7 Ways To Free Yourself

Mad about folding, the new Radiohead, global ‘zines, the U.K. vs. France, why the next MoMA piece may be found in your closet, how to be even lazier than you already are, and what 1’s and 0’s have to do with art. Welcome to the 7 Ways To Free Yourself issue.

BEND IT LIKE JAFFEE

The one, the only: Mad Magazine. What greater icon of American humor, political satire and pop culture commentary? The cult pub has been making waves since 1952, but some of its most recognized cultural contributions remain Al Jaffee’s infamous fold-ins.

Now, thanks to The New York Times, they’re available in interactive form, from 1960 to the present. And if there ever was a question of whether history repeats itself, this makes the answer loud and clear: most of the fold-ins are just as relevant today as they were decades ago, liberating history from its own confines.

Take the 1968 election year, when Nixon and Humphrey threw it down like there was no tomorrow, in the midst of a highly politicized war. Forty years later, the atrocities of another war are “turning our stomachs,” and a new generation is just as conflicted about a new war in an equally politically charged climate.

The entertainment business doesn’t seem to have changed for the better, either. In the year of the $2.7 million 30-second Super Bowl commercial, Jaffee’s snark resonates all the more powerfully.

See the full collection for a hefty slurp of history’s irony cocktail.

SIBERIAN COOL

Say what you will of the music industry’s demise, but all this commotion has actually propelled the evolution and diversification of the “indie” music scene. No longer is it all garage bands and acoustic pop and stale teen angst.

Case in point: indie up-and-comer Ghost Away. Their unique brand of alternative sound blends brilliantly sombre vocals with electrically charged instrumentals, fusing in beats that will both hypnotize you and make you wanna move. The getup is part Radiohead, part Junior Boys, part Battles, part something else entirely.

GHOST AWAY – SLOWDRIFT

Siberia, their debut album, is out this week. And as if to claim their place in the music business revolution going on these days, they’re launching the album as a free download. Talk about the ultimate self-publishing empowerment of today’s new media freeconomy — it cost the band close to nothing to record, produce and distribute the album (except, of course, hours of sweat and blood in the studio), and now it’s costing you nothing to experience it.

Get it now and get ready to dance the toldja so dance when Ghost Away make that Rolling Stone cover.

POWER TO THE PEOPLE

Speaking of self-publishing empowerment, we love Scribd: the document-sharing online library that takes information exchange and collaboration to a whole new level. It’s simple: you can upload any docs you like — Microsoft Office stuff, PDF’s, PostScript, OpenOffice, and more — and make them available to the world.

Similarly, you can search and access millions of documents other people uploaded.

Besides offering free unlimited storage (seriously?!), Scribd is the ultimate tool for self-publishing and reaching a wide audience. People use it for anything from backing up office documents, to storing and sharing photo albums, to publishing e-books and indie ‘zines, to collaborating on music chords and more.

And just when you think they couldn’t possibly give you more, there’s Scribd iPaper — a platform that lets you quickly integrate files from Scribt into a website, and you don’t even have to know code. Think of it as embeds on steroids.

In our humble opinion, Scribt is just the tip of the collaborative future iceberg, where information becomes the new social currency and the digitization of data builds a tremendously powerful communal pool of knowledge.

So go ahead, free yourself from the confines of static and introverted desktop software.

ALONG FOR THE RIDE

After last week’s French fusion of documentary and raw indie music, the empire strikes back: we’ve got a British sequel.

The Black Cab Sessions, a Just So Films initiative, shares a similar point of view, namely that venues strip music of its essence. So the project employs a simple concept: for each “session,” an indie band or artist hops in the back of a black cab and plays a song filmed in a single shot, which is then uploaded — completely unedited — for the world to see.

Currently on chapter thirty-five, The Black Cab Sessions have sported some of the best of the The’s, and then some — The Ravonettes, The Kooks, The New Pornographers, Cold War Kids, Spoon, and much, much more.

