What a paper airplane has to do with the quiet art of being human.
It’s video week on Brain Pickings, and we’re launching with The Chimney Sweep, a beautiful stop-motion animation in every sense of the word — beautifully written, beautifully art-directed, beautifully shot.
It isn’t flashy. There are no special effects or peppy indie music score. It’s quiet and simple and incredibly, touchingly human.
Put your headphones on to fully experience the subtle yet rich soundscape — it’s part of the film’s quiet magic.
The Chimney Sweep is the final-year work of UK art student Joseph Mann — whose feet are firmly planted in our up-and-coming talent to watch list.
Why you’re an outlaw just by reading this, or how the era we live in will change creative culture forever.
It’s no secret we’re big proponents of remix culture around here — and strongly believe that the cross-pollination of ideas, the fundamental backbone of creativity, should be celebrated rather than hindered by copyright law. Which is why we love RiP: A Remix Manifesto, a documentary about copyright and remix culture.
Filmmaker Brett Gaylor, of Opensource Cinema fame, digs deep into the flaws of copyright in the information age, exploring the ever-murkier line between content consumers and producers.
The film echoes the excellent REMIX panel from a couple of months ago, featuring CreativeCommons founder Lawrence Lessig and the now-iconic Shepard Fairey. Not coincidentally, Lessig is a key player here as well, along with Brazil’s Minister of Culture Gilberto Gil and BoingBoing’s own pop culture critic, Cory Doctorow.
RiP deals with the absurdities of copyright law — did you know, for example, that you have to pay royalties every time you sing Happy Birthday in a theater, restaurant or any other public space? Worst part: You wouldn’t even be paying to the two sisters who wrote the song — they’re long dead — but to Warner/Chappell, the world’s largest corporate music publisher.
RiP isn’t merely a documentation of the changes taking place, it’s a proposition — a manifesto, actually — for a new view of intellectual property that inspires, not obstructs, creativity.
In true walk-the-walk manner, the filmmaker has made all the footage available on Opensource Cinema, free for anyone to remix, while the film’s soundtrack is an open call for fan submissions. And for the ultimate new media cherry-on-top, if you live in the U.S., you can download the film under a pay-what-you-want model. (Remember how much we love those?)
Ironically, the very act of putting this documentary together is illegal by current copyright legislature — Gaylor’s use of samples by remix artists, whose work is in and of itself illegal, also violates the law. Doing it the legal way — getting clearance by paying royalties to the hundreds of copyright owners, most of whom aren’t even the original creators but mere media holding companies who bought the rights over the content — would’ve cost well over $4 million, making RiP the most expensive documentary ever produced.
And if that’s not a brilliant allegory for the fundamental brokenness of copyright law, we don’t know what is.
These days, there seems to be an ongoing cultural contention that anyone, armed with a cheap little digital camcorder, can make a movie. Being filmmakers ourselves, we have received it with a healthy dose of skepticism.
But a group of Lord of The Rings fans and enthusiast filmmakers showed us that anyone can indeed make a Hollywood-like movie in their backyard.
Well, sort of.
The Hunt for Gollum is an unofficial, collaborative prequel to the Peter Jackson trilogy. Directed by Chris Bouchard, the film is completely independent — meaning it was produced solely by the fans, and no one got paid. In Bouchard’s words,
We made this purely for the enjoyment of the material and the experience of making a high quality low budget film.
And don’t let this “experiment in low-budget filmmaking” fool you, because watching the trailer makes it very, very hard to believe it isn’t an authentic Peter Jackson prequel to the trilogy.
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