How eBay uncovered a buried literary treasure, or what a Massachusetts dentist has to do with vintage magazines.
It must be the season for posthumous anthologies of treats by beloved children’s authors. After Shel Silverstein’s Every Thing Thing On It comes The Bippolo Seed and Other Lost Stories — a fantastic new collection of seven rarely seen stories written and illustrated by Dr. Seuss, published in magazines between 1948 and 1959. But what’s even more remarkable than the book itself is the story of how it came to be.
In 2001, “dentist by profession and Seussologist by obsession” Charles Cohen, discovered the first of these lost stories in vintage magazines on eBay and set out to find the rest, eventually acquiring multiple copies of some. He then started listing these extra copies on eBay, noting the lost Seuss stories they contained. The listings caught the eye of Random House art director Cathy Goldsmith, who had worked on books with Seuss himself. The rest was history.
In the 50s, and in the 40s before that, this was the place where Fitzgerald and Hemingway tried out stuff in short stories in magazines. And Ted was among them. This is the point at which Dr. Seuss is becoming Dr. Seuss.”
More than just a literary gem, which it certainly is, The Bippolo Seed is also a wonderful embodiment of two of today’s most beautiful phenomena: the notion that anyone with a passion and an vision can leave an imprint on culture, as Cohen did in discovering these buried treasures, and the power of a great, curious curator in bringing that vision to the forefront of culture, as Goldsmith did in discovering Cohen.
Images courtesy of Random House
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From typography to tsunamis by way of quantum physics, or what Langston Hughes has to do with LEGO.
Artful and fanciful children’s books make frequent cameos around here. Part of what makes them so great is their ability to whisk the young reader away into an alternate reality full of whimsy and possibility. But the present reality is often full of so much fascination we need not escape it to have our curiosity and imagination tickled. We’ve previously seen how comic books can be a medium for nonfiction, and today we turn to 7 wonderful kind-of-children’s books that bring imaginative storytelling to real, and in many cases serious, issues for young minds to ponder.
GRAPHIC DESIGN FOR KIDS
Graphic Design for Kids, part of the excellent Design Dossier series by Pamela Pease, introduces kids to the wonderful world of graphic design, from its history to its problem-solving and critical thinking methods, spanning a wide spectrum of visual elements and design mediums — shape, color, size and typography; posters, books and websites — to demonstrate design’s role in everyday life, exploring how people use words, pictures, and symbols to deliver and digest messages. The interactive, spiral-bound volume includes profiles of iconic designers, with flash cards featuring pithy insights on their craft, brimming with die-cuts, pull-outs and other treats that only analog books can offer.
Prolific poet, social activist, novelist, playwright, and columnist Langston Hughes is considered one of the fathers of jazz poetry, a literary art form that emerged in the 1920s and eventually became the foundation for modern hip-hop. In 1954, he set out to educate young readers about the culture he so loved. The First Book of Jazz, which you might recall as one of our favorite children’s books by famous authors of literature for grown-ups, became the first-ever children’s book to review American music, and to this day arguably the best.
Hughes covered every notable aspect of jazz, from the evolution of its eras to its most celebrated icons to its geography and sub-genres, and made a special point of highlighting the essential role of African-American musicians in the genre’s coming of age. Even his discussion of the technical aspects of jazz — rhythm, percussion, improvisation, syncopation, blue notes, harmony — is so eloquent and engaging that, rather than overwhelming the young reader, it embodies the genuine joy of playing.
Alongside the book, Hughes released a companion record, The Story of Jazz, featuring Hughes’ lively, vivid narration of jazz history in three tracks, each focusing on a distinct element of the genre. You can here them here.
THE SERIF FAIRY
From our friends at Mark Batty comes The Serif Fairy — a charming book for type geeks and their progeny, which follows The Serif Fairy as she hunts for her lost wing across and airy, meticulously designed typographic landscape. She wanders through Garamond Forest, the Zentenar Gate, the Futura City, and Shelley Lake, where she falling into the water to find her lost wing, then rises to the air revived and full of magic again.
