Brain Pickings

Posts Tagged ‘film’

14 SEPTEMBER, 2011

Pump Up The Volume: A History of House Music

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From John Travolta to Eurotrash, or what Chicago’s basements have to do with Moscow’s nightlife.

Few movements in music have gained as much critical mass as house music. Pump Up The Volume: A History of House Music is a fantastic 2001 documentary about one of the biggest music groundswells in history, which began in basements and ended up at the forefront of pop culture. Available on YouTube in 13 parts and gathered in this playlist for your viewing pleasure, the film traces house music from its early days as New York disco to its engulfing takeover of Europe’s dance scene through fascinating interviews with the people who propelled the movement and rare footage of the clubs where it came of age.

From the very beginning, it was really the gay and black people that kept dance music alive. Disco, dance music, was really danceable R&B music that we were dancing to, and it wasn’t until Saturday Night Fever came along that it exploded and every goomba in the suburbs started dancing.” ~ Mel Cheren, West End Records

A long-out-of-print but excellent companion book can be found with some poking around Amazon.

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08 SEPTEMBER, 2011

This Must Be The Place: Poetic Short Films Explore ‘Home’

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What 19th-century farming has to do with solar panels and the creative losses of digital photography.

From filmmakers Ben Wu and David Usui of Lost & Found Films comes This Must Be The Place — an inspired ongoing series of short films exploring the idea of home and what our private sanctuaries mean to us. The latest film in the series, Coffer, takes us to the small kingdom of an upstate New York farmer named John Coffer. Tucked between his quiet rural routines is a profound creative and philosophical lens on contemporary culture, articulated with remarkable humility and authenticity.

I got a bug to do wet plate photography in ’76. In this day and age of digital, it’s so easy to just shoot thousands of pictures a day. Each individual picture becomes rather insignificant. Whereas, with the tintype, it’s very intentional and you’re not gonna make very many in a day. They become valued objects, not just an image. Each image is absolutely unique, like a painting.”

I have created a hybrid situation where there are certain things I continue to do in the old, 19th-century way — somethings may be the way it was done before Christ, as far as I know — but then there are cutting-edge, high-tech things that I have here and do. I have a wind generator, solar panels, a laptop computer. You can blend these old, timeless things with the latest technology to do the things that need to be done in life. I think there’s going to be more people looking back for models from the past, and use it to blend in with new ideas and technology today.”

(This sentiment is reminiscent of Molly Landreth’s tender vintage portraits.)

Coffer follows last year’s excellent Byun — the story of an eccentric Korean artist and collector-of-everything living in Brooklyn, who takes a hands-on approach to the concept of combinatorial creativity:

You can create a lot of stories by putting all these objects together.”

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06 SEPTEMBER, 2011

Ray: A Life Underwater

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What antique cannon balls have to do with walking on the moon and life on the bottom of the world.

For 75-year-old Ray Ives, life is an endless treasure hunt. For the past half-century, he has been scouring the ocean floor for anything that glitters, bringing back to the surface everything from swords to bottles to real gold — in a diving suit from the early 1900s. Ray: A Life Underwater is a haunting and beatiful short film by Amanda Bluglass and Danny Cooke, a poetic portrait of the unusual man through his collection of unusual marine artifacts that captures his ceaseless curiosity and serene lens on the world.

For someone who hasn’t dived, I couldn’t explain, really. Well, it’s like when you’re on the moon, I suppose. I’ve never been on the moon, but when you’re down on the bottom, it’s sandy like the moon, you feel pressure on your body, especially the deeper you go, and I guess it just reminds you of space. You hold your breath, it’s absolutely perfect.”

The film is part Past Objects, part Things, part candidate for this omnibus of poetic short films about obsolete occupations, part perfect piece of weekday escapism.

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