Hold on to your belt, hotel room “presents” that rock, visions from another world, a YouTube David, why we’re buying our own hyperboles, how 10,000 books will take over Cannes, and what a python and a kitchen appliance have in common.
By Maria Popova
If you were ever the kid who begged mom for a box of cereal solely because of the plastic scramble puzzle inside, then you’ll get a kick out of Befuddlr: a place for hyper-customized time-killing that lets you create a digital photo scrambler out of any photo you upload, send it to your friends, and even time your quest to break the world photo unscrambling record.
Once you get the “befuddle it!” bookmarklet on your bookmark bar (just drag it off the website onto your bar), you can befuddle any Flikr photo or upload your own album and do an original.
We managed this one…
…in an impressive 36.1 seconds.
Do we have a new challenge for the belt-holder? Give it a shot if you dare.
We never thought it possible to find a little something from a past guest in a hotel room and actually enjoy it, but we were wrong. Turns out, there’s a new underground movement afoot where the artistically inclined and mischievous leave “secret wall tattoos” — artwork done in spaces normally covered by hotel furniture that is only revealed when said furniture is moved.
Rumor has it, Queens of the Stone Age vocalist Josh Homme started it all. He’s been quoted to compare the concept to a box of Cracker Jacks, in which you find a hidden toy. Turns out, artists are actually getting paid by (smart) hoteliers to do this kinda thing, which is okay since it’s still cool as hell in the context of the bland, visionless herd of mainstream hotel interiors.
So while we’re bemusing the eye, why not amuse it.
Bulgarian English teacher and multi-talented artist Denitsa Boyadzhieva has a blog so humble yet visually compelling you’ll come to appreciate it without ever needing to understand the text: it’s artwork that truly speaks.
We love the phenomenal play of color and light in her photographs, and the childlike simplicity intertwined with complex adult emotion oozing from her illustrations.
Plus, we’re all for exposing people to culturally different art visions. Go, get exposed.
Weighty YouTube hasn’t stopped the proliferation of other video- sharing sites. Granted, most of them range from poor-man’s ripoffs of the Goliath to portfolio vaults for porn school drop-outs. But one newcomer, coull.tv, is taking the video-sharing experience to a new, highly interactive level: one they dubbed “reactive video.”
The basic concept: not only can you search, share, comment and vote on video, but you can also use the proprietary Video Activator Tool to specify and tag different parts of a video, making various elements of it (people, objects, whatever) clickable. This results in a fully searchable vid, allowing other users to rate and comment on just specific parts of it.
The service is pretty new, so we’ll cut them some slack for the unclickable tags and other glitches we experienced. (Plus, we saw from the screenshots on their about page they seem to be pulling a John Hodgman — whose popular incarnation is, by the way, unsurprisingly absent from their collection of videos.)
But we see great potential: imagine being able to click an object in a video and instantly access a multimedia library of information available on it across the web, from news articles, to blog mentions, to Wikipedia entries, to music, to related social network groups, to images and more. In the great words of Tim Gunn, “Make it work!”
And while we’re on the topic of great video, let’s take it up a notch and consider great film, the notion of which should now be in the Endangered Species book in light of the devastating blockbuster attempts, cheap comedies, corny horror flicks and other mainstream horrors flooding pop culture in recent years.
So we’re ecstatic to hear about Juno, a new Fox Searchlight film by director Jason Reitman (remember Thank You For Smoking?), sporting the most brilliant cast we’ve ever seen (really) and a promising Garden-Statesque soundtrack. And given that all this comes with our usual utmost aversion to hyperbole, take our word: it’s just that good.
On to said brilliant cast: excuse the bias, but we can’t help mentioning the talent behind our all-time favorite TV character, C. J. Cregg of The West Wing: Allison Janney. Then there are Arrested Development co-stars Michael Cera, fresh out of Superbad, and Jason Bateman, fresh out of The Kingdom. (Fox, thanks to your indie arm, you’ve made a small chip at redeeming yourselves from eternal damnation on grounds of canceling the cult primetime hilarity.)
Also in the posse: prolific Hollywooders J. K. Simmons and Jennifer Garner, whose obvious effort to step away from mainstream cheese we can’t help applauding. (Or, they got enough of the big bucks to carry them through years of indiesque income in pursuit of critical acclaim.)
Finally, we have off-to-an-impressive start debutante Ellen Page, who just won the Hollywood Film Festival award for Breakthrough Actress (Don’t we say “actor” for both genders these days?) of the Year and the Gotham Award for Breakthrough Actor. (See, the East Coast is rocking the PC thang.) And, speaking of awards, the Palm Springs International Film festival and the SAG Foundation honored Juno with the Chairman’s Vanguard award, which Little Miss Sunshine snagged last year. Shortcut to the Oscars?
Be your own judge:
The film opens next week, but still no word on when/whether it’ll be showing in Philly. Well, if not, it’s looking so good we may even suck up the wonderful experience that is the Chinatown Bus to New York.
Okay, so it’s clear we can’t keep our hands off the visual media this week. Might as well embrace it: 2007 certainly has. At least when it comes to commercial work, we can safely call this year the year of gargantuan productions. After the Sony Bravia “Play-Doh“ spot from Fallon London, we got the Guinness “Tipping Point” from Abbott Mead Vickers BBDO, London — which, if you haven’t already, you should absolutely see. For the laggards:
This sort of work is certain to give some the “Okay, but will it sell beer?” furrows, but we can’t deny it steals the word “awesome” back from gum-chewing teens and brings it to its roots of awe-inspiring marvel.
And, to be sure, this sort of awe doesn’t come easily. Genius MJZ director Nicolai Fuglsig admits it was the toughest shoot of his life. (And, yep, he’s the one that directed the Sony Bravia “Balls” spot.)
Not hard to believe: it all took place in a small Argentinian village at 3,000 feet altitude. To get there, the crew had to drive 30 miles on dirt roads and cross 12 rivers. Then they took over the 1000-person village for 2 months with 140 crew and 130 extras. Speaking of extras, these were all completely untrained and non-English-speaking locals, so casting took 18 days. When all was finally ready to go, 26 trucks rolled into the tiny village carrying 6 cars, 50 fridges, 70 wardrobes, 400 truck tires and 10,000 books.
See the $20-million magic happen:
And, finally, let’s sign off with our good friend from Will It Blend. This time, the Blendtec beast takes on a Guitar Hero III guitar. Reminds us of those Discovery-Channel-style “snake swallows something 10 times its intestinal width” scenarios.
Ooh! Ooh! Can we do an elevator next?
Published November 30, 2007