It’s an archetypal story of quest and belonging, told through a unique vehicle that educates and entertains at the same time, letting children learn about typography without realizing they are. Originally conceived in German by writer and graphic designer Rene Siegfried, the story’s sensitively English translation by Joel Mann takes nothing away from its poetic fable-like quality.
The book won the 2007 Type Director’s Club award for best children’s book.
Seasons by French artist Blexbolex, which you might recall, is a more meditative and abstract than the other books in this omnibus, but no less profound and stimulating for the young reader. With his signature retro-inspired minimalism, Blexbolex uses the metaphor of seasonality to reflect on a number of life’s big themes and the subtle dualities of being human. Four spreads depict the same landscape during each season, with a single word or phrase in bold block-letters on each page. But don’t breeze by the seeming simplicity of the concept — many of the thoughtful pairings on the beautiful double-page spreads give you pause and make you wonder why and how the two words go together, gently nudging you towards a philosophical meditation on the seasons, change and impermanence.
With its rich, textured colors, the creamy matte paper, and the tactile fabric on its spine, Seasons is as much a window of curiosity for kids as it is a beautiful art possession for grown-ups.
VOYAGE TO THE HEART OF MATTER
Since 1954, the European Organization for Nuclear Research, better known as CERN, has been pushing the boundaries of human knowledge as the world’s largest particle physics laboratory. Voyage to the Heart of Matter: The ATLAS Experiment at CERN is an extraordinary collaboration between CERN and acclaimed paper engineer Anton Radevsky, bringing to life CERN’s proudest creation: The Large Hadron Collider, the world’s largest and highest-energy particle accelerator.
The meticulously engineered pop-up book captures CERN’s quest to understand the universe by bringing to life the astounding activities of the LHC, from protons colliding at nearly the speed of light at the heart of the ATLAS detector to reenactments of the conditions that existed millionths of a second after the Big Bang.
I LEGO N.Y.
I LEGO N.Y. by the brilliant Christoph Niemann (♥), which topped our selection of the best children’s books of 2010, takes an imaginative look at New York rendered entirely in LEGO — a manifestation of Niemann’s incredible gift for taking something ordinary and transforming it into pure whimsy. From the city’s iconic architecture to the peculiarities of its day-to-day, this pocket-sized treasure offers both a guide to and a wink at The Big Apple, full of Niemann’s characteristic subtle humor and charming aesthetic.
On Boxing Day 2004, a devastating earthquake and tsunami struck the Indian Ocean, killing more than 230,000 people in 14 countries. To commemorate the victims, West Bengali scroll painters Joydeb and Moyna Chitrakar created a ballad and a stunning picture scroll in the tradition of Patua, a form of narrative graphic art, transforming the tragic news into an artful and poetic fable. The fine folks at Tara Books, who brought us such handmade gems as The Night Life of Trees and I Like Cats, turned the Patua scroll into a book — but it’s no ordinary book. Tsunami is made entirely by hand and silkscreened onto handmade paper. It unfolds like a scroll and even features a hole from which to be hung on your wall. Its thick pages exude the rich smell of the authentic Indian dyes used in the screen-printing process, breathing even more mesmerism into the project’s extraordinary feat of bridging the fodder of newsrooms with the ancient art of Patua storytelling.
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Priceless art at a petty price, or what spades have to do with the secret nooks of the art world.
Andy Warhol may be one of only seven artists in the world to have ever sold a canvas for $100 million, but it turns out you don’t have to be a billionaire to own “a Warhol.” In fact, you can do so for about $5.
In the late 1950s, Warhol belonged to Doubleday’s stable of freelance artists, making a living designing book covers and illustrating dry business books. Shortly before halting his love affair with the corporate world in fear of compromising his flirtations with the art world, he illustrated six stories for the excellent Best In Children’s Books. (Cue in our recent review of little–known children’s books by famous “adult” authors.) Among them was the story “Card Games Are Fun,” from Best of Children’s Books #27, published in 1959.
What’s most striking about this artwork isn’t only its complete lack of resemblance to Warhol’s most iconic pop art, but also the fact that it remains largely unacknowledged by art historians and virtually absent from most Warhol biographies. Yet something about its honesty, of style and of circumstance, makes it a rare treat of creative history.
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