Our only question: where does the cab actually go?

NO HANGUPS

What is art if not the talent of looking at the mundane and seeing the extraordinary? Sculptor David Mach has just this sort of rare gift. He takes everyday objects like coat hangers, matchsticks and Scrabble pieces, turning them into sculptures, collages and installations that speak artistically, socially and politically.

Mach as been crafting his exquisite matchstick head sculptures and signature wire coat-hanger statues since the early 80’s. But, like a true artist, he spends more time concepting and crafting than tinkering with his new website and uploading visuals. Luckily, you can see the full breadth of his work on the archived old website.

We also dig the passion with which he stands behind his creative vision: Mach speaks freely of the great projects that never happened, which you can find in his Proposals section.

A particularly regrettable non-realization: Sound Wave, a gigantic tidal wave sculptured out of 250 upright pianos, which he conceived for the 25th anniversary of London’s Albert Hall. We feel your pain, Dave, we feel your pain.

WORD MEETS IMAGE, THEY MATE

You may recall the super nifty PicLens from a couple of months ago. Now, we bring you the next big thing in image search: the Flickr Related Tag Browser. The ridiculously sleek app does just what the name implies: lets you search Flickr images by tag, but does it visually in a way that halves the process and doubles the joy of it.

When you do a search, you get a collage of images tagged with that word, but you also get a tag cloud of contextually relevant images. It’s like the app thinks one step ahead for you and generating your next related keyword. You can click each tag in the cloud to sample the resulting images with another collage that pops up in the center.

You can keep scrolling through image results right there in the center collage, or you blow up a specific image thumbnail for a closer look. From there, you can either keep browsing the thumbnails if the image is no good, or click straight through to its Flickrs page to snag it.

The app is the work of freelance interactive designer Felix Turner, a Flash whiz who helped build the now-ubiquitous Brightcove video players.

BINARY FREEDOM

This week’s Untrivia is a different take on data, inspired by a new branch of the “found objects” art genre. We like to call these new digital artists “binary sculptors” — because the found “objects” are sets and patterns of mined data that they use much in the way traditional sculptors use mined ore, transforming the raw material into compelling visual art.

One such remarkable binary sculptor is artist and real-time visual performer Paul Prudence, who uses a software called Daub to project the digital data of a video stream onto a “brush” moving in 3D space, creating a neo-surrealist morphing mesh.

And speaking of video streams and data, it seems like Prudence won’t be out of raw material anytime soon. In February alone, Americans viewed 10.1 billion online videos, up 66% from last year. The average time spent watching web video that month? 204 minutes.

That’s a whole lotta cats falling down toilets.

Living Design

Ornithology is the new Adobe, happy misers, Satan, Art Deco geeks, Kenneth Cole, what Whitney Houston and monsters have in common besides Bobby Brown, how the sun can save Africa, and why inflation is a good thing.

NEST OF ART

Until recently, the main criticism of the Internet’s capabilities was that it was didn’t allow for fast and precise image editing online, at least not at a beyond-red-eye-removal professional level. No more.

Enter Aviary, a brand new suite of high-level Internet applications “for people who create” — smart, useful stuff for pretty much any kind of artist. All the tools are free, aim to inspire collaboration among artists, and come with cool bird names. Although still in Beta and invite-only, you can request an invitation — we got ours pretty quickly, and we’ll just say it was more than worth the wait.

The tools span the uber-creative, the geeky and the biz-minded, making for a comprehensive suite that helps create, distribute, manage and sell creative products. The creative side alone is impressive enough: there’s Phoenix, the image editor; color swatches and palette creator Toucan; algorithm-based pattern generator Peacock; Raven for vector editing; Hummingbird, the 3D modeller and skinner; Myna, an audio editor; music generator Roc; Starling, for video editing; Owl, the desktop publishing layout editor; Penguin, a word processor for creative writers; painting simulator Pigeon; Tern, the terrain generating minitool; font editor Horus; and Woodpecker, a smart image resizing minitool.

