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Posts Tagged ‘Mary Blair’

17 APRIL, 2014

I Can Fly: A Heartening Vintage Gem by Ruth Krauss, with Illustrations by Celebrated Disney Artist Mary Blair


Simple verses with a thoughtful message.

Ruth Krauss (July 25, 1901–July 10, 1993) is one of the most inspired and imaginative children’s storytellers of the twentieth century. Under the great Ursula Nordstrom‘s wing — who had a special gift for nurturing young talent — Krauss went on to write nearly fifty books, including two tender collaborations with young Maurice Sendak. Among her loveliest is I Can Fly (public library), originally published in 1951 as part of the beloved Little Golden Book series. A seemingly simple, wonderfully uplifting rhyme by Krauss, with illustrations by the celebrated Disney artist Mary Blair (who developed the concept art for such Disney classics as Peter Pan, Cinderella, and Alice in Wonderland) the book was mercifully resurrected from the cemetery of out-of-print treasures and republished in a crisp new edition, which is even available in digital form.

A bird can fly.
So can I.

A cow can moo.
I can too.

Underneath the light verses is a playful but profound reminder of our connection with the natural world and the notion that we aren’t so different from our fellow nonhuman beings, with whom we share a reality in an intricate mesh of belonging.

I’m merrier
than a terrier.

Pitter pitter pat
I can walk like a cat.

But Krauss’s most important message wasn’t an overt one. In fact, what makes her books especially exceptional is that she frequently featured female protagonists — far from the norm at the time and, sadly, still an exception half a century later when only 31% of books feature female lead characters. It may seem like a simple thing — the seemingly benign choice of hero or heroine in a children’s story — but to offer a quietly dissenting alternative to a fragment of hegemonic culture is no small gift. Krauss was a generous gift-giver.

Howl howl howl
I’m an old screech owl.

Short as it may be, I Can Fly is infinitely delightful in its entirety. Complement it with Open House for Butterflies, Krauss’s final and loveliest collaboration with Sendak.

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