Brain Pickings

Posts Tagged ‘Neil Gaiman’

23 DECEMBER, 2013

Neil Gaiman Reads Charles Dickens’s Original Performance Script for “A Christmas Carol”

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“No space of regret can make amends for one life’s opportunity misused.”

Though Charles Dickens figures among literary history’s most notable pet-lovers with his raven Grip, he also had several cats, which he held dear — so much so, that he famously exclaimed, “What greater gift than the love of a cat?,” a line so popular that it even made it into a New Yorker cartoon. When one of Dickens’s most beloved cats, Bob, died in 1862, the author’s sister-in-law, Georgina Hogarth, had Bob’s paw taxidermied and turned into a letter-opener. She engraved it “C. D. In Memory of Bob. 1862″ and presented it to the author as a gift intended to forever remind him of his feline friend. This odd object, which sat by Dickens’s side in the library at Gad’s Hill where he wrote, is one of the artifacts featured in Molly Oldfield’s wonderful The Secret Museum (public library) — that magnificent inventory of sixty never-before-seen “treasures too precious to display,” culled from the archives and secret storage locations of some of the world’s greatest libraries and museums, including such gems as Van Gogh’s never-before-seen sketchbooks, Anne Frank’s friendship book, and the surprisingly dark story of how the Nobel Prize was born.

Charles Dickens's letter opener. The handle is made out of his cat Bob's paw.

Today, Dickens’s bizarre literary instrument survives as a prized possession in the collection of the New York Public Library, where it shares space with the writing desk and chair the author used while traveling, as well as thirteen of the “prompt copies” that Dickens, the first famous writer to perform his own works, had made for his public readings — special performance scripts created by taking apart an existing novel, cutting and pasting select sections into a blank-leaf book, then filleting the text by highlighting the most dramatic scenes and annotating them with reading cues and stage directions. NYPL curator Isaac Gewirtz tells Oldfield:

Dickens wasn’t only a great writer, he was a fantastic actor: he loved to perform his work, rather than simply read extracts from it.

Among NYPL’s most treasured Dickensian prompt copies is that of A Christmas Carol (free download) — the classic 1843 novella, which blends elements of science fiction, philosophy, mysticism, satire, and cultural critique to tell a timeless story about the benevolence of the human spirit and our heartening capacity for transformation and self-transcendence.

Neil Gaiman, dressed as Charles Dickens, with Molly Oldfield. (Photograph: NYPL)

At a recent NYPL event hosted by Oldfield, one of the greatest writers of our time, Neil Gaimanchampion of the creative life, man of discipline, adviser of aspiring writers, contemplator of genius — reads one of the greatest writers of all time, in exactly the way Dickens intended for his classic work to be read, based on the annotations and directions in that precious NYPL prompt copy of A Christmas Carol. Here is Oldfield, introducing Gaiman, who proceeds to give an enchanting and entertaining reading of the Dickens classic:

It is a fair, even-handed, noble adjustment of things, that while there is infection in disease and sorrow, there is nothing in the world so irresistibly contagious as laughter and good humour.

The Secret Museum is absolutely fantastic in its entirety, and A Christmas Carol is available as a free download, as is the entire NYPL readings series — how’s that for a priceless gift?

For more Gaiman goodness, see his 8 rules of writing, his charming children’s book, and the lovely story of his bachelor party.

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25 NOVEMBER, 2013

This Is Love: Neil Gaiman’s Bachelor Party the Night Before He Married Amanda Palmer

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An uncommon story of uncommon romance.

Few can master the intricate balance of romance and creative collaboration as gracefully as power-duo Neil Gaiman, he of invaluable advice on the written word and timeless wisdom on the creative life, and Amanda Palmer, remarkable musician and eloquent crusader for the art of asking. At their recent New York City show for the traveling-performance-turned-terrific-collaborative-album An Evening With Neil Gaiman & Amanda Palmer (vinyl), Gaiman shared the disarmingly endearing story of his bachelor party the night before their wedding. Listen with headphones on:

The album itself is absolutely fantastic — you can, and should, order it from Amanda’s site, where it is available in various formats under the Creative Commons “Attribution-NonCommercial-ShareAlike” license.

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11 SEPTEMBER, 2013

Neil Gaiman’s Advice to Aspiring Writers

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“You have to finish things — that’s what you learn from, you learn by finishing things.”

Neil Gaiman knows a thing or two about the secret of the creative life. In this mashup of Gaiman’s Nerdist podcast interview and scenes from films about writers, video-monger Brandon Farley captures the essence of Gaiman’s philosophy on writing and his advice to aspiring writers — a fine addition to celebrated authors’ collected wisdom on the craft. Transcript highlights below.

