The Corners Project
Bankers, b-boys, and why diversity and solidarity are not NYC’s strangest bedfellows.
By Maria Popova
New York City. Was there ever a more diverse, colorful and eclectic hub of humanity? Fascinated by the incredible hearth of culture that is NYC, strategic planner and hobbyist photographer Friko Starc set out to document it at its rawest, most candid form. For three years, he took portraits of strangers and passers-by at five Manhattan corners in what became The Corners Project, an inspired cross-section of New York’s living matter.
The five corners where the candid, spontaneous portraits were taken — Clinton & Rivington, Chrystie & Grand, Wall & Broad, Lex & 116th, 19th & 8th — stretch all across the island, from Chinatown to Wall Street, Lower East Side to Chelsea to Spanish Harlem.
From hipsters to homeboys, executives to entertainers, the project spans the entire social spectrum, with all its vibrant richness and charming quirk. Often presented in pairs, the portraits bespeak a unique blend of diversity and solidarity, the unmistakable we’re-in-this-together-ness of New York.
The project is part Ari Versluis’ fascinating Exactitudes, part Jason Polan’s wonderful illustrated Every Person in New York, with its own gritter, more unfiltered take on the ambitious goal of cataloging NYC’s incredible diversity and energy.
Published January 28, 2010