Brain Pickings

Posts Tagged ‘vintage’

30 DECEMBER, 2011

Marshall McLuhan on New Forms and Old Assumptions (1960)

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What the golden age of television has to do with human nature and today’s Internet intellectuals.

It seems fitting that we conclude the year that marked the 100th anniversary of the birth of iconic media theorist Marshall McLuhan with one of his timeless and remarkably timely observations, which in just 30 seconds manages to capture in 1960 a folly of human nature that rings all the more true in 2011 as we trek forward into this constantly evolving media landscape.

When any new form comes into the foreground of things, we naturally look at it through the old stereos. We can’t help that. This is normal, and we’re still trying to see how will our previous forms of political and educational patterns persist under television. We’re just trying to fit the old things into the new form, instead of asking what is the new form going to do to all the assumptions we had before.”

The segment comes from the tribute site Marshall McLuhan Speaks, originally featured here in July. (Though, it warrants noting, the lack of embedding capability for their footage is particularly ironic in light of McLuhan’s words above.) It is also adapted in Understanding Me: Lectures and Interviews, edited by McLuhan’s daughter and with a foreword by Tom Wolfe offering a 21st-century perspective on McLuhan’s life and work. (To be supplemented with Douglas Coupland’s fantastic Marshall McLuhan: You Know Nothing of My Work!.)

What McLuhan gets at, of course, could also be said not only of media but also of media theory itself, especially today. As Internet scholar Evgeny Morozov writes in The New Republic:

Our Internet intellectuals lack the intellectual ambition, and the basic erudition, to connect their thinking with earlier traditions of social and technological criticism. They desperately need to believe that their every thought is unprecedented. Sometimes it seems as if intellectual life doesn’t really thrill them at all. They never stoop to the lowly task of producing expansive and expository essays, where they could develop their ideas at length, by means of argument and learning, and fully engage with their critics. Instead they blog, and tweet, and consult, and give conference talks—modes of discourse that are mostly impervious to serious critique.”

(Thanks, Kristen.)

So, where does this leave us as we round out McLuhan’s centennial? With more questions than answers, no doubt, but the questions about the future of information abundance, the future of journalism, and the future of the Internet might be a good place to start.

Thanks, Bob

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23 DECEMBER, 2011

Max Fleischer’s Original 1947 Rudolph the Red-Nosed Reindeer Animation

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How Santa’s ninth reindeer made his on-screen debut.

In 1939, Robert L. May conceived of Rudolph the Red-Nosed Reindeer in a poem, published in a booklet by iconic department store Montgomery Ward. But “Santa’s 9th Reindeer” didn’t become etched into the nation’s collective imagination until May’s brother-in-law, songwriter Johnny Marks, adapted Rudolph into a song in 1949. (What makes the story all the more curious and poetic is that Marks was Jewish, yet he created some of the most popular Christmas songs we know today.)

But Rudolph made his first screen appearance two years earlier, in 1947, in a cartoon short produced by animation pioneer Max Fleischer. The film was later reissued by the Handy (Jam) Organization — who also brought us such gems as a manifesto for makers (1960), cinematic homage to mid-century design (1958), and an animated explanation of how radio broadcasting works (1937) — with the song added in. The 8-minute animation, now in the public domain, is a vintage treat of the most delicious variety:

Fleischer’s film was eventually adapted into a lovely children’s storybook in 1951, illustrated by Richard Scarry.

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21 DECEMBER, 2011

Steve Jobs on Why Computers Are Like a Bicycle for the Mind (1990)

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A 20-year-old antidote to modern-day digital pessimism.

The future of libraries — and of information, curiosity, and knowledge at large, of which the library has always been a bastion — is something I think about a lot, particularly the struggles of intellectual institutions like libraries and museums in bringing their vast analog archives into the digital sphere in an intelligent and useful way. In this excerpt from the film Memory & Imagination: New Pathways to the Library of Congress, essentially an extended 1990 infomercial for The Library of Congress starring such icons as Francis Ford Coppola, Julia Child, Penn & Teller, and Gore Vidal, Steve Jobs talks about the future of libraries in the digital age, video games as simulated learning environments, and why a computer is like a bicycle for the mind — a metaphor that I, as a bike lover, a curiosity jockey, and a techno-optimist, want to shake in the face of every false prophet pedaling techno-dystopia.

I think one of the things that really separates us from the high primates is that we’re tool builders. I read a study that measured the efficiency of locomotion for various species on the planet. The condor used the least energy to move a kilometer. And, humans came in with a rather unimpressive showing, about a third of the way down the list. It was not too proud a showing for the crown of creation. So, that didn’t look so good. But, then somebody at Scientific American had the insight to test the efficiency of locomotion for a man on a bicycle. And, a man on a bicycle, a human on a bicycle, blew the condor away, completely off the top of the charts.

And that’s what a computer is to me. What a computer is to me is it’s the most remarkable tool that we’ve ever come up with, and it’s the equivalent of a bicycle for our minds.” ~ Steve Jobs

For a related treat, don’t miss this recently uncovered 1995 interview, in which Steve Jobs opens the door to his philosophy on life and failure.

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16 DECEMBER, 2011

The Modernist Nerd: Vintage Science Ads from the 1950s-1960s

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What a “honeycomb sandwich” has to do with space travel and reconnaissance systems.

The intersection of science and design has many beautiful manifestations, from data visualization to nerd tattoos. But hardly does it get more delightful than in these gorgeous vintage science and technology ads from magazines in the 1950s and 1960s, bringing the modernist aesthetic to the atomic and space ages.

See more on Flickr.

via iso50

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