Brain Pickings

Posts Tagged ‘technology’

20 JUNE, 2011

Everything is a Remix, Part 3: The Elements of Creativity

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What Gutenberg has to do with Thomas Edison and the secret sauce of Apple.

Kirby Ferguson’s excellent Everything is a Remix project is, as I’ve previously written, one of the most important efforts to illuminate the mechanisms, paradoxes and central principles of creative culture in modern history — an ambitious four-part documentary on the history and cultural significance of sampling and collaborative creation, reflecting my own deep held belief that creativity is combinatorial. Today, Kirby releases the highly anticipated third installment in the series, titled The Elements of Creativity.

Enjoy — this is a cultural treasure:

The most dramatic results can happen when ideas are combined. By connecting ideas together, creative leaps can be made, producing some of history’s biggest breakthroughs.” ~ Kirby Ferguson

From derivative work in art to incremental innovation in technology, Kirby tells the lesser-known stories of history’s greatest innovators to illustrate the point that creativity builds on what came before rather than crystallizing from thin air under the touch of a mythical muse.

Thomas Edison did not invent the light bulb — his first patent was “Improvement in Electric Lamps,” but he did conduct trials with 6,000 materials for the filament until he created the first commercially viable bulb. Apple didn’t invent the first desktop computer — it copied Xerox (oh, the irony…), but was the first to combine the computer with the household appliance, sparking the personal computing revolution.

What started it all was the graphical interface merged with the idea of the computer as household appliance. The Mac is a demonstration of the explosive potential of combinations.” ~ Kirby Ferguson

Creativity isn’t magic: it happens by applying ordinary tools of thought to existing materials. And the soil from which we grow our creations is something we scorn and misunderstand even though it gives us so much — and that’s… copying.” ~ Kirby Ferguson

The fourth and final episode, coming this fall, will tackle the most complex question of all: How our legal, ethical and artistic burdens are hindering our collective ability to embrace technology as a true enabler of creativity. You can support the project here — I happily did.

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20 JUNE, 2011

The Medium is the Massage: Shepard Fairey + Marshall McLuhan

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Presaging the digital revolution by a half century, or what Telstar has to do with global wisdom.

I have a longstanding obsession with iconic media theorist Marshall McLuhan, and I love equally iconic graffiti artist Shepard Fairy, so I was instantly in love with The Medium is the Massage — a phenomenal little book by McLuhan and designer Quentin Fiore, synthesizing McLuhan’s meatiest ideas in a powerful combination of words and images, with a stunning new cover by Shepard Fairey. The original book was published in 1967, but the remarkable art direction and distinct style are equal parts timeless and timely — so much so, some say, that Wired appropriated stylistic elements from the book in its acclaimed editorial design.

When information is brushed against information… the results are startling and effective. The perennial quest for involvement, fill-in, takes many forms.

The book is divided into several sections, each exploring a different facet of how “electric media” are changing everyday life, from self to family to education to government.

your family

The family circle has widened. The worldpool of information fathered by electric media — movies, Telstar, flight — far surpasses any possible influence mom and dad can now bring to bear. Character no longer is shaped by only two earnest, fumbling experts. Now all the world’s a sage.

McLuhan explores the big-picture significance of worldwide connectivity, best articulated in his concept of the global village, presages today’s discussions about the death of books by a half-century, and blends information theory and existential philosophy with such poetic grace it’s hard not to surrender to his words with full transcendence.

The stars are so big,

The Earth is so small,

Stay as you are.

Perhaps most notably, reading McLuhan’s observations from 1967 feels eerily like reading the latest intellectual debate on media theory today, bespeaking our culture’s chronic and patterned conditioned response to new technology: resistance, subversion and, eventually, surrender.

These are difficult times because we are witnessing a clash of cataclysmic proportions between two great technologies. We approach the new with the psychological conditioning and sensory responses to the old. This clash naturally occurs in transitional periods. In late medieval art, for in stance, we saw the fear of the new print technology expressed in the theme The Dance of Death. Today, similar fears are expressed in the Theater of the Absurd. Both represent a common failure: the attempt to do a job demanded by the new environment with the tools of the old.

