Brain Pickings

Posts Tagged ‘Lord Chesterfield’

31 JULY, 2013

Art and Accidental Literature: Lynda Barry + Lord Chesterfield

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One of yesteryear’s greatest literary icons, under one of today’s greatest artists.

Reconstructionist Lynda Barry is among my favorite artists, so every once in a while I save up a bit of lunch money and buy one of her gorgeous originals. Barry frequently paints over old book pages — like, for instance, this watercolor over Freud’s essay on creative writing and daydreaming — which results in a doubly delightful treat of beautiful art and accidental “found literature.” When my latest painting arrived, I was pleasantly surprised to see the charming watercolor dog (another soft spot) was painted over an essay by celebrated 19th-century French literary critic Charles Augustin Sainte-Beuve, prefacing Lord Chesterfield’s Letters, Sentences and Maxims (public library; public domain) — the same gem that gave us his fatherly advice on the art of pleasing and the art of dressing well.

Watercolor by Lynda Barry from my personal collection

Sainte-Beuve writes:

Each epoch has produced its treatise intended for the formation of the polite man, the man of the world, the courtier, when men only lived for courts, and the accomplished gentleman. In these various treatises on knowledge of life and politeness, if opened after a lapse of ages, we at once see portions which are as antiquated as the cut and fashion of our forefathers’ coats; the model has evidently changed. But looking into it carefully as a whole, if the book has been written by a sensible man with a true knowledge of mankind, we shall find profit in studying these models which have been placed before preceding generations. The letters that Lord Chesterfield wrote to his son, and which contain a whole school of savoir vivre and worldly science, are interesting in this particular, that there has been no idea of forming a model for imitation, but they are simply intended to bring up a pupil in the closest intimacy. They are confidential letters, which, suddenly produced in the light of day, have betrayed all the secrets and ingenious artifices of paternal solicitude. If, in reading them nowadays, we are struck with the excessive importance attached to accidental and promiscuous circumstances, with pure details of costume, we are not less struck with the durable part, with that which belongs to human observation in all ages; and this last part is much more considerable than at a superficial glance would be imagined. In applying himself to the formation of his son as a polite man in society, Lord Chesterfield has not given us a treatise on duty, as Cicero has; but he has left letters which, by their mixture of justness and lightness, by certain lightsome airs which insensibly mingle with the serious graces, preserve the medium between the “Mémoires of the Chevalier de Grammont” and “Télémaque.”

Portrait by Lisa Congdon for our Reconstructionists project. Click for details.

The complete essay was eventually included in the anthology The World’s Best Essays: From the Earliest Period to the Present Time, Volume 9 under the title “A Typical Man of the World.” Pair it with this contemporary meditation on what makes a great essay, then treat yourself to some of Barry’s superb books and art.

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05 JULY, 2013

Do Everything Well: Lord Chesterfield on the Art of Dress

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“Be wiser than other people, if you can; but do not tell them so.”

Lord Chesterfield is best-remembered for his witty and wise epistolary legacy, collected in Lord Chesterfield’s Letters (public library; public domain). The letters, penned mostly to his son and godson, cover everything from politics to literature to love and offer an ever-entertaining blend of timeless wisdom, practical tips, and very questionable moral advice. But if there is one thing for which Chesterfield remains particularly known, it is his exceptional sensitivity to societal customs and his finesse in gracefully navigating them for his benefit.

In this letter to his son from November of 1745, for instance, Lord Chesterfield captures in one short passage the essence of fashion, the enormity of its enduring allure as a form of social currency, and why it mesmerizes us so:

Do everything you do well. There is no one thing so trifling, but which (if it is to be done at all) ought to be done well. … For instance, dress is a very foolish thing; and yet it is a very foolish thing for a man not to be well dressed, according to his rank and way of life; and it is so far from being a disparagement to any man’s understanding, that it is rather a proof of it, to be as well dressed as those whom he lives with: the difference in this case, between a man of sense and a fop, is, that the fop values himself upon his dress; and the man of sense laughs at it, at the same time that he knows he must not neglect it. There are a thousand foolish customs of this kind, which not being criminal must be complied with, and even cheerfully, by men of sense. Diogenes the Cynic was a wise man for despising them; but a fool for showing it. Be wiser than other people, if you can; but do not tell them so.

Complement with this vintage guide to do’s and don’ts in the art of conversation and history’s finest fatherly advice, including Einstein on the secret to learning anything, John Steinbeck on falling in love, and Sherwood Anderson on the creative life.

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