Brain Pickings

Posts Tagged ‘vintage children’s books’

18 JULY, 2012

Alligators All Around: A Maurice Sendak Alphabet Book from 1962

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Juggling jellybeans, keeping kangaroos, and other shockingly spoiled yackety-yacking.

As a lover of alphabet books and of all things Maurice Sendak, I was delighted to get my hands on an original 1962 edition of Sendak’s Alligators All Around: An Alphabet — a charming, tiny gem that tells the non-narrative story of an alligator family who go about their daily business as young readers explore the progression of the alphabet.

Even with so few words and such simple illustrations, Sendak’s signature wit and subtle irreverence shine with their familiar light.

Note that although the illustrations in the them are no less delightful, the copies currently on Amazon are, alas, regular-sized reprints from 1991 — but some public libraries still carry the wonderfully diminutive original.

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04 JUNE, 2012

The Gnomes of Gnù: Umberto Eco Teaches Kids About Ecology Through Abstract Art

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A beautiful allegory about ecological collapse and salvation.

In the 1960s, celebrated novelist, list-lover, and philosopher Umberto Eco partnered with illustrator Emilio Carmi on an unusual children’s trilogy. First came The Bomb and the General, a primer on semiotics that used language as a malleable toy to comment on the nuclear age and deliver a message of peace. Then followed The Three Astronauts, employing recurring symbols in teaching kids to draw connections between text and image. Finally, nearly three decades after the original two, in 1992, Eco and Carmi produced the last installment: The Gnomes of Gnù (public library) — an abstract allegory about ecological collapse and the capacity for change, told through a Space Explorer (“SE”) who sets out to find a beautiful new habitable planet to which to port human civilization. But when he does find Gnù, the gnomes that inhabit it turn out to be less than interested in receiving civilization.

The Gnomes of Gnù is fairly hard to find, but Ariel S. Winter has kindly scanned it and made it available on Flickr in its entirety.

We Too Were Children, Mr. Barrie

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21 MAY, 2012

To Do: Gertrude Stein’s Posthumous Alphabet Book

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“Don’t bother about the commas which aren’t there, read the words. Don’t worry about the sense that is there, read the words faster.”

In 1939, Gertrude Stein penned her first children’s book, The World Is Round, whose dramatic story was featured in this twopart omnibus of obscure children’s books by famous authors of “adult” literature. The following year, Stein wrote an intended follow-up, titled To Do: A Book of Alphabets and Birthdays (public library) — a fine addition to my well-documented obsession with unusual alphabet books.

But publisher after publisher rejected the manuscript as too complex for children. (One must wonder what Maurice Sendak might have said to that.) The book was never published in Stein’s lifetime. In 1957, more than a decade after Stein’s death, Yale University Press published a text-only version and in 2011, more than half a century later, the first illustrated version true to Stein’s original vision was released, with exquisite artwork by New Yorker illustrator Giselle Potter.

In the press release for The World Is Round, Stein offered the following characteristically philosophical statement regarding her children’s writing, exuding the same dedication to the intertwining of form and meaning we’ve come to expect from her adult writing:

Don’t bother about the commas which aren’t there, read the words. Don’t worry about the sense that is there, read the words faster. If you have any trouble, read faster and faster until you don’t.

Z is a nice letter, and I am glad it is not Y, I do not care for Y, why, well there is the reason why, I do not care for Y, but Z is a nice letter.
I like Z because it is not real it just is not real and so it is a nice letter to you and nice to me, you will see.

Zebra and Zed.

A Zebra is a nice animal, it thinks it is a wild animal but it is not it goes at a gentle trot. It has black and white stripes and it is always fat. There never was a thin Zebra never, and it is always well as sound as a bell and its name is Zebra.

It is not like a goat, when a goat is thin there is nothing to do for him, nothing nothing, but a Zebra is never thin it is always young and fat, just like that.

Images courtesy of Yale University Press

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02 MAY, 2012

Ounce Dice Trice: Exploring the Whimsy of Words in Extraordinary Names for Ordinary Things

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Cartography for the land of linguistic imagination.

As a lover of language and children’s books, I found myself head over heels with Ounce Dice Trice (public library) — poet Alastair Reid and beloved artist Ben Shahn’s marvelous exploration of the nooks and crannies of language, real and imagined, through obscure, esoteric, and invented words for familiar things that are as mind-bending as they are tongue-twisting. It’s part Lewis Carroll, part Shel Silverstein, part something entirely its own and entirely refreshing.

The title comes from the playful alternative words bored shepherds used when they grew tired of counting their sheep the usual way.

Reid, best-known for his translations of Jorge Luis Borges and Pablo Neruda, writes to his young readers — and, it feels, to the eternal child in each of us — in the introduction:

And if you grow to love words for their own sake, you will begin to collect words yourself, and you will be grateful, as I am, to all the people who collect odd words and edit odd dictionaries, out of sheer astonishment and affection.

Conceptually delightful and beautifully illustrated, Ounce Dice Trice will put your relationship with language through a kaleidoscope of whimsy, stirring you to rediscover the sound and feel of words as they tug mischievously at your tongue.

Thanks, Marylaine; images via NYRB

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