Brain Pickings

Posts Tagged ‘vintage’

29 SEPTEMBER, 2011

The Ropes at Disney: 1943 Walt Disney Employee Handbook

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“If you unwittingly slip off the beam, it will give you painless nudge in the right direction. Please read it carefully.”

In 1943, Walt Disney Productions’ personnel department set out to eliminate confusion for the company’s workforce with the publication of an employee handbook titled The Ropes at Disney. It was an effort to reconcile the need for organizational order with Disney’s effort to craft an image of an informal, irreverent, fun employer who seeks to “maintain a friendly relationship between Company and employee” (but, apparently, deems only the former worthy of capitalization).

Notice also the multiple cameos by this charming fellow, who appears to have a chronic ogling problem. Oh, wait, it’s 1943.

The last page of the handbook features this lovely map of the Walt Disney campus:

via @openculture

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28 SEPTEMBER, 2011

Gorgeous Grimm: 130 Years of Brothers Grimm Visual Legacy

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What evil stepmothers and conniving wolves have to do with understanding the future of reading.

The fairy tales of the Brothers Grimm, part of UNESCO’s Memory of the World Register for the preservation of cultural documents, have been delighting and terrifying children since 1812, transfixing generations of parents, psychologists, and academics. The Fairy Tales of the Brothers Grimm (public library | IndieBound) is an astounding volume from Taschen editor Noel Daniel bringing together the best illustrations from 130 years of The Brothers Grimm with 27 of the most beloved Grimm stories, including Cinderella, Snow White, The Little Red Riding Hood, and Sleeping Beauty, amidst artwork by some of the most celebrated illustrators from Germany, Britain, Sweden, Austria, the Czech Republic, Switzerland, and the United States working between the 1820s and 1950s.

The new translation is based on the final 1857 edition of the tales, and stunning silhouettes from original publications from the 1870s and 1920s grace the tome’s pages, alongside brand new silhouettes created bespoke for this remarkable new volume.

An introduction by Daniel explores the Grimms’ enduring legacy, from the DNA of fairy-tale scholarship to the shadow play and shape-shifting at the heart of the stories, and a preface to each tale frames it in its historical and sociocultural context.

The Grimms’ were a vital engine for a whole new caliber of artistic activity […] Suddenly, artists across the Western world could make a living illustrating books, and they found a solid foundation for new work in the heroes and princesses, talking animals, dwarfs, and witches of fairy tales. The tales were an important part of each technological advancement along the way, and the best of this visual iconography still influences artist, art directors, filmmakers, and animators today […] Even as our modes of reading continue to change with new technologies, taking a measure of the interactivity of text and image in past treasures helps us understand the changing landscape of reading in the future.”

And in case you were wondering why Taschen, purveyors of high-end and often risque art and design books, are doing a children’s book, they’ve got a thoughtful answer:

Taschen recently celebrated its 30th anniversary. We have many readers who have come of age with us and are now have their own families. These readers are interested in beautifully produced children’s books that take seriously a child’s exposure to stories and images with depth and historical meaning. We wanted The Fairy Tales of the Brothers Grimm to embody our mission to create meaningful books that are timeless yet original, modern but classic.”

Rigorously researched and breathtakingly art-directed, The Fairy Tales of the Brothers Grimm is a whimsical wonderland in its own right, blending seminal cultural history with our private individual nostalgia in an utterly gorgeous volume to charm the design lover, the history buff, and the eternal kid all at once.

Images courtesy of Taschen

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22 SEPTEMBER, 2011

The Story of the Millennium Seed Bank Project + Gorgeous Vintage Seed Catalog Cover Artwork

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What 30 double-decker buses have to do with biodiversity and our dinner parties of the future.

All human life — all life — depends on plants. The genetic information for future plants is held in their seeds, so the biodiversity of our planet, as well as the sustenance of our species and others’, depends entirely on the seeds that survive from generation to generation. Since 2000, the Millennium Seed Bank Project by the Kew Royal Botanical Gardens has been working with hundreds of partners in 50 countries to provide an “insurance policy” against the extinction of plants in the wild by storing seeds for future use. In 2007, it banked its billionth seed. By 2010, they had collected seeds from 24,000 different species of plants, representing 10% of the world’s dryland wild plants. By 2020, the project will have collected 25%. The underground seed vault, if filled wall-to-wall, could hold 100,000,000,000 rice grains or 30 tightly packed double-decker buses.

The Last Great Plant Hunt: The Story of the Millennium Seed Bank Project offers an unprecedented look at one of the most important and ambitious international conservation efforts of our time. From how seeds are collected and cared for to what role they play in conservation research, the book blends equal parts practicality and perspective to reinstill in you a profound appreciation for our planet’s remarkable biosphere.

If you still doubt the vital significance of plants, this short but compelling 2009 TED talk by Kew’s Jonathan Drori will convince you otherwise:

For an even more breathtaking, visceral reminder of the magnificence of plants — one unaffiliated with the Millennium Seed Bank Project but in a way a manifesto for it — get lost in this stunning vintage cover artwork from the Smithsonian’s collection Seed Nursery Catalogs.

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19 SEPTEMBER, 2011

Queenslander: Gorgeous Vintage Australian Illustrated Covers

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Visual vignettes of the mundane and the monumental from 1920s and 1930s Australia.

Between 1866 and 1939, The Queenslander made a weekly summary of the Brisbane Courier, now The Courier Mail, newspaper available to the regional and outlying areas of Australia’s Queensland state. These stunning illustrated covers from the 1920s and 1930s, culled from the State Library of Queensland public domain collection on Flickr Commons, offer beautiful depictions of life, from the mundane to the monumental, with vignettes ranging from the daily grind in Queensland to major local and national events.

For more vintage Australian design goodness, don’t forget the charming 1978 animated film One Designer, Two Designer, comically exploring what makes good and bad design.

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