Brain Pickings

Posts Tagged ‘remix’

05 SEPTEMBER, 2012

Happy Birthday, Voyager 1: An Animated Adaptation of Carl Sagan’s Pale Blue Dot

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“The aggregate of our joy and suffering…every hero and coward, every creator and destroyer of civilization…every young couple in love…lived there — on a mote of dust suspended in a sunbeam.”

Thirty-five years ago today, the Voyager 1 launched into space in a quest to explore the outer Solar System and carried with it the Golden Record, an ultimate mixtape of humanity’s sounds that was also a record of how Carl Sagan and Annie Druyan fell in eternal love. There’s hardly a better way to celebrate the Voyager’s legacy than with Sagan’s iconic, timeless, infinitely humbling yet awe-inspiring Pale Blue Dot (public library), based on the photograph of the same title taken by the Voyager 1 in 1990.

This charming animated adaptation was young illustrator Adam Winnik’s graduation thesis project — enjoy.

Look again at that dot. That’s here. That’s home. That’s us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every ‘superstar,’ every ‘supreme leader,’ every saint and sinner in the history of our species lived there — on a mote of dust suspended in a sunbeam.

The Earth is a very small stage in a vast cosmic arena. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot.

Our posturings, our imagined self-importance, the delusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves.

The Earth is the only world known so far to harbor life. There is nowhere else, at least in the near future, to which our species could migrate. Visit, yes. Settle, not yet. Like it or not, for the moment the Earth is where we make our stand.

It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we’ve ever known.

Complement with another animated adaptation from pickings past, then do yourself a favor and reread Pale Blue Dot in its glorious entirety.

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17 AUGUST, 2012

Book Spine Poetry: Your Turn

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A few months ago, I undertook a little experiment in book spine poetry, inspired by artist Nina Katchadourian and her Sorted Books project from a while back — and it seemed to strike a chord. Here are just a few of the book spine poems friends and readers have sent in since.

From Ruth Ann Harnisch:

I live in the future & here’s how it works:
Uncertainty
Smart people
Simply imperfect
You are not so smart
I’d rather be in charge

The books:

From Kim Manley Ort:

A brief history of everything:
BOOM!
Shadow light
Ecological intelligence
As you think
Power vs. force

The books:

From Lonni Tanner:

Who do you love
My sister’s hand in mine
Family matters
Set this house in order
Salvage the bones

The books:

Catch up on previous book spine poems: The Spark of Love, The Future, Get Smarter, This Is New York, Music, A Working Theory of Love, and The Meaning of Life.

Ready to give it a try yourself? LibraryThing is running a competition, to be judged by Nina Katchadourian herself.

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14 AUGUST, 2012

How Remix Culture Fuels Creativity & Invention: Kirby Ferguson at TED

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From Bob Dylan to Steve Jobs, or how copyright law came to hinder the very thing it set out to protect.

Remix culture is something I think about a great deal in the context of combinatorial creativity, and no one has done more to champion the popular understanding of remix as central to creativity than my friend and documentarian extraordinaire Kirby Ferguson. So I’m enormously proud of Kirby’s recent TED talk about his Everything is a Remix project, exploring remix culture, copyright and creativity — watch and take notes:

The Grey Album is a remix. It is new media created from old media. It was made using these three techniques: copy, transform and combine. It’s how you remix. You take existing songs, you chop them up, you transform the pieces, you combine them back together again, and you’ve got a new song, but that new song is clearly comprised of old songs.

But I think these aren’t just the components of remixing. I think these are the basic elements of all creativity. I think everything is a remix, and I think this is a better way to conceive of creativity.

[…]

American copyright and patent laws run counter to this notion that we build on the work of others. Instead, these laws and laws around the world use the rather awkward analogy of property. Now, creative works may indeed be kind of like property, but it’s property that we’re all building on, and creations can only take root and grow once that ground has been prepared.

One thing to pay particularly close attention to are the many examples of how liberally and broadly Bob Dylan borrowed from other creators, appropriating, modifying, and building upon their work:

It’s been estimated that two thirds of the melodies Dylan used in his early songs were borrowed — this is pretty typical among folk singers.

Kirby gave his talk shortly before Dylan entered the news not as the perpetrator but as the subject of fabulism, by science writer Jonah Lehrer — a pseudo-scandal on which NPR offered perhaps the only truly thoughtful commentary amidst a sea of blood-thirsty sensationalism:

This is the essence of the popular arts in America: Be a magpie, take from everywhere, but assemble the scraps and shiny things you’ve lifted in ways that not only seem inventive, but really do make new meanings. Fabrication is elemental to this process — not fakery, exactly, but the careful construction of a series of masks through which the artist can not only speak for himself, but channel and transform the vast and complicated past that bears him or her forward.

Certainly, the integrity standards of science journalism and the popular arts can, and likely should, be very different. Nonetheless, this parallel — in which Dylan so clearly build his voice by borrowing and appropriating the ideas of others to his own ends of creative expression — is enough to give one pause.

The additive nature of creativity and innovation is, of course, something both history in general and individual inventors in particular can speak to. Kirby cites Henry Ford, who echoes the story of Marconi and the invention of radio:

Mark Twain, unapologetic as ever, put it best: “All ideas are second-hand.”

For more on remix culture and combinatorial creativity, see Dancing About Architecture: A Little Book of Creativity and the 1939 gem A Technique for Producing Ideas.

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09 AUGUST, 2012

Introducing Literary Jukebox: Daily Book Quote Matched with a Song

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An experiment in cross-pollinating the arts.

As a lover of both literature and music, I frequently find myself immersed in a passage, with a conceptually related song beginning to play in my mind’s ear. I recently started making such matches more consciously and was quickly drawn into a highly addictive exercise in creative intersections and associations. So I decided to make a little side project out of it. Enter Literary Jukebox, a minimalist site where I match a passage from a favorite book with a thematically related song each day. Sometimes, the connections will be fairly obvious. Other times, they might be more esoteric and require some reflection. Whatever the case, I hope you enjoy — I certainly am.

Many thanks to the talented Josh Boston for designing the identity and to Debbie Millman for in part inspiring the project.

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