Brain Pickings

Posts Tagged ‘guerrilla’

06 JULY, 2010

Blu is Back: The Story of Evolution, Told in Graffiti

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Lo-fi Darwinism, or why art and algorithm don’t hold hands on Buenos Aires sidewalks.

Nearly two years ago, Italian street artist Blu made waves with MUTO — arguably the most creative graffiti-driven animation of all time. Today, Blu is back with BIG BAG BIG BOOM, the latest gem in his treasure chest of stop-motion urban storytelling — an abstract exploration of the beginning and evolution of life.

What makes this so remarkable is that all of the animation effects were achieved in-camera, “animated” simply by filming the progression of painting on buildings, sidewalks and objects, with no post-production composting whatsoever. This analog, organic, lo-fi visual storytelling offers a complete paradigm shift, challenging us to think differently about a medium that is, at least today, inherently digital and software-assisted.

At least for today — Art: 1, Algorithm: 0.

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09 JUNE, 2010

Bike Culture: A Roundup

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How to slam-dunk rubbish, or what abandoned bikes have to do with the economy of war.

By now you likely know that we’re devoted to bikes, to riding them as well as admiring them in all their variety. Today we’d like to steer you to three waypoints in the growing bike culture trend—at least we hope it’s both growing and a trend.

BICYCLE INFRASTRUCTURE

David Byrne’s New York City bike racks (remember those?) double as an editorial in iron—each rack is designed to comment on the character of the neighborhood, its businesses and denizens.

We all know that lots of adults ride bikes in Copenhagen—about 30% of that city’s population regularly commutes by bike. That compares to about .07% of New Yorkers. So it makes sense that the city planners would think of all the little improvements aimed at making the cyclist comfortable, such as this footrest.

David Hembrow documents life on a bike in a country perhaps most deeply associated with practical riding in everyday life, The Netherlands. In his blog, “A view from the cycle path,” David recently showed how civil and green the Dutch can be, all without stepping off their bike — rubbish receptacles for coasting and disposing.

For the big bicycle picture, for advancing its place at the center of US politics, there’s the Bike Caucus, run by congressman Earl Blumenthal who always begins his speeches on behalf of the caucus with a dedication to all those Americans stuck in traffic on the way to the gym to ride a stationary bike.

To chart not only the increase in bike-friendly infrastructure, but also to chart your next ride, use the new Google Maps directions for cyclists. Map it, cycle it, and then give Google your feedback—all ways to do your own two-wheeler activism.

BICYCLE ART & STYLE

Joe Schumacher is a NYC-based photographer who walks a lot and takes pictures of things he finds. His blog, what about the plastic animals?, captures the off-beat and pedestrian, but we’d like to direct you to his haunting and beautiful photos of abandoned bicycles of Gotham.

Those who don’t abandon their bikes can also evoke a striking scene. Perhaps a cousin of steampunk, the Bicycle Tweed movement is rolling through cities across the U.S. Here’s the site dedicated to San Francisans astride their velos and attired in their distinctive and antique wool.

Art and commerce come coasting together at Bertelli Bici in New York City. The site’s photography is simple and gorgeous and these bikes, built from a combination of old and new parts, achieve a kind of sculptural beauty.

BICYCLE ACTIVISM, OF SORTS

We all know about the Critical Mass movement spreading around the world. But devoted cyclists have a nice set of alternatives to express their dreams of making the world a better place. One organization we’ve long admired is Bikes Not Bombs in Boston. It’s an organization that stitches together community, education and employment of the under served, and bicycle culture as an alternative to cars, the oil economy, and war.

And what could be less threatening than a kid on a bike looking for a high five? Well, not so much if that kid happens to be a SCUL pilot steering a ship called Angry Candy and offering a high five from about six or seven feet up, roughly the position of a pilot on a typical SCUL ship. SCUL (Subversive Choppers Urban Legion) is a Massachusetts-based “anti-elite band of pilots testing out experimental ships, exploring the Greater Boston Star systems and occasionally other galaxies” from their “subspace communication broadcast headquarters.”