Geeks will have a field day with Eagle, a smart online app that reads the pixel patterns in an image and is able to identifies complex data about it, like which specific camera it originally came from.

And because 2.0 creativistas want nothing to do with the “starving artist” stereotype that haunts their traditional brethren, Aviary provides just the right kind of tools to propagate the business of creativity: Rookery is a free, unlimited-traffic file system network accessible to anyone for data storage and management. It’s also what powers Aviary‘s file search engine. Hawk is a marketplace for digital content, allowing artists to showcase and sell their work. And Crane is a custom image product creator.

Here’s the biggie: unlike other online image editing tools, Aviary is layer-based (like Photoshop), far more powerful than any image-processing web software, supports limitless revision, and has an entire suite of apps that communicate with each other.

Something else huge for artists: Aviary helps with copyright and royalties, tracking — forever — all sources used in a work and where a work is used by others. And that’s something even Creative Commons can’t claim. Which, come to think of it, is not surprising given Aviary is the brain child of 12 international top-notch artists who know all the joys and perils of creativity inside and out.

Once you get invited, you can access Phoenix — the first of the tools being made available to Beta testers. All the rest, though, are flying in soon. We’re still pinching ourselves, but it does seem to all be real — you can find out more about the individual tools on the product blog. And, speaking of blogs, we love their Idea Blog where different members of Aviary‘s team get to dish on various design and creativity topics — like this particularly refreshing take on the foundations of good design.

Enough from us, just go experience the instinctive self-pinching for yourself.

UNTRIVIA

Here’s a blast from our psych class past: the “misery is not miserly” phenomenon — the tendency to spend more money in negative emotional states, particularly sadness — is now confirmed by a new study. Powered by researchers from four academia big-wigs (Harvard, Carnegie Mellon, Stanford and Pittsburgh University), the study exposed some participants to a sadness-inducing video and others to a “neutral” nature video. They then asked the subjects to spend any amount of their $10 participation incentive on a reusable sports water bottle. Here’s what they found:

• The sad group spent an average of $2.11
• The neutrals spent $0.56
• The sad group used significantly more self-referential expressions (“I,” “me,” “my,” “myself,” etc.) when writing a brief essay on the seen video

What explains the glaring difference? Turns out, sadness makes people enter a “self-focus” state: an insecurity-driven self conception that leads us to believe we and the stuff we own are worth little. So, we’re willing to spend more to make our stuff appear more valuable, thereby making ourselves feel better.

Even more interestingly, this phenomenon occurs with pretty much zero awareness — subjects, despite the clear data suggesting otherwise, vigorously denied the video-induced sad emotions had anything to do with their spending amount. So it’s something different from retail therapy altogether, wherein we consciously try to make ourselves feel better with a, say, Mac Air. (Yes, we do have a tendency to go overboard — we must be watching all the sad sap of the cinematic world.)

What’s our point? Stay happy, stay rich. Meh, easier said than done — who are we kidding, it’s back to the Apple Store tonight…

THE DEVIL’S IN THE RETAIL

If you do anything online, you’ve come to appreciate the importance of tags — all those coveted keywords and labels can make or break your content’s success. “Tags” actually take their name from the eponymous little things that hang off various types of merchandise in the offline world. Fashion retail, in particular, is one place where offline tags are nearly as important as the 2.0 kind in selling stuff.

We’ve long been fascinated with label-tags on clothing, ranging from the plain bad to the plain to the mediocre to the brilliant. So we’ve been collecting ones that are exceptional in some way — a good design, a clever use of materials, an unexpected touch, you name it. And here are a few of our favorites, in no particular order of preference, plus the reasons we heart them. (Click the image to magnify.)