Echoing E. B. White, who famously scoffed that “a writer who waits for ideal conditions under which to work will die without putting a word on paper,” and like Chuck Close, who declared that “inspiration is for amateurs — the rest of us just show up and get to work,” and like Tchaikovsky, who admonished that “a self-respecting artist must not fold his hands on the pretext that he is not in the mood,” Gaiman argues that the true muse of writing lies not in divine inspiration but in unrelenting persistence of effort and force of will:

If you’re only going to write when you’re inspired, you may be a fairly decent poet, but you will never be a novelist — because you’re going to have to make your word count today, and those words aren’t going to wait for you, whether you’re inspired or not. So you have to write when you’re not “inspired.” … And the weird thing is that six months later, or a year later, you’re going to look back and you’re not going to remember which scenes you wrote when you were inspired and which scenes you wrote because they had to be written.

On the exhilarating joy of writing and the stalwart showing up that makes it possible:

The process of writing can be magical — there times when you step out of an upper-floor window and you just walk across thin air, and it’s absolute and utter happiness. Mostly, it’s a process of putting one word after another.

On grit as the driving force of creative growth, reiterating the third of his 8 rules of writing:

You have to finish things — that’s what you learn from, you learn by finishing things.

On why true creativity requires eclectic influences, wide interests, and cross-disciplinary dot-connecting:

If you like fantasy and you want to be the next Tolkien, don’t read big Tolkienesque fantasies — Tolkien didn’t read big Tolkienesque fantasies, he read books on Finnish philology. Go and read outside of your comfort zone, go and learn stuff.

Gaiman’s most important piece of advice, for the writer who has mastered basic technique and is ready to begin writing, echoes the fifth of Kurt Vonnegut’s 8 keys to the power of the written word:

Tell your story. Don’t try and tell the stories that other people can tell. Because [as a] starting writer, you always start out with other people’s voices — you’ve been reading other people for years… But, as quickly as you can, start telling the stories that only you can tell — because there will always be better writers than you, there will always be smarter writers than you … but you are the only you.

For more notable wisdom on the written word, see Elmore Leonard’s 10 rules of writing, Walter Benjamin’s thirteen doctrines, H. P. Lovecraft’s advice to aspiring writers, F. Scott Fitzgerald’s letter to his daughter, Zadie Smith’s 10 rules of writing, Kurt Vonnegut’s 8 keys to the power of the written word, David Ogilvy’s 10 no-bullshit tips, Henry Miller’s 11 commandments, Jack Kerouac’s 30 beliefs and techniques, John Steinbeck’s 6 pointers, and Susan Sontag’s synthesized learnings.

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27 AUGUST, 2013

Neil deGrasse Tyson and Neil Gaiman on the Secret of Genius

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“You don’t even know what the word ‘vacation’ means because what you’re doing is what you want to do and a vacation FROM that is anything BUT a vacation.”

“Creating a life that reflects your values and satisfies your soul,” Calvin & Hobbes creator Bill Watterson observed in his superb 1990 Kenyon College commencement address, “is a rare achievement.” Indeed, the search for meaning, the life of purpose, the quest to do what makes you come alive — those are the greatest human aspirations. And who better to weigh in on the essence of this grand pursuit than Neil deGrasse Tyson, modern-day philosopher and eloquent cosmic sage, and Neil Gaiman, dedicated writer and champion of answering the daunting call of the creative life? In this short excerpt from the 2012 Connecticut Forum, the Neils answer the question “What makes someone visionary and brilliant?” and remind us that the most important component of genius is, in fact, love and unrelenting cultivation.

Tyson knows that truly fulfilling work never feels like “work”:

If everyone had the luxury to pursue a life of exactly what they love, we would all be ranked as visionary and brilliant. … If you got to spend every day of your life doing what you love, you can’t help but be the best in the world at that. And you get to smile every day for doing so. And you’ll be working at it almost to the exclusion of personal hygiene, and your friends are knocking on your door, saying, “Don’t you need a vacation?!,” and you don’t even know what the word “vacation” means because what you’re doing is what you want to do and a vacation from that is anything but a vacation — that’s the state of mind of somebody who’s doing what others might call visionary and brilliant.

'Do what you love' by Andy J. Miller for the 'Advice to Sink in Slowly' project. Click image for details.

Gaiman echoes the sentiment with laconic self-awareness:

We get to look good because we get to do what we want.

Complement with this timeless anchor for how to find your purpose and do what you love, then revisit Gaiman’s fantastic commencement address on living the creative life.

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