Brain Pickings

Posts Tagged ‘technology’

08 JUNE, 2009

Ordering The Chaos: The Internet Mapping Project

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Dissecting the interwebs, or what digital toddlers have to do with infinite loops.

You know we’re in dire straits when Tim Berners-Lee, father of the World Wide Web, says we no longer fully understand the Internet.

But Wired magazine founder and chronic digital culture explorer Kevin Kelly has set out to dissect the fabric of the web. His Internet Mapping Project is an effort to understand how people conceive of the Internet through a series of user-submitted hand-drawn maps.

The internet is intangible, like spirits and angels. The web is an immense ghost land of disembodied places. Who knows if you are even there, there. Yet everyday we navigate through this ethereal realm for hours on end and return alive. We must have some map in our head.

So far, there are close to 80 submissions by people of all ages, nationalities and expertise levels, ranging from the concrete to the conceptual to the comic.

The project has also sprouted further analysis of people’s understanding — Argentinean psychology professor Mara Vanina Oses has distilled a fascinating taxonomy of the maps themselves.

Our favorite submission is a visceral stride-stopper that manages to communicate the nature of the Internet with brilliant simplicity, capturing the sea of interestingness that surrounds our homebase of curiosity.

Each submission asks for the person’s age, occupation and average daily hours on the web. And while the diversity of entries is astounding — from an art student to a jazz musician moonlighting as an IT consultant to the manager of the 10,000 Year Clock project — we did notice some interesting correlations.

Those who spend the most time online, for instance, have the most abstract of drawings — perhaps an indication that a truly rich understanding lives in the realm of the abstract and conceptual, not the concrete, providing a big-picture view not of what the Internet does or offers, but of what it is: An infinite loop of possibility.

At the same time, those who spend the least amount of time tend to put themselves at the center of the Internet — a sign of the “developmental psychology” of the web, wherein “web toddlers,” just like real 1-4-year-olds, adopt an egocentric worldview, while “web adults” are better able to shift perspectives and see the collective context of it all.

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04 JUNE, 2009

Emotional Cartography: Technologies of the Self

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What hacking has to do with art, technology and being human.

If you enjoyed last week’s BioMapping project, it’s time we took it to the major leagues — of biometric visualization, art, and sociology, that is.

Emotional Cartography is an excellent, free book on emotion mapping, featuring a collection of essays by artists, designers, psychologists, cultural researchers, futurists and neuroscientists. Together, they explore the political, social and cultural implications of dissecting the private world of human emotion with bleeding-edge technology.

Greenwich Emotional Map

From art projects to hi-tech gadgets, the collection looks at emotion in its social context. It’s an experiment in cultural hacking — a way to bridge the individual with the collective through experiential interconnectedness.

Hacking is an idea, as well as a social movement, which is about subverting and reclaiming the tools and metaphors that we’re given. Hacking is a DIY culture of action — a very individualistic community, but still a community with a vision of shared benefits.

Download the book in PDF here, for 53 glorious pages of technology, art and cultural insight.

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26 MAY, 2009

Heart of a City: BioMapping

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Why skin is the new heart and how your neighbors can change the way your feel about your street.

On the trails of yesterday’s fascinating exploration of cities as living organisms, today we look at another piece of high-concept urban portraiture that harnesses the power of art, sociology and technology to a brilliant end.

Since 2004, Christian Nold has been orchestrating Bio Mapping — a crowdsourced community mapping project, which wires people up to Galvanic Skin Response (GSR) devices, detecting their emotional arousal, and sends them on their merry way around the neighborhood. These states are then mapped onto people’s geographic location, creating a visualization of communal emotion.

Participants — over 1,500 of them to date — also annotate the data with personal observations, memories and thoughts they associate with each location, painting a rich emotional portrait of the social space of a community.

Perhaps most fascinating about the project isn’t the mere documentation of collective emotion, but how that awareness would change our perception of our community and environment.

Those who have been with Brain Pickings for some time may find Bio Mapping reminiscent of Swedish artist Erik Krikortz’s Emotional Cities project. But, as researchers, we love the idea of measuring emotional states via biofeedback rather than self-reporting.

After all, there’s often a gaping disconnect between how we publicly broadcast emotion and how we privately experience it.

via Very Short List

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18 MAY, 2009

Beautiful Connections: The Art of Conversation

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The color of conversation, 6 million colors, and why Flash is more antisocial than your misanthropic uncle.

Universal love for the iPhone aside, when it comes to the creative exploration of a gadget’s cultural context, Apple has nothing on Nokia. To promote the Nokia’s E71 smartphone, Wieden + Kennedy London came up with Beautiful Connections — a multimedia homage to the art of conversation.

From text art to a mobile app to short films inspired by the beauty of everyday conversation, the microsite is pure visual indulgence.

It also invites visitors to create their own audiovisual art piece, using their computer’s webcam, microphone or keyboard to explore how text, sound, color and motion influence your message. Here’s ours:

The winner of the film contest, Ewan Watson, used rotoscoping to create S I G N A L S — a colorful play on communication signals.

You can see the other 4 film finalists here, here, here, and — our uncontested favorite — here.

You can't really watch now – Flash does suck that way

Which brings us to our only gripe with the project: The inherent unshareability of Flash content — the medium blatantly contradicts the message if none of the work can be shared in “everyday conversation” via individual permalinks or… gasp… embed code.

How did the W+K team miss the irony here?