1. adidas — call us geeks, but when we buy performance apparel we like to know exactly what makes it…well… perform. This little 6-page booklet managed to crunch in all the geeky info while keeping the design super sleek and adidasey. The free 3-week trial for professional online training was just the cherry on top.
2. Hydraulic Jeans — they may not believe in search optimization, but their tags have that grungy-cool feel of hard cardboard, twine and old-school type. Bonus points for the feather-filled sampler bubble on a down jacket.
3. Buffalo Jeans — with an edgy delicacy you can expect from a European designer, this tag for David Bitton’s denim line says it all. Too bad you can’t feel the canvas-meets-paper texture.
4. Tyte Jeans — some of the boldest use of colors we’ve seen in a while, plus we’re suckers for non-plastic tag strings.
5. GLO Jeans — not quite our taste here, but we have to give them props for doing something that speaks to their target of bubbly teenage girls and 35-year-olds who like to think of themselves as bubbly teenage girls in lieu of better aspirations.
6. 7 for all mankind — boring colors, sure, but the design is clean and the texture is its own beast: a fascinating contrast between the soft matte canvas of the tag and the glossy satin string.
7. Cosmopolitan — what better way to play off the brand name than by paying tribute to the ultimate cosmopolitan accessory, the credit card? The plastic tag, complete with those vibrant colors, is just the kind of thing a girl would have a really hard time throwing out.
8. Jou Jou — despite the contrived and illegible type, the tag challenges the conventions of size, shape and material. The hard-canvas texture and the thick string are a refreshing touch.
9. Tapemeasure — never mind being sold off by Liz Claiborne, never mind being unfindable online. These guys are certainly not never-minding tag design. Easily our favorite here, there’s something intangibly French about the red-white-and-black, super-clean design. Also of note: the matte texture embossed with tiny matte circles. Best touch: the miniature tapemeasure tag string. Genius.
10. GAP — say what you will of the (RED) project, but we love the oversized metal hoop on this otherwise slim, soft tag and the understated color design. More street c(red) than the usual blah GAP tags.
11. BONGO — neat play of space and borders, complete with a super-hard, metallic red surface that feels strangely glam-rock.
12. Industry — yep, those are real stitches right on the cardboard and that’s real fabric. We have to respect a break from the conventions of materials segregation, but then again they’re French — it’s a whole nother conventions ballpark anyway.
13. Levi’s — ah, the mother of all denim. There’s something strangely comforting about a pair of Levi’s, so it’s only natural the tag would exude that same vibe of approachable timelessness. A soft fabric tag with just the right amount of fringe, complete with subtle graphics, clean type, and a hung with a delicate string.
14. YUKA Paris — we’re not crazy about the serif font, but the round black tag with silver type has a luxurious feel that really captures the brand’s signature heavy woven-silk fabrics.
15. HOLDEN Outerwear — another favorite, and another shameful underestimation by image. The beauty of this tag is in the tactile experience of etched graphics on hard matte cardboard, although the color choice is elegant enough to be its own delight.
16. Ymi Jean Co. — again, not exactly our taste, but we have to respect the bold use of dark denim and white lace, and in a tag of all places. Fresh. Young. Like the brand’s product.

So next time you go shopping or get a gift, stop and smell the…tag. We don’t care much about the Devil, but we do know the good stuff is always in the details.

HIGH-CONCEPT DESIGN GEEKERY

If retail is too low-brow for you, you’ll love the Design Library at the London Design Museum. It’s a tremendous, get-lost-in- it-for-hours resource on architects, technologies and designers featured in the museum. There’s a lengthy profile on each designer, complete with images, interviews and biographies that can put both Wikipedia and your fashion textbook to shame.

You can find designers ranging from the obscure but great to the vaguely familiar to the ultra-famous, from product designer Tord Boontje to Eileen Gray, the mother of Art Deco, to the needs-no-introduction Christian Dior.

Go, dig in, brag.