Finally, we’ve got to give a shout out to our local bike culture faves, the volunteers at Bikerowave. Lots of cities have them, but this LA neighborhood tool library and DIY bike repair hangout has a great vibe and lots of knowledgeable and friendly volunteers.

Andrew Lynch is a refugee from the academy now working in advertising. While he sometimes misses writing heady sentences including words like “teleological”, he’s enjoying his stint decoding the more varied and messy signs and symbols of pop culture, consumer trends, and brand stories.

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07 MAY, 2010

Robin of Shoreditch: The 100 Brands Project

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Robinhooding Subway, or how to make those doing well do good.

Despite the recession, the global economy is a massive force of commerce, shuffling billions of dollars around its ecosystem of goods and services. By comparison, the nonprofit sector — and humanitarian aid in particular — is microscopic. So what if could take a fraction of that fat commmercial mega-budget and allocate it to underfunded good causes? That’s what Robin of Shoreditch, a group of anonymous creative outlaws, is doing with The 100 Brands Project — an effort to take from the rich and give to the poor, or in this case, to the people of Haiti.

It’s a simple, brilliant idea — the team, composed of various ad industry creatives, do what they do best: They offer each company on BrandZ’s 100 brands index a creative idea that could help their business and, in return, they ask for 1/10000000 — that’s one ten-millionth — of the value of that brand as a fee, 100% of which goes to relief efforts in Haiti.

Every Monday morning, the crew released a new idea for one of these A-list brands, including FedEx, Nike and American Express. They then send the brand an actual invoice and hope for the best.

Why go anonymous?

The truth is we’d rather keep our identities secret so not to compromise our ‘normal life’ jobs at various advertising and marketing agencies. We’re creating ideas for the top 100 brands and some of these bring us into conflict with the brands we work on day-in, day-out through our jobs.” ~ “Little John”

None of the 12 companies approached so far have actually paid up, but we think this is a brilliantly innovative take on “corporate social responsibility” and any brand that embraces its incredible potential — to do good but also, perhaps cynically, to generate some solid buzz — would be deserving of an epic hat tip.

You can follow the project’s progress on the team’s blog and keep an eye on Vimeo channel for fresh videos every Monday.

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05 APRIL, 2010

Graffiti Love Letter: An Ode to the City

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The world’s most beautiful urban commute, or what fifty buildings have to do with a creative homecoming.

Here’s a factoid: Back in the day, Brain Pickings took its first steps in West Philadelphia — a beautiful and sadly underappreciated city with a vibrant creative culture. Among Philly’s gems is its rich street art scene, from the iconic mosaic murals to its mysterious Toynbee tiles. Last year, I raved about another pinnacle of Philly’s street art genius — A Love Letter for You, the work of street artist Steve Powers, a.k.a. ESPO. It’s a beautiful ongoing graffiti love letter stretching across 50 building facades over 20 blocks along the Market-Frankfurt subway line in West Philly.

Powers first started painting on these rooftops as a teenager in 1984. Exactly 25 years later, he returned to Philadelphia to write a love letter across them, meant for one but relevant and inspiring to all. With its candid poeticism and superb typographic design, the letter reads as much like an intimate confession as it does like an ode to the city.

Listening to Powers speak about the project makes its mission come to life even more powerfully, as a piece of postmodern poetry that both feeds off of and replenishes the city’s urban romanticism.

It’s meant to be a reflection of the community. It’s meant to be a reflection of one person’s love for another person in the community, but at the same time it’s meant to live beyond these distinctions and just be something for everyone, no matter where they’re at. You don’t need to know where Farson Street is, or where Conestoga Street is in relation to Market Street. What you need to know is love exists here, love exists in yourself. The city is a giving, nurturing place if you let it give to you and nurture you.

The eponymous book about the project comes out on April 30, but it’s available for pre-order today.

Powers appears in the street art documentary Beautiful Losers, featured here last year.

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