Brain Pickings

Posts Tagged ‘design’

28 SEPTEMBER, 2009

Data Posters: FlowingPrints


Yellow buses, Scantron sheets and why teachers prefer California.

We love data visualization. And FlowingData is among the smartest, most compelling curators of the discipline. Today, they launch the long-awaited FlowingPrints poster series — gorgeous original prints, in sets based around specific data themes.

The inaugural set features three prints about education. Enrollment and Dropouts reveals historical patterns of attendance, illuminating both the progress made so far and the need for further improvement. College High exposes the staggering disconnect between average income and yearly cost of higher education. How America Learns: By The Numbers was inspired by the nostalgic tangram puzzles of childhood, divulging the complexity of all that goes into learning.

The series is both beautiful and revelational, offering a conceptually and aesthetically sophisticated way to explore fascinating data stories.

Besides, let’s face it, no matter how inspired and creative a piece of data visualization may be, the sheer size of the computer screen often sells it short. (GOOD Transparencies, we’re looking at you.)

And now for a special Brain Pickings treat: Get $20 off when you order the set here and use the discount code CQ4W9GWH.

Enjoy — we certainly are.

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25 SEPTEMBER, 2009

Pictorial Webster’s: A Visual Dictionary of Victorian Curiosities


Cards, stamps, and what zebras have to do with Victorian craftsmen.

We love visual thinking. And we’re all about curiosity. Naturally, we’re head over heels with painter, artist and bookbinder Johnny Carrera’s Pictorial Webster’s: A Visual Dictionary of Curiosities — a charming, chunky volume of over 1,500 engravings from Webster’s 19th-century dictionaries.

Cleaned, restored and curated in a captivating and unusual reference guide for modernity, these engravings are both novel and iconic, radiating the enigmatic luster of vintage Victorian aesthetic. From to Aardvark to Zebra, the alphabetically arranged gem is both archival record and aesthetic feat, a treat for history geeks and design aficionados alike.

Also from the series, 26 delightfully nostalgic wall cards, one for each letter of the alphabet, reproducing the engravings from the book on sumptuously heavy card stock with superb typography.

And for a lovely final touch on this visual exploration of vintage curiosity, check out the Pictorial Webster’s Stamp Set, an extraordinarily authentic collection of actual historic engravings, embellished with all the details of line execution, shading, and perspective you’d expect from meticulous Victorian craftsmanship — not your average rubber stamp clip-art.

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22 SEPTEMBER, 2009

New Traditional: Japanese Figurines


From folk craft to art toys, or what Sumo has to do with sustainability.

The Japanese seem to have a knack for gracefully incorporating tradition with modernity. These three contemporary examples of doll-making based on traditional forms or values celebrate the familiar while reinventing in a way that is relevant to today’s aesthetic, and even environmental, concerns.


As part of a collaboration with the Los Angeles Toy, Doll & Amusements Museum, the Japanese American National Museum is exhibiting a large collection of Kokeshi dolls.

Divided into three parts, the exhibition contains examples of traditional dolls made by farmers in the Tohoku region of northern Japan.

The early versions consist of a simple wooden trunk and a round head with a few lines for eyes and a smile. The second section is comprised of versions by contemporary artists who, based on the simple Koseshi form, have produced everything from Krokeshi (crocheted Kokeshi) to works that explore the artists’ childhood memories of the dolls.

Travis Louis

For the “Custom” section, a reprise of a 2007 show in San Diego, over 100 artists, including David Horvath of Ugly Dolls fame and Amy Sol, were given an unpainted Kokeshi doll.

The result is a surprising array of painted and sometimes resculpted dolls. If you’ve got cash to spend, a number of these are for sale here.

Allison Sommers

The exhibition runs through October 4th.


While based on a painting done by the artist himself rather than on any specific traditional form, Fontana’s nestkeeper dolls are cast from the same silicon form and, like the Kokeshi, represent variations on a theme.

Though the mold is the same, the appearance and mood of the dolls range from benignly serene to menacing — depending both on how they are painted and for how long you stare at them.

The remaining dolls from the run of 30 are for sale on Fontana’s website.


The creation of conceptual artist blattke, the “dauntless gatekeepers” are the latest generation of Mumishi dolls. The dolls are incarnations of the many personalities of Mimushi, a Japanese Sumo kid with multiple personalities, adopted by American parents.

Though previous personalities, ranging from geisha to rasta, were made from vinyl, the dauntless gatekeepers series is hand-crafted from wood harvested from government regulated Amazon plantations.

The dauntless gatekeepers are said to guard Mimushi’s mind from his ever-multiplying and warring personalities. These dolls, dressed in an endless variety of wheat straw “diapers,” as opposed to the traditional sumo belt, are not only eco-friendly and whimsically storied, but also well-designed and beautifully crafted.

Because of the work that goes into each doll, only 80 are produced per month. The first series of 119 Mumishi dolls is still available, with the second series currently in production.

Meghan Walsh has a degree in Anglo-Irish Literature from Trinity College, Dublin and is finishing her thesis on J.P. Donleavy at NYU. She is currently working on two art exhibitions in New York City. For more of her writing check out her cooking blog.