SOCIAL DESIGN

And while we’re dabbling in fashion design, let us simultaneously dabble in what we call “thought design.” Take Kenneth Cole’s new Awareness Blog — a long-time-coming forum for the same issues the socially-conscious designer has stood for in the past 25 years. Out of Kenneth Cole Productions and Electric Artists, the blog churns out compelling daily takes on issues like politics, human rights, well-being, sustainability and more. Through them all runs a thread of being just the right amount of uncomfortable to really make you think.

The contributors are all big thinkers from various industries and walks of life, including the designer himself and the founder of our favorite magazine, GOOD. And it’s not just talk — it urges readers to get involved with one (or more) of 20 organizations that span everything from AIDS research to disaster relief to mentoring.

There’s also a YouTube channel chock-full of teaser videos united by the tagline-turned-platform “We all walk in different shoes.” Words that scream “word.” Refreshing to see this kind of initiative in society, and especially refreshing to see it coming from one of the most unscrupulous, whatever-it-takes industries: fashion.

THE JOY OF UGLY

If you find yourself overwhelmed by the monstrosities of the real world, why not take a break with monsters more likely to delight than derail? That’s exactly what you’ll find on Daily Monster — the talent-child of German-born, California-based graphic designer Stefan G. Bucher.

Each daily stop-motion film shows Stefan creating a new monster — he starts with a paint-dipped toothbrush, swashes a bit on a blank page, then squirts some high-pressure air on it to create a shape-defining splatter. Then, he attacks it with various drawing tools — pencil, Sharpie, fine-point pen, color marker — and draws his monster out of that shape.

Currently on monster # 161, he’s been going at it since November 2006 when Monster # 01 emerged from the fun-meets-darkness abyss of creativity.

It’s the kind of cool stuff you end up doing only after having done stuff across all levels of coolness: lived in Oregon, worked in advertising, designed album covers for Whitney Houston and Sting. And he must be doing something right — there’s a book coming out, plus the monsters have had cameos in Business Week and Wired. And, of course, Brain Pickings.

Update: The book, 100 Days of Monsters, is out — and it’s just as fantastic as we expected it to be.

SUN SNATCHER

When gadget design meets lifestyle design meets the design of Earth’s future, it’s a beautiful thing. Which is why we dig SOLIO — the universal “hybrid” charger. “Hybrid” because its powerful internal battery can be charged by plugging in the conventional socket way or by exposing the 3 glorious solar panels to the sun. And universal because it can charge anything — an iPod, a GPS, a digital camera, a cell phone, a game device, a BlackBerry and more.

Sure, it’s an enormous lifestyle treat — pop it in your hiking backpack, in your beach bag, in your carry-on to really take advantage of that window seat, in your city-dwelling purse…the possibilities are oh-so-indulgent.

But where SOLIO can really make a difference, we think, is in the third world. In poverty-ridden, infrastructure-deprived areas with no electricity, where the ability to boil water alone can save thousands of lives by preventing many an infectious disease. Where the presence of a single lightbulb could increase quality of life tremendously, help stave off crime, and extend agricultural and manufacturing productivity beyond the limits of daylight.

The simplest models run under $100, which is significantly less than many questionably effective humanitarian aid efforts spend per piece.

Then, of course, there’s the environmental angle. It’s pretty obvious — more solar power means less electricity means Al Gore likes us — so we no need to preach to the choir. Point is, SOLIO is as nifty a gadget — and lifestyle aid — as they get. We diggidy dig big time.

HIPS AHOY

Our product pick of the week — form (and boy oh boy what form it is) meets function. Salute the inflatable bikini life jacket — beyond its obvious drown-prevention capacity, it also ensures you’re the first one saved by that hunky lifeguard trampling children and little old ladies as he beelines for you.

‘Nuff said.

