Brain Pickings

Posts Tagged ‘music’

11 FEBRUARY, 2013

Mathemusician Vi Hart Explains Space-Time with a Music Box and a Möbius Strip

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The fabric of the universe via backwards Bach.

If mathemusician Vi Hart — who for the past three years has been bringing whimsy to math with her mind-bending, playful, and illuminating stop-motion musical doodles — isn’t already your hero, she should be, and likely will be. (Cue in the GRAMMYs newly announced search for great music teachers.) In her latest gem, Hart uses music notation, a Möbius strip, and backwards Bach to explain space-time:

Music has two recognizable dimensions — one is time, and the other is pitch-space. … There [are] a few things to notice about written music: Firstly, that it is not music — you can’t listen to this. … It’s not music — it’s music notation, and you can only interpret it into the beautiful music it represents.

Also see Hart on the science of sound, frequency and pitch, and her blend of Victorian literature and higher mathematics to explain multiple dimensions.

For a decidedly less whimsical but enormously illuminating deeper dive, see these 7 essential books on time and watch Michio Kaku’s BBC documentary on the subject, then learn how to listen to music.

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18 JANUARY, 2013

David Byrne’s Hand-Drawn Pencil Diagrams of the Human Condition

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“Science’s job is to map our ignorance.”

David Byrne may have authored both one of last year’s best albums and best music books, but he is also one of the sharpest thinkers of our time and a kind of visual philosopher. About a decade ago, Byrne began making “mental maps of imaginary territory” in a little notebook based on self-directed instructions to draw anything from a Venn diagram about relationships to an evolutionary tree of pleasure — part Wendy MacNaughton, part Julian Hibbard, yet wholly unlike anything else. In 2006, Byrne released Arboretum (UK; public library), a collection of these thoughtful, funny, cynical, poetic, and altogether brilliant pencil sketches — some very abstract, some very concrete — drawn in the style of evolutionary diagrams and mapping everything from the roots of philosophy to the tangles of romantic destiny to the ecosystem of the performing arts.

Möbius Structure of Relationships

Writing in the introductory essay simply titled “Why?,” Byrne considers our remarkable capacity for rationalization and the role of the non-rational in science:

Maybe it was a sort of self-therapy that worked by allowing the hand to ‘say’ what the voice could not.

Irrational logic — I’ve heard it called that. The application of logical scientific rigor and form to basically irrational premises. To proceed, carefully and deliberately, from nonsense with a a straight face, often arriving at a new kind of sense.

But how can nonsense ever emerge as sense? No matter how convoluted or folded, it will still always be nonsense, won’t it?

I happen to believe that a lot of scientific and rational premises are irrational to begin with — that the work of much science and academic inquiry is, deep down, merely the elaborate justification of desire, bias, whim, and glory. I sense that to some extent the rational ‘thinking’ areas of our brains are superrationalization engines. They provide us with means and justifications for our more animal impulses. They allow us to justify them both to ourselves and then, when that has been accomplished, to others.

Social Information Flow

Human Content

Hidden Roots

More than half a century after Vannevar Bush’s timeless meditation on the value of connections in the knowledge economy, Byrne echoes Stanford’s Robert Sapolsky and contributes a beautiful addition to history’s finest definitions of science:

If you can draw a relationship, it can exist. The world keeps opening up, unfolding, and just when we expect it to be closed — to be a sealed sensible box — it shows us something completely surprising. In fact, the result and possibly unacknowledged aim of science may be to know how much it is that we don’t know, rather than what we do think we know. What we think we know we probably aren’t really sure of anyway. At least if can get a sense of what we don’t know, we don’t be guilty of the hubris of thinking we know any of it. Science’s job is to map our ignorance.

The Legacy of Good Habits

Morally Repugnant

Gustatory Rainbow

Imaginary Social Relationships

Christian Subcultures

Yes Means No

Psychological History

One of the diagrams from Arboretum, Roots of War in Popular Song (forest of no return), appears in the Art Pickings pop-up gallery and is available from 20×200. (In fact, it graces the wall I wake up to every morning.)

Thanks, Wendy

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18 JANUARY, 2013

Bob Dylan’s 1974 Classic “Forever Young,” Illustrated

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“May you grow up to be righteous, may you grow up to be true… May you stay forever young.”

On January 18, 1974, the world welcomed Bob Dylan’s Planet Waves album. On it was “Forever Young” — one of Dylan’s most beloved songs, inspired by his four-year-old son Jakob.

In 2008, Dylan asked award-winning illustrator Paul Rogers, whose stunning covers for Hemingway classics you may have encountered and admired, to apply his signature mid-century aesthetic in reimagining the lyrics of the iconic anthem as a series of illustrated vignettes for young readers. Forever Young (public library) was born — a charming children’s book about a little boy who embodies the heart of the Dylan classic: adventurousness, doing the right thing, and the eternal spirit of youth.

Rogers writes in the Illustrator’s Notes, before offering a page-by-page breakdown of some of the hidden stories in the drawings:

Listening to nearly every Dylan album while creating the illustrations for this book gave me time to think about the people who inspired him and how his music has inspired so many. These drawings include images from Dylan’s life and lyrics from his songs. Some are obvious and others are meant to be a bit of a mystery.

Forever Young is at once refreshingly unexpected and somehow completely natural — the lyrics, after all, are the perfect life-advice to youngsters:

May you grow up to be righteous
May you grow up to be true
May you always know the truth
And see the lights surrounding you
May you always be courageous
Stand upright and be strong
May you stay forever young
Forever young, forever young
May you stay forever young

Complement with Dylan on sacrifice, the unconscious mind, and how to cultivate the perfect environment for creative work.

Open Culture

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08 JANUARY, 2013

The Story of David Bowie’s Ziggy Stardust Character

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The curious rise, rise, and retirement of one of pop culture’s greatest cults.

From the BBC comes the fascinating story of David Bowie’s flamboyant Ziggy Stardust character — the iconic musician’s androgynous glam-rock alter ego, which went on to become one of the twentieth century’s biggest pop culture cults. The documentary is based on D. A. Pennebaker’s 1983 concert film Stardust and the Spiders from Mars, which captured Bowie’s original surprising announcement retiring the celebrated persona at London’s Hammersmith Odeon Theater ten years prior.

Complement with Bowie’s 75 must-read books, his answers to the famous Proust Questionnaire, his narration of the pioneering Soviet children’s symphony “Peter and the Wolf,” and his gorgeous isolated vocal track for “Ziggy Stardust.”

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Brain Pickings has a free weekly newsletter. It comes out on Sundays and offers the week’s best articles. Here’s what to expect. Like? Sign up.