Brain Pickings

Posts Tagged ‘lists’

14 AUGUST, 2012

6 Rules for Creative Sanity from Radical Psychoanalyst Wilhelm Reich

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“Never yield to the expediencies of life except where it is basically harmless.”

A student of Freud’s and a radical pioneer of early psychoanalysis, Wilhelm Reich (1897-1957) was a fascinating and often misunderstood mind who influenced a generation of public intellectuals, including William Burroughs, Saul Bellow, and Norman Mailer. Where’s the Truth?: Letters and Journals, 1948-1957 (public library), following previous installments, is the fourth and final volume of Reich’s autobiographical writings, culled from his diaries (a favorite trope around here), letters, and laboratory notebooks. What emerges is an intimate portrait of the fringe scientist’s hopes and fears, aspirations and insecurities, doubts and convictions.

Reich with his dog, Troll, on the porch outside his study at the Orgone Energy Observatory (The Wilhelm Reich Infant Trust via FSG)

But nothing bespeaks his inherent idealism more crisply than this journal entry dated June 7, 1948, in which Reich lists his six necessary conditions for creative sanity — an aspirational, if overly ambitious and pedantic, blueprint to the secret of happiness and the life of purpose.

To stay sane in an insane world as a creative man or woman he or she must:

  1. Keep one’s life financially independent.
  2. Continue unabated to exercise one’s power of creativity in concrete, strenuous tasks, always seeking perfection as near as possible.
  3. Carefully cherish LOVE of a partner with full gratification, of the total emotional being if possible, of the body in a clean way if necessary.
  4. Keep out of the trap of confusion by the average man and woman, helping others to keep out of the trap too as best they can.
  5. Keep one’s structure clean like brook water through knowing and correcting every mistake, making the corrected mistake the guiding lines to new truth.
  6. Never yield to the expediencies of life except where it is basically harmless or where the main line of development is not impeded for the duration of one’s life.

Where’s the Truth? is utterly absorbing and illuminating throughout — highly recommended.

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10 AUGUST, 2012

10 Rules for Students, Teachers, and Life by John Cage and Sister Corita Kent

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“Nothing is a mistake. There’s no win and no fail, there’s only make.”

Buried in various corners of the web is a beautiful and poignant list titled Some Rules for Students and Teachers, attributed to John Cage, who passed away twenty years ago this week. The list, however, originates from celebrated artist and educator Sister Corita Kent and was created as part of a project for a class she taught in 1967-1968. It was subsequently appropriated as the official art department rules at the college of LA’s Immaculate Heart Convent, her alma mater, but was commonly popularized by Cage, whom the tenth rule cites directly. Legendary choreographer Merce Cunningham, Cage’s longtime partner and the love of his life, kept a copy of it in the studio where his company rehearsed until his death. It appears in Stewart Brand’s cult-classic Essential Whole Earth Catalog, published in 1986, the year Kent passed away.

The list, which can be found in Sister Corita’s Learning by Heart: Teachings to Free the Creative Spirit (public library), touches on a number of previously discussed themes and materials, including Bertrand Russell’s 10 commandments of teaching, the importance of embracing uncertainty, the pivotal role of work ethic, the intricate osmosis between intuition and intellect, and the crucial habit of being fully awake to everything.

RULE ONE: Find a place you trust, and then try trusting it for awhile.

RULE TWO: General duties of a student — pull everything out of your teacher; pull everything out of your fellow students.

RULE THREE: General duties of a teacher — pull everything out of your students.

RULE FOUR: Consider everything an experiment.

RULE FIVE: Be self-disciplined — this means finding someone wise or smart and choosing to follow them. To be disciplined is to follow in a good way. To be self-disciplined is to follow in a better way.

RULE SIX: Nothing is a mistake. There’s no win and no fail, there’s only make.

RULE SEVEN: The only rule is work. If you work it will lead to something. It’s the people who do all of the work all of the time who eventually catch on to things.

RULE EIGHT: Don’t try to create and analyze at the same time. They’re different processes.

RULE NINE: Be happy whenever you can manage it. Enjoy yourself. It’s lighter than you think.

RULE TEN: “We’re breaking all the rules. Even our own rules. And how do we do that? By leaving plenty of room for X quantities.” (John Cage)

HINTS: Always be around. Come or go to everything. Always go to classes. Read anything you can get your hands on. Look at movies carefully, often. Save everything — it might come in handy later.

For more of Cage’s singular lens on life and art, see the sublime recent biography Where the Heart Beats: John Cage, Zen Buddhism, and the Inner Life of Artists , without a doubt one of my favorite books of all time.

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12 JUNE, 2012

6 Rules for a Great Story from Barnaby Conrad and Snoopy

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“And remember: Always aim for the heart!”

You might recall Snoopy’s Guide to the Writing Life (public library), which gave us Ray Bradbury’s wise words on rejection. To recap: Barnaby Conrad and Monte Schulz, son of Peanuts creator Charles M. Schulz, asked 30 famous authors and entertainers to each respond to a favorite Snoopy comic strip with a 500-word essay on the triumphs and tribulations of the writing life. The all-star roster includes William F. Buckley, Jr., Julia Child, Ed McBain, and Elizabeth George. Among them is also one by Barnaby Conrad himself, offering the following six tips to writing a great story, in response to this 1997 comic strip:

  1. Try to pick the most intriguing place in your piece to begin.
  2. Try to create attention-grabbing images of a setting if that’s where you want to begin.
  3. Raise the reader’s curiosity about what is happening or is going to happen in an action scene.
  4. Describe a character so compellingly that we want to learn more about what happens to him or her.
  5. Present a situation so vital to our protagonist that we must read on.
  6. And most important, no matter what method you choose, start with something happening! (And not with ruminations. A character sitting in a cave or in jail or in a kitchen or in a car ruminating about the meaning of life and how he got to this point does not constitute something happening.)

Hone your opening words, for just as stories aren’t written but rewritten, so should beginnings be written and rewritten. Look at your opening and ask yourself, ‘If I were reading this, would I be intrigued enough to go on?’

And remember: Always aim for the heart!

Conrad is the author of The Complete Guide to Writing Fiction.

For more advice on writing, see Kurt Vonnegut’s 8 tips on how to make a great story, David Ogilvy’s 10 no-bullshit tips, Henry Miller’s 11 commandments, Jack Kerouac’s 30 beliefs and techniques, John Steinbeck’s 6 pointers, and various invaluable insight from other great writers.

And, above all, let’s not forget these famous disclaimers on taking writing advice.

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