Hits, Punches and Other Impact

Three-minute verdicts, humanitarian aid for your vocabulary, Brazilian models, hyper-social networking, what Harry Potter and the Yankees have in common, and where you can get a side order of sweaty hunk with lunch. Welcome to the Hits, Punches and Other Impact issue.

IMAGE VS. LIKENESS

Amnesty International, always the shocker, is on a latest spree to remind us that toy recalls are the least of China’s reputation problems. In a new campaign busting the 2008 Olympics in Beijing, the human advocacy crew is out to expose the contrast between China’s marketing efforts and their internal practices, a discrepancy that reeks of blatant hypocrisy.

Turns out, when China promised to kick up human rights for the 2008 Olympics, they went ahead and made a bunch of minor touch-ups to the death penalty system (a.k.a. itsy-blitzy change) and vouched to give foreign reporters more freedoms.

But “freedom” is the last thing one such investigative reporter, Zhao Yan of the New York Times, got when he tried to appeal his three-year prison sentence for an alleged political vendetta. The appeal was dismissed in under 3 minutes. He was recently released after completing the sentence.

Which is an unsurprising event, given a long-standing law has been allowing police to shove crime suspects in jail for up to 4 years without trial. Since 1957. That’s half a century of legalized anti-freedom, granting suspects not even a shot with the whatever loose justice system does exist. Meanwhile, China’s busy opening the world’s largest, blingest luxury airport.

The irony, of course, is that the entire marketing campaign to boost China’s international image for the Olympics is funded by the tax yuan of these very same people facing human rightlessness on a daily basis.

Read up on what’s wrong with that picture and check out the full Amnesty International creative.

VERBAL STEAL & DEAL

The wonderful people of the Red Cross bring all kinds of aid to those in need. Including the linguistic kind. Overheard in a shared restroom, we bring you this uncovered vocab gem of the week, courtesy of the lovely women of the American Red Cross:

Squidget |’skwijit|

noun: Too short to be a midget.

[Definition spoken in a matter-of-factly, isn’t-it-obvious tone by utterer upon inquiry.]

WON’T SEE THIS ON A BILLBOARD

We’re starting to understand why Brazil is on a mission to ban outdoor advertising: because they have so much higher standards for what constitutes compelling, culturally relevant visuals. (As opposed to, you know, babes-boobs-and-beer billboards.)

Case in point: 27-year-old artist Bruno 9li. Inspired by alchemy (even saying “alchemy” is pretty damn badass in and of itlsef), his ink-on-paper and mural art may just be Brazil’s hottest contribution to culture since Gisele Bundchen. (What, we do have to acknowledge the mainstream’s tastes. Chill out.)

In the sea of sameness (hello, pseudo-anime and anything with distorted doll heads), Bruno 9li’s work stands out as something we’ve never seen before. Do check out his full exhibit to feel a little more enriched, or at least a little closer to Gisele.

UNTRIVIA

The college set. A small (18 million) and often annoying (ah, the swollen sense of entitlement) demo. But one with enormous market influence: a combined power of their own disposable income and what they puppy-eye their parents into buying, a solid, opinionated word-of-mouth network, a tendency to be early adopters of, well, pretty much anything, and a lifetime of consumption ahead of them. Their relationship with the marketing world, to say the least, matters.

So here’s a snapshot of how this dynamic has changed over the past couple of years. Anderson Analytics, a youth-oriented market research getup, sets out every year to probe what brands the kids are digging via their annual GenX2Z College Brand Survey. A top-line:

2005: Nike, Coca-Cola, Polo, American Eagle, Sony

2006: Nike, American Eagle, Sony, The Gap, Old Navy

2007: Google, Apple, Target, Facebook

What else the kids care about:

On the web:

2005: CollegeHumor, Facebook, Google, MySpace, eBay

2006: MySpace, Facebook, CollegeHumor, YouTube, Google

2007: …here’s where it gets tricky. This year, more than ever, the differences across genders are really starting to show:

Women:

1. Facebook, 2. MySpace, 3. Google, 4. YouTube, 5. PerezHilton, 6. PostSecret, 7. Craigslist, 8. AddictingGames, 9. eBay, 10. SlickDeals

Men:

1. Facebook, 2. ESPN, 3. Google, 4. YouTube, 5. Digg, 6. CollegeHumor, 7. Yahoo, 8. MySpace, 9. Amazon, 10. Engadget / Fark (tie)

The gender breakdown gets even more interesting. Even though Facebook tops both charts, twice as many women rank it #1 than men, and MySpace is nowhere to be seen in men’s top 5. So the survey seems to assert that social networking skews much more female in the 18-24 set.

But here’s our thought: Take Digg. It allows people to see what content others in this whole big Internet universe are digging, exchanging information and opinions with the world at large rather than with a small social circle of actual friends and acquaintances, as is the case with traditional social networking sites. None of the Digg-type sites pop up on women’s web favorites list, but they do on men’s. (Fark and CollegeHumor are just other bystander ways of connecting to what tickles others.) Could such sites be a form of “hyper-social networking,” allowing users to connect with others beyond their immediate “society” in broader, less intimate ways?

So it may be, then, that social networking holds equal appeal to young men and young women. It just manifests itself in different ways as these two groups choose to relate to the world differently.

Something to think about.

CAN’T BELIEVE IT’S NOT FICTION

Lately, we’ve been on an unintentional busting-the-print-is-dead-myth spree. On the whole death vs. evolution note, it’s not just the medium that’s evolving: its consumption also is. So what happens when you cross two dinosaur media — books and snail-mail — with a new-age phenomenon like peer-to-peer and social networking? You get Paperback Swap, a Netflix of sorts for books that’s completely free and a true testament to an old-fashioned code of honor.

Here’s how it works: you sign up (with a valid email and USPS address), sift through your old books to decide which ones you’re willing to swap, and post them on the website, adding to the over 1.6 million books already available. Just for doing that, you get 2 free book credits, so you can go ahead and request 2 books after browsing through the e-library. (Credits are the exchange unit on PBS — every time one of your books is received, you get a credit you can use to request someone else’s book.)

Then you just sit and watch your mailbox: the books, after they arrive, are yours to keep. Free.

The only thing you ever pay for is postage when other members request any of your books (about $2.13 a book using Media Mail). But, then again, they pay postage when you get theirs, so it’s all fair and simple. And, speaking of postage, PBS has neat shipping labels you can print out at home to make it all even easier. Or, you can go hardcore and join the Box-O-Books program where you can ship multiple books in one big box and swap with other boxers, saving on both postage costs and wait time.

And, for the musically inclined, there’s also sister-site SwapaCD, the self-explanatory similar program for CD’s.

Here’s the thing: if we remember our copyright classes from way back correctly, there’s something called the “first book doctrine,” a loophole in copyright law that allows you to transfer (for payment or not) a lawful copy of copyrighted work (like a book or CD) once you’ve obtained it. Basically, whenever you buy, find, receive as a gift or get your hands on a book in other ways, it’s yours to do whatever you like with. Including swapping.

Whoever thought the big break in peer-to-peer media exchange, always the hot-button issue in digital media, would come from the very media written off as dead?

FOOD & FIGHT

This week’s as-seen-in-Philly: spotted in the midst of Philly gem Reading Terminal Market (and in the midst of lunch rush hour) is a full-blown boxing match, complete with a loudspeaker-armed announcer, a DJ, various sponsors, and ABC Action News coverage.

We couldn’t quite figure out the purpose of the whole shebang, but it seemed like some sort of boxing match ticket sales stunt. More than anything, though, we couldn’t figure out why such a stunt would be pulled in the middle of the indiest of fooderies.

But, hey, perhaps there’s some truth after all to legendary Bulgarian wrestler Lyutvi Ahmedov’s even more legendary adage: “The grub makes the fight.”

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