Beyond Burton: Art Inspired by Alice In Wonderland

Floating children, the rabbit hole of the social web, and what Dali has to do with manga.

We’re all about the cross-pollination of disciplines and creative domains. So we love seeing one kind of art inspire another inspire another. Take Tim Burton’s Alice In Wonderland, on the lips — and eyeballs — of the world with this week’s much- anticipated release. The film was, of course, inspired by Lewis Carroll’s 1865 children’s classic of the same name (which also sprouted two other excellent films, one in 1933, starring a trippy Cary Grant, and one in 1966 for the BBC), and has in turn inspired a variety of artwork in its own right. Today, we focus on three such examples of art inspired by Alice.

NAOTO HATTORI

Japanese-born, New-York-based artist Naoto Hattori has a very distinct, Salvador-Dali-meets-manga aesthetic. This illustration inspired by Alice In Wonderland is one of the most stunning pieces of digital artwork we’ve seen in months.

Hattori’s work is part of the Curiouser and Curiouser exhibition at Gallery Nucleus, which opened this weekend and features interpretations of the iconic story by artists who worked on Burton’s feature film and beyond.

via Wicked Halo

ELENA KALIS

From Moscow-born, Bahamas-based artist-turned-underwater-photographer Elena Kalis comes Alice In Waterland, a surreal and whimsical underwater series that blends the alternate-reality feel of Carroll’s world with a wink at the wicked innocence of Burton’s representations.

We love Kalis’ incredible play of light and color, amplified by the water’s reflective properties in a way that combines softness with intensity to a stunning effect.

CHRISTINA TSEVIS

You may recall Greek illustrator Christina Tsevis, whom we interviewed a few months ago. Much to our delight, Christina recently got in touch with us to let us know that Glamour Greece discovered her via our interview and asked her to create a series of Alice In Wonderland illustrations for the magazine, some of which were reprinted as t-shirts.

Brimming with Christina’s signature style of 2D/3D haunting innocence, the work is a beautiful journey into texture, color and pure whimsy.

Here’s to the power of the social web, the ultimate ride down the rabbit hole.

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Pencils of Promise: Grassroots School-Building

How to give and own at the same time, or why Facebook is the new Peace Core.

In an ideal world, an invisible hand would be balancing the supply-demand ratio of help for humanity’s problems. The world, however, is far from ideal and we’re faced with more challenges than help is readily available for. And when help does present itself, it’s mostly in the form of donations — which often lack the immediacy of more hands-on approaches that give the help-giver a sense of ownership over the problem, in turn infecting the helpee with this we-can-solve-it resolve and unleashing a chain reaction of empowerment.

That’s exactly the kind of thinking that inspired Pencils of Promise — a powerful grassroots movement that seeks to solve the global education crisis from the bottom up and inside out. The nonprofit is 100% volunteer and its primary goal is to build schools and related facilites across the developing world, but it also embodies something we celebrate here at Brain Pickings — the cross-pollination of skills and perspectives — by empowering people to contribute whatever they are best at and cover different facets of the problem, rather than merely making impersonal and distanced donations.

The project began in 2008, when founder Adam Braun, fresh out of college himself, set out to build a single school in Laos. He put $25 into a bank account and asked friends to contribute however much they could. Little did he anticipate that in a little over a year, they would’ve raised $200,000 through the donations of thousands of individuals and over 150 volunteers would’ve joined the movement.

Our biggest commitment is to sustainability, which means PoP schools aren’t gifted but instead created by the community itself. The entire village helps builds their own school, leading to true ownership and a lasting commitment to their children’s educational future. ~ Adam Braun, Founder, Executive Director

Granted, as much as we’d want to, not all of us can drop our responsibilities and head East to build schools. But here’s how you can help:

Last December, Pencils of Promise won $25,000 through the Chase Community Giving Campaign on Facebook, which made them eligible for the million-dollar grand grant. And because the competition is user-driven, your vote can help tip the scale in the winning direction.

To sweeten the deal, Pencils of Promise is also using a voting system to decide which country to build schools in next — a little something they call “democratic social giving.” And in light of last week’s Haiti colossal earthquake disaster, PoP have just vouched to donate at least $100,000 towards youth-oriented initiatives in Haiti if they win the $1MM grant — a massive gesture of karmic kindness.

So go ahead and cast your vote for PoP in the Chase competition before Friday, when the voting closes — it’s a small effort on your part that can have momentous impact on entire communities. Which certainly beats another mindless round of FarmVille.

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We Feel Fine: An Almanac of Human Emotion

Four years and 12 million feelings later, a book that lives up to its grand expectations.

In 2005, visionary artist-storyteller Jonathan Harris (whom we’ve already established we love) embarked upon an ambitious experimental journey into human emotion. The project, titled We Feel Fine, soon became an icon of interactive storytelling and data visualization. The premise was simple: Every few minutes, an algorithm would scrobble the world’s newly posted blog entries for occurrences of the phrases “I feel” and “I am feeling,” and harvest human emotion by recording the full sentence and context in which the phrase occurs, identifying the polarity (happy, sad, depressed, etc. ) of the specific “feeling” expressed. Because the blogosphere is lined with metadata, it was possible to extract rich information about the posts and their authors, from age and gender to geolocation and local weather conditions, adding a new layer of meaning to the feelings.

