Then the Queen, quite out of breath, said to Alice, ‘Have you seen the Mock Turtle yet?’
‘No,’ said Alice. ‘I don’t even know what a Mock Turtle is.’
‘It’s the thing Mock Turtle Soup is made from,’ said the Queen.
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One Red Dot is a graphically ambitous gem that invites you to find one red dot hidden in each of 18 paper sculptures.
Blue 2 pairs Carter’s tenderly architectural paper sculptures fragmented text stringing together words in alphabetical order, asking the reader to look for a hidden “Blue-2″ on each of nine stunning spreads. Though arguably far too abstract for the recommended 4-8 age range, with vocabulary that might make even an MBA stumble, the book is so aesthetically mesmerizing that it sparks a visceral, intuitive understanding of the words.
600 Black Spots is another brilliant scavenger hunt of a pop-up, spanning across 20 gloriously engineered, endlessly entertaining pages to hide — and invite you to seek — 600 black dots.
Yellow Square takes Carter’s signature paper sculptures to a new level by incorporating unusual, unexpected found materials like yarn, netting, and beautiful translucent waxy paper. A yellow square is hidden on each marvelously engineered page, tucked between stunning illustrations in primary colors that invite you to probe and interact, inevitably extracting a well-deserved “wow.”
White Noise is Carter’s latest gem, concluding his phenomenal series with an interactive pop-up book that plays with multiple senses: Touching, seeing and, now, hearing. Vibrant and poetic as ever, his beautifully engineered paper creations are accompanied by subtle yet rich sound effects produced as you touch the sculptural marvels — an absolute sensory treat, whether you’re 4 or 104.
Playful and poetic, Carter’s books are a three-dimensional manifesto for perpetual curiosity and the eternal child within.
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Contortionists, negative space, and what Claymation has to do with the Kama Sutra.
We love books. And we love nontraditional takes on the traditional. Recently, we’ve looked at hypertextual books, ambitious carved-out reproductions of history books and Pictorial Webster’s. Today, we look at three inspired examples of innovation on the most rudimentary gateway to language and literature: The alphabet book.
THE HUMAN ALPHABET
In 2006, we had the pleasure of meeting the phenomenal Pilobolus dance company, an incredible group of choreographers and dancer-athletes who produce some of the best original work in modern dance today. So imagine our delight when we discovered photographer John Kane‘s The Human Alphabet — an ambitious and striking alphabet book, using the bodies of Pilobolus dancers to construct each of the letters through ingenious grips, bends and twists of the human form.
With its superb photography, vibrant colors and jaw-dropping acrobatic contortionism, The Human Alphabet is bound to astonish. If language had a Kama Sutra, this would be it.
THE HIDDEN ALPHABET
Curiosity is the fundamental fuel of learning. Mix that with children’s boundless imagination, and you’ve got a powerful recipe for inspiration-education. That’s exactly what illustrator Laura Vaccaro Seeger does in The Hidden Alphabet — a visual gem of a book, where a black mat frames an object on each page, then peels away to reveal its starting letter.
Risking to live up to a designer cliche, we do love our negative space. And The Hidden Alphabet plays with it brilliantly — when the black mat is lifted, each object becomes a significant building block of the letter’s negative space, with a clever perspective shift from foreground to background that plays on the popular figure-ground optical illusions.
Besides the innovative visual format reinterpreting the traditional approach of matching each letter with a word, Seeger’s choice of the words themselves — “inkblot,” “partridge,” “quotation mark,” “yolk” — is equally refreshing and adds a whole new layer of sophistication to the artwork.
ABC3D
We’re suckers for a good pop-up book, but Marion Bataille‘s ABC3D takes it to a whole new level.
Slick, stylish and designerly, it’s hard to capture its tactile, interactive magic in static words — you have to have it in your hands to truly appreciate it.
The Washington Post hit the nail on the head:
Does for paper what Claymation did for mud. It’s a three-dimensional, interactive, cinematic treat for the littlest fingers right up to the oldest eye […]
A perfectly architectured A sets the pace from the very first page.
A neat pop-up with the i and j sharing the same dot.
As the spread is opened, the two vortices in the S rotate.
And just when you think ABC3D couldn’t possibly delight and surprise more, it does: We’ve seen a trailer for an album, a trailer for a typeface, but a trailer for a book?
Bonus points for the track (which reminds us of Squirrel Nut Zippers, our favorite quirk-swing band) — and even more bonus points for offering it as a free download on the book’s equally well-designed website.
From the lenticular cover, which changes by the angle at which you hold it, to the metamorphic X, which becomes a Y as you flick your hand, ABC3D is an absolute treat for kids, industrial design junkies and the typeface geeks alike.
BONUS
UPDATE: We’ve just been alerted (Thanks, Coudal!) to an absolute gem we had no choice but to include here.
From Animal Collective to The Zombies, by way of Joy Division, Tom Waits and ?uestlove, the book is written by Paste editors Kate Kiefer and Rachael Maddux, and brilliantly illustrated by so-indie-he’s-off-the-Google-radar artist owen the owen.
An Indie Rock Alphabet Book is a get-’em-while-they’re-young necessary tool for engineering tomorrow’s musicologists. After all, the first step to that Rolling Stone internship application is spelling your name correctly. And, really, who wants to learn with “cat” when you can have “Cat Power”?
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donating = loving
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