The Medium is the Massage is a pocket-sized cultural treasure, the kind you’d want to share with all your friends and keep by your side at all times as a timeless lens on the evolution of contemporary culture.

via @kirstinbutler

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15 JUNE, 2011

Brian X. Chen on How the iPhone Changed Everything

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Business advice from Steve Jobs, or why everything you knew about multitasking might be wrong.

Last month, we took a look at how Shakespeare changed everything. It turns out, the great bard may have some stiff competition in the face of another cultural agent: the iPhone. At least that’s the premise of Always On: How the iPhone Unlocked the Anything-Anytime-Anywhere Future — and Locked Us In, a fascinating new addition to this list of essential books on the future of the internet by Wired contributor Brian X. Chen that explores how the “Jesus phone” transcended its status as a mere gadget to become a powerful force of cultural change.

Today, I sit down with Brian to chat about the secret to Apple’s success, open experiences amidst closed platforms, and what we can do to be smart information omnivores.

q1

What was it about the iPhone that transformed it from a personal technology to a conduit of cultural change?

There are two pieces to the iPhone zeitgeist: the product itself and the App Store business platform. Somehow, Steve Jobs negotiated with AT&T to carry the iPhone without even allowing the carrier to touch or see the device; the handset’s hardware and software were designed entirely by Apple. This was a significant turning point in the wireless industry, because previously carriers told the manufacturers what features to put in their handsets.

The second piece is just as significant: the App Store, which opened in 2008. The App Store allowed any programmer put up an app for sale in the App Store. And for the customer, the App Store was an extremely simple way to purchase apps with the tap of a button. The store opened the floodgates for hundreds of thousands of “apps” — 400,000 to date.

Now the iPhone isn’t just a smartphone, but also a medical device, a musical instrument, an education tool and thousands of other apps. A single app has potential to compete with an entire industry and impact our culture.

q2

How has Apple managed to find and retain success in a vertical, closed business model in the age of sharing, open-source and collaborative consumption?

It’s interesting that Apple is the most valuable corporation in the world today thanks largely to its vertically integrated business model, whereas in the past it was a niche player in the PC industry with the same approach. One broad reason is that times have changed, and now that computers have become a mainstream staple, the iPhone entered the picture to offer something fresh, new and more convenient for customers than ever before.

The fundamental reason the iPhone is so convenient is because its design and app ecosystem are tightly controlled by one company, Apple.

Furthermore, despite being closed and exclusive to Apple hardware, the iPhone, and now the iPad, are succeeding thanks to the gigantic army of developers providing apps. Many of these apps do enable people to share and collaborate (e.g., we still have Twitter apps, a Dropbox app, Facebook, etc.) Even though this is a “closed” platform, we still get more from the iPhone experience than we do other platforms, because there are more programmers contributing to the App Store compared to competing stores.

q3

A lot has been said about how social technology is changing the way we think. Where do you stand on this, as it pertains to the iPhone?

Many journalists have already concluded that the “multitasking” we do in this always-on lifestyle is bad for the brain. However, little research backs these claims. One study on “media multitasking” by Stanford found that people who juggled around a lot of media (e-mail, videos, music) were poor at concentrating compared to those who didn’t consume much media. But a study by University of Utah found that a small number of people are incredibly good at multitasking, which challenges the theory that multitasking is bad for the brain. I urge people to be cautious about drawing hasty conclusions.

I’d say rather than live in fear of smartphones, we can be more productive by asking ourselves what we can do NOW with this technology to make ourselves more powerful individuals.

What apps can I download to be better at my job, or help improve my health, or contribute to a community? In my book I tell stories about people using always-on technology in incredible ways, like a blind man who is able to use apps to “see” and take pictures, and scientists using smartphones to diagnose malaria in Africa. This is the future at our fingertips.

Ed. note: Always On is out today this month and a must-read for smartphone-slingers and cultural scholars alike.

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