Last week, my friends at TED launched TED-Ed — a wonderful new series of short animated videos for high school students and lifelong learners, using visual storytelling to deliver compelling messages in equally compelling ways. To kick off, this lovely video by copywriter Terin Izil, animated by the one and only Sunni Brown (remember her?), makes an appropriately succinct case for using simple words and brevity in writing, in just two minutes.
Variety may be the spice of life, but brevity is its bread and butter. So when it comes to $10 words, save your money and buy a Scrabble board.”
Writing is not an exercise in excision, it’s a journey into sound. How about ‘tomorrow and tomorrow and tomorrow’? One tomorrow would suffice, but it’s the other two that have made the thing immortal.”
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On the value of cultivating the capacity to seek the significant.
In this talk based on his presentation at the Learning Without Frontiers conference in January, philosopher, linguist, and cognitive scientist Noam Chomsky — easily one of our time’s sharpest thinkers — discusses the purpose of education.
Despite the slow pace and the cheesy AfterEffects animated typography, the video is a treasure trove of insight on everything from the role of technology to the pitfalls of policy.
There have been many measures taken to try to turn the educational system towards more control, more indoctrination, more vocational training, imposing a debt, which traps students and young people into a life of conformity… That’s the exact opposite of [what] traditionally comes out of The Enlightenment. And there’s a constant struggle between those. In the colleges, in the schools, do you train for passing tests, or do you train for creative inquiry?”
On technology:
Technology is basically neutral. It’s kind of like a hammer. The hammer doesn’t care whether you use it to build a house, or whether a torturer uses it to crush somebody’s skull.”
On the importance of having a framework for what matters when engaging with the the information economy — or, one might say, the essence of what great curation should be:
You can’t pursue any kind of inquiry without a relatively clear framework that’s directing your search and helping you choose what’s significant and what isn’t… If you don’t have some sort of a framework for what matters — always, of course, with the provisor that you’re willing to question it if it seems to be going in the wrong direction — if you don’t have that, exploring the Internet is just picking out the random factoids that don’t mean anything… You have to know how to evaluate, interpret, and understand… The person who wins the Nobel Prize is not the person who read the most journal articles and took the most notes on them. It’s the person who knew what to look for. And cultivating that capacity to seek what’s significant, always willing to question whether you’re on the right track — that’s what education is going to be about, whether it’s using computers and the Internet, or pencil and paper, or books.”
It’s the way cultural progress takes place generally. Classical artists, for example, came out of a tradition of craftsmanship that was developed over long periods, with master artisans and others, and sometimes, you can rise on their shoulders and create new marvelous things. But it doesn’t come from nowhere. If there isn’t a lively cultural and educational system, which is geared towards encouraging creative exploration, independence of thought, willingness to cross frontiers, to challenge accepted beliefs… if you don’t have that, you’re not going to get the technology that could lead to economic gains.”
Passing tests doesn’t begin to compare with searching and inquiring and pursuing topics that engage us and excite us. That’s far more significant than passing tests and, in fact, if that’s the kind of educational career you’re given the opportunity to pursue, you will remember what you discovered.”
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One can be left cold by the doctrines of the Christian Trinity and the Buddhist Eightfold path and yet at the same time be interested in the ways in which religions deliver sermons, promote morality, engender a spirit of community, inspire travels, train minds and inspire gratitude at the beauty of spring. In a world beset by fundamentalists of both religious and secular varieties, it must be possible to balance a rejection of religious faith with a selective reverence for religious rituals and concepts.”
Particularly noteworthy are de Botton’s insights on what education and the arts can borrow from the formats and paradigms of religious delivery, from why the sermon is more effective than the lecture to how engineering visceral encounters can help draw power from art.
It is when we stop believing that religions have been handed down from above or else that they are entirely daft that matters become more interesting. We can then recognize that we invented religions to serve two central needs which continue to this day and which secular society has not been able to solve with any particular skill: firstly, the need to live together in communities in harmony, despite our deeply rooted selfish and violent impulses. And secondly, the need to cope with terrifying degrees of pain which arise from our vulnerability to professional failure, to troubled relationships, to the death of loved ones and to our decay and demise.
[…]
The error of modern atheism has been to overlook how many aspects of the faiths remain relevant even after their central tenets have been dismissed.”
Sample the book with de Botton’s compelling talk from TED Global 2011:
A sermon wants to change your life, and a lecture wants to give you a bit of information. And I think we need to get back to that sermon tradition.”
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Part Two explores how an American inventor set out to create an ultraviolet ray generator that would make the sun’s health-giving qualities available at low cost, and what happened next:
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