubes, each unlike any other.

For homesick New Yorkers and randomness-seeking hipsters alike, the cubes are anything from a sentimental piece of home to an artsy-fartsy piece of self-expression. (For us, they’re just garbage-filled plastic boxes, but we dig the idea nonetheless.)

The cubes even come in special limited-edition varieties: you can reminisce with junk from the last opening day at Yankee Stadium, New Years’ Eve ’08 at Times Square, and the final day at Shea.

Here’s to trashy taste.

BETTER THAN A CHAMPAGNE TOAST

And if you just realized you take garbage for granted, just wait until we consider tap water. Sure, NYC’s may not be the finest, but it’s drinkable — which is more than what a huge chunk of the world can claim. That’s why New Yorker Scott Harrison founded Charity Water, a — you guessed it — charity aiming to bring clean drinking water to people in the developing world.

The nonprofit was Scott’s version of a midlife crisis — after trading in his glitzy life as an NYC nightclub and fashion promoter for a humanitarian gig in West Africa, he came to appreciate the far-reaching (and often underestimated by the priviliged) power of driniking water, from basic convenience to serious disease prevention.

This week, Scott turns 33, so he’s out on a month-long birthday campaign: he launched Boring September, an effort to build 333 drinking wells in 33 villages across Ethiopia.

The idea: Scott is asking everyone born in September to do away with birthday presents and ask their friends and family for $33 donations instead. The goal is to raise $1.5 million for the 333 wells, which will greatly improve 150,000 people’s health and quality of life.

The best part: a few do-good companies are supporting the campaign and matching donations, making our regular contributions twice as powerful. Which is good news, since 1,100 regular Virgos and Libras have joined the movement so far — each contirbutor gets an individual birthday page, where friends can donate in their name.

So if you’re a water-spoiled September baby, suck it up and ask your mom not to give you that inevitable sweater you’ll never wear anyway — poor people score drinking water, you score one less dent in your street cred courtesy of mom.

BYRNE THE COMPETITION

Ok, ok, so we can’t get enough of David Byrne these days. So sue us. But the Renaissance man just keeps churning out the good stuff.

His latest: design work for New York’s CityRacks Design Competition. Besides submitting 9 designs of his own — among them “The Coffee Cup” in Brooklyn, “The Hipster” in Williamsburg, shaped like an electric guitar, and “The MoMA” right outside the eponymous museum — he was also recruited to be on the jury. (Come on now, fairness is overrated.)

Byrne, a die-hard cyclist himself, got down with the powder-coated steel like a pro, but didn’t make it as a finalist in the competition. Granted, some of those top designs are mad cool — we love Andrew Lang and Harry Dobbs’ “I heart NY” and the Kubrick-like geometric sculptures by Stephan Jaklitsch Architects.

Sure beats the way we do it in Philly.

via PSFK