The result was a database of millions of human feelings, growing by about 20,000 per day.

This week, Harris and co-author Sep Kamvar release We Feel Fine: An Almanac of Human Emotion, a remarkable book exploring the 12 million human emotions recorded since 2005 through brilliantly curated words and images that make this massive repository of found sentiment incredibly personal yet incredibly relatable. From despair to exhilaration, from the public to the intimate, it captures the passions and dreams of which human existence is woven through candid vignettes, intelligent infographics and scientific observations.

With its unique software-driven model, We Feel Fine is a revelation of emotion through a prism of rational data that only makes the emotional crux deeper and more compelling. It’s the rich symphony to PostSecret‘s scattered and sporadic soundbites, transcending mere voyeurism to offer a complex, layered context that spans sociology, psychology and digital anthropology.

From sentiments about cities to approval ratings of celebrities to the effects of gender and age on emotion, We Feel Fine picks at the fabric of feeling and thought from all sides and angles to reveal a complex portrait of human essence.

You can peek inside the book online and even download many of the pages as PDF’s.

For more about the challenges of translating a web narrative onto a print medium, how the idea for the book first came up, and what’s next for Jonathan, check out our exclusive Q&A with him for Wired UK. And grab a copy of We Feel Fine: An Almanac of Human Emotion — for yourself, or as one of the smartest holiday gifts out there.

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Jonathan Harris: World Building in a Crazy World

Simplicity vs. complexity, mental junk food, and how to be your own person.

We love artist, thinker and digital experimenteur Jonathan Harris — he’s one of the great storytellers of our day. His latest project, World Building in a Crazy World, is a simple yet philosophical reflection on the current state of the digital world, wrapped in a vision for our shared future.

Based on a recent talk Harris gave at UCLA’s Mobile Media Lecture Series, the project consists of a series of 15 short vignettes, each capturing a different and often unexpected facet of our digital reality and reflecting on the intangible interconnectedness of things.

Our Digital Crisis calls out a glaring truth that we all, at least on some level, sense but choose to closes our eyes to and click on.

Most online experiences are made, like fast food, to be cheap, easy, and addictive: appealing to our hunger for connection but rarely serving up nourishment. Shrink-wrapped junk food experiences are handed to us for free by social media companies, and we swallow them up eagerly, like kids given buckets of candy with ads on all the wrappers.

This idea of homogenization is something very near and dear to us. And we see curation — the smart and systematic culling of off-mainstream interestingness — as the only real antidote to the “Digg mentality” dominating the vast majority of web content consumption, where a small number of highly vocal people regurgitate the same content, causing it to float to the top of our collective awareness and feeding it down to that broader “junk-food”-hungry audience.

In Baz, a very personal story about Jonathan’s recent encounter with his 84-year-old fourth grade teacher, Harris reveals some universal truths about the nature of human experience, the wholeness of personality, and the value of asking the right questions rather than shooting for the right answers.

I asked him what was the secret to being a great teacher, and he said, ‘Well, you’ve gotta bring yourself to class every day. Your whole self. Your problems, your opinions, your stories—all of it. When you’re a full person, your students see you as an equal, and they trust you like they trust each other.’

Simplicity explores a much-trumpeted concept, popularized by companies like Apple and Google, from a little-considered vantage point, making a case against the knee-jerk dismissal of complexity driven by trend rather than true consideration.

… there is a difference between simplicity based on familiarity and simplicity based on universal truths. The lemming-like aesthetic conformity of today’s digital world has more to do with the former. True simplicity comes not from imitation, but from understanding. Certain situations will suggest a minimalist approach, but others won’t. Our digital worlds should feel like they sustain life—not just geometry.

1.2.3. explores the three fundamental principles that guide all of Harris’ work.

We love TED, but in Ideas, Harris makes a well-argued point about a sore shortcoming of such idea-conferences, which he says generate “city ideas.”

City ideas have to do with a particular moment in time, a scene, a movement, other people’s work, what critics say, or what’s happening in the zeitgeist. City ideas tend to be slick, sexy, smart, and savvy, like the people who live in cities. City ideas are often incremental improvements — small steps forward, usually in response to what your neighbor is doing or what you just read in the paper. City ideas, like cities, are fashionable. But fashions change quickly, so city ideas live and die on short cycles.

The case Harris makes for “natural ideas” — ones that come from solitary meditation and nature — is really a case for authenticity of thought, a personal resistance to the homogenization of beliefs, ideas and opinions. And we think that’s a skill, not a hard-wired trait — something we work at daily, by indulging our individual curiosity about the world and exploring the unique stories we tell about ourselves, each other and life at large.

Explore World Building in a Crazy World in its entirety for more modern philosophy on the building blocks of reputation, the tricky thing about having opinions, the evolution of language, and other integral